12/27/2007

12/27: Chicago queer black activists issue press release regarding two recent murders on the South Side


Today members of Chicago's black gay and lesbian community are outraged by the recent murders of two black gay men from the South Side. According to NBC.com , a local black gay and lesbian organization issued a press release this morning calling for a widespread "community alert." The release comes in response to the controversies surrounding the deaths of Larry Bland on Nov. 17, and Donald Young, on Dec. 23. Activists are suggesting that there might be "unspoken connections" between these two murders.


Bland, age 24, was shot in the head at 6300 S. Wood Street. His brother, Lynn Bland, has suggested that the murderers targeted Larry because he was gay. "He was the only guy in Englewood that came out. He'd tell you, 'I'm gay, your point is?," Bland told reporters.


Similiarly, Donald Young---a local and well known choir director(pictured above)---was found dead in his South Side home at approximately 7:30 a.m. this past Sunday. According to police reports, he was likely the victim of an armed robbery that may or may not have been motivated by homophobia.


From what I've gleaned from the blog of a young man who knew Donald Young, Young's funeral will take place this Saturday, 11:00 am at the Trinity United Church of Christ, 400 West 95th Street.


Tragically, Young's murder comes only days before the 1 year anniversary of the shootings at 79th and Woodlawn Avenue where six black gay men were targeted. Appropriately, a community march is planned on December 31 at 2 p.m. It will start at Taylor Funeral Home at E. 79th Street and S. Wabash Avenue, and continue on to Our Lady of Peace Catholic Church at 79th Street and S. Jeffery Boulevard. Queer black activists will be demanding widespread community support for a more thorough investigation of the sexual politics possibility underlining both Bland and Young's murders.


Yours in struggle,


Frank Leon Roberts

The Return of Carmen.

After nearly a decade in exile in Europe, the children are telling us that the legendary Mother Carmen Xtravaganza has returned home, sweet home.


For those of us familiar with the underground house-ball community, Carmen needs no introduction. Miss Xtrava belongs to a small cohort of ladies that are known on a first-name-only basis: Pepper, Octavia, Avis, Angie. The 46 year old Carmen was spotted this weekend in New York City at Club Escuelita with her viciously gorgeous daughter Giselle (current Mother of the House of Xtrava) promoting the House of Xtravaganza ball which will take place in Chinatown in April 2008.


For outside spectators of the scene, Carmen can best be remembered for her infamous one-liner in Paris Is Burning, "that voice is still there!" [clip]. Boy has she come a long way since then.



Welcome back.






Label: Local Celebrity

12/26/2007

RAZ B APOLOGIZES AND "TAKES BACK" COMMENTS...SOMETHING AINT RIGHT!

Sweet lawd a mercy, something is not right here!!!! the devil is a liar!

Omarion and Bow Wow conveniently drop brand new music video today...and its hot.


I tell ya, I really cant keep up with Omarion/Bow Wow/B2K drama. It's all too much. At this point im just sitting back watching the whole thing unfold, musically and otherwise.



Last night Bow Wow and Omarion premiered the video for their second single from Face Off, the infectiously rhythmic (and appropriately entitled) dance tune, "Hey Baby."


Now I must say I am loving this video. It features Omarion prancing around, ass for days, with his characteristically butchqueen-friendly-below-the-waist jeans and Bow Wow looking on lovingly (check out Omarion in the background at approximately 3:12- you gotta love it).




Contrary to what some of you might believe, I'm a big fan. I love these boys, I think they're having a gay ol' time and I certainly aint mad at that.Might 2008 be the year the Kanye passes the baton to Omarion (in terms of pop-culture popularity)?



Guess we'll just have to wait and see.


The Fabulous Jurnee Smollett in January's VANITY FAIR

Jurnee Smollett, a long time frank-favorite since her riveting performance in Eve's Bayou, currently graces the pages of VANITY FAIR. Even though the production style for the shoot is a bit David LaChapellish, homegirl still looks absolutely fabulous.


In case you're living under a rock and haven't heard yet, Jurnee stars in Denzel Washington's new (and recently Golden Globe nominated) drama, The Great Debaters, which opened Christmas day.

During my first year of graduate school, while I was a teaching assistant for a course at NYU on "feminist theater and drama," I had the pleasure of meeting Jurnee when she sat in on one of my class sessions (her sister, the equally talented
Jazz Smollett was one of my students). I've always been impressed with the graceful sophistication, talent, and poise of the Smollett women.


Go 'head on girls.

12/24/2007

RUBY DEE's race to the OSCARS

On December 20, 2007, the nominations for the Screen Actors Guild Awards were silently announced. The legendary Ruby Dee, one of the most important actresses in the history of African American theater and film (and the true star of American Gangster), is nominated for Best Supporting Actress for her extraordinary performance as Frank Lucas' mother. Trust me, this is a big deal. The SAG awards are unquestionably the most important precursor ceremony to the Academy Awards---far more important than the Golden Globes.


Dee is nominated alongside Cate Blanchett (who was robbed last year by Jennifer Hudson, sorry folks), Catherine Keener, Amy Ryan, and Tilda Swinton.

We're hoping that the SAG nominations continue in its tradition of being a solid-Oscar nomination predictor, and that Dee brings home a nod. She certainly deserves it. Though I did not care for American Gangster all that much overall, I do remember being left in chills at the following scene between Washington and Dee (fast forward to about 5:27):

On a side note, neither Denzel Washington nor Russell Crow are nominated in the Best Actor and Supporting Actor categories, which do not make things look too good for these fellas in terms of the Oscar race.



"MY ASS HURT": UPDATE on RAZ B/MARQUES HOUSTON/CHRIS STOKES molesation accusations with working footage

was Chris Stokes "behind" this too?



I think it is fair to say that Raz B is on the verge of a major battle with Chris Stokes' legal team. Not surprinsingly, the former B2K's tell-all confession (accusing producer Chris Stokes of years of molesation) posted yesterday on youtube has been removed.


However, as expected, a few folks managed to make "copies" before the footage was canned. As mentioned last night, the two clips include mouth-dropping comments from Raz like, "my ass hurt" (referring to the molesation) and "I'm not gay, I'm a real man." The second clip ends with a nearly ten minute phone call showdown between Raz B's older brother and Chris Stokes.

It will be interesting to see how this entire scenario unfolds. What are your thoughts? Watch the clips while you can, we're not sure how long they'll last.






These allegations, though shocking (and tragic, if true), come in the context of a long history of queer sexual gossip about the boys of B2K. Hey, we all know my "thoughts" on Omarion. I'm still just wondering who was responsible for this come-get-it-while-its-wet photo of Marques Houston (which hit the internet about a year ago)?


12/23/2007

Developing Story: RAZ B accuses Chris Stokes of Molesation, alludes to Marques Houston's homosexuality

"...but im not gay, thats why i went on Noah's arc, im a real man."
~Raz B



12/22/2007

Britney's new video released. Not bad actually.

Britney looks half-way decent in her fresh-off-the-presses music video, "Piece of Me." I'd give it a 5 on a 1-10 scale, which surpasses my usual rating for Spears production.

Britney, keep hope alive mama.

12/21/2007

On the Psychic Effects of Moderate Inebriation

Or: Why Frank doesn’t mind getting drunk anymore.

There is a long and rich history of the relationship between recreational drug use and scholarly knowledge production. From Walter Benjamin to Michel Foucault, academics have been getting “lifted” for about as long as “critical theory” has existed as its own legitimate form of academic inquiry.

As I enter the end of my fourth year as a doctoral student (when will it end!!!), I am realizing just how productive “getting high” can actually be for stimulating the mind. Now, I must admit from the start, I do not “do drugs” in any form: no coke, no ecstasy, no crystal meth, not even a little hit of marijuana every now and then. I’m pretty much a squeaky clean “drug free” kid.

But lately I have been experimenting with alcohol (which, considering that I usually don’t drink at all, simply means that I’ve been daring to having three or four drinks at a party) and have been amazed at just how effective a little “buzz” can be for stimulating the scholarly mind. This revelation took place almost entirely by accident: about two weeks ago I got drunk out of my mind at a club with friends and was later flapper gassed to realize that I had an easier time writing my dissertation prospectus while inebriated then while sober. The following weekend I repeated the pattern, yielding similar effects (productively, concentration, relaxation) and affects (happiness, nonchalance, stress-free-ness).

When I was a “kid” (i.e. 19-24) alcohol had the unattractive effect of making me irritable, overly-excited, obnoxious…basically all of things associated with undergraduate intoxication. However, as I get older, I am noticing that by body responds to alcohol differently: now it carries with it a “grown and sexy” effect, helping me meditate, relax, and calm down (and trust me, during this moment of pre-dissertation angst, anxiety is endless).

Is this some terrible, tragic foreshadowing of a troubled career as a professorial Lush, or is it simply a testament to the fact that alcohol, when used “responsibility,” can be incredibly rejuvenative, reparative, and even utopian?

Atlanta for MLK weekend?

For those of us who belong to the black gay and lesbian community, MLK weekend in Atlanta, Georgia has become sort of a ritual. This is particularly true for members of the house ball community, who usually take this weekend at an opportunity to convene for the annual "Atlanta Awards Ball" (think of it as a sort of Grammy Awards ceremony for Atlanta's ball scene).


But this year I'm really not "feeling" it. I'm not feeling like doing the whole meet and greet thing, not feeling like seeing the same ol' queens at Club 708 and Atlanta Live, not feeling like spending money frivolously. But then again, MLK weekend could be a perfect opportunity for me to have a little fun before the new semester starts up.


What's a brother to do?

12/18/2007

The Mizrahi's (and Sania) "do" London: New Video by Jack Mizrahi

Jack Mizrahi, ballroom icon, and one of the contributors to the forthcoming www.canwebefrank.com releases his lastest you-tube video: recent footage of sania ebony, andre and jack mizrahi's trip to London's queer black underground scene. Check it out. Get into the friendly reading session that takes place around 7:00.

quick thoughts on Omarion, Bow Wow and queer black masculinity

Mood: Non-sensical, dainty, and inebriated.
122106_bowwow400.jpg


This is such a queer moment in black popular culture. From Kanye West's fascination with flashy, fashion couture to John Legend's all-too-syrupy musical lullabies, sissy-sweet black men seem to be in style now, more  than ever. Indeed, in this post-DL age of discreet queer black masculinities, just about everyone seems "suspect" of a having little gay bump n' grind in their "closet." Case in point: Omarion and Bow Wow. Though everyone in the blogsophere has already added their two cents on what they think is going on between these two boys, I have to join in with the choir and say that yes, I too think that O and B are a cute little couple.

I mean, at this point for me it is no longer a question of if these two boys are an "item" but more so how long this has been going on, and how long it will last.

Eve Sedqwick, in her landmark study Epistemology of the Closet (often described as one of the inaugural books in "queer theory" ) coined the term "homo-sociality" to describe social situations where men are allowed to love, touch, feel and even desire each other so long as these situations are framed by a violent disavowal of explicit homosexuality (the classic examples include the type of shit that goes on between frat brothers, football teams, and in locker rooms).

Some folks would say that Bow Wow and Omarion are in a homosocial rather than a homosexual relationship. I would disagree. I think these boys are just good old fashioned gay. But that's really beside the point. Regardless of whether or not B and O are homos, what makes their relationship ultimately "progressive" is the degree to which it potentially carves out a space for young black men to be openly affectionate with one another without fear of being ridiculed, or of loosing hip hip/r&b credibility. That's dope.

Im interested in the cultural politics of Bow Wow and Omarion's "queer" relationship less because of some gossipy-desire to know whether or not these two brothers are "actually" gay, but more so because I think the nonchalance of their union speaks to a larger---and truly unprecedented----moment in post-1960s black popular culture where black men are being given a space to perform versions of masculinity and kinship that do not have to adhere with the violent, hypermasculinist models popularized by mid-nineties hip hop culture.

Hmm, so I guess I'm wondering: does the fact that no one seems to care about (or is atleast ignoring)  Bow Wow and Omarion's queer relationship suggest that pop culture is redefining what counts as respectable black male kinship-behavior,  or is this just another example of straight folks not knowing a "queer" (relationship) when one is starring them right in the face? Who's on the inside, and outside, of this joke?

The Mizrahi Christmas Party!

Last night the House of Mizrahi hosted its annual Christmas bash at Club Escuelita. I rolled through for about an hour to support the gang. As always the event brought out a low-key, relaxed ballroom crowd of familiar faces. Here's a few casual snapshots taken by the man that put me in my very first "house" five years ago, the legendary Luna Khan--a longtime friend, activist, scenester, mentor, and all-around inspiration. Visit La Luna on myspace at http://www.myspace.com/lunalortiz.





getting full and feeling it!

me and father clarrence starr of washington, dc






























12/16/2007

a Frank critical pick: John Sayles' "Honeydripper"


This coming Wednesday, December 19, 2007, legendary
independent filmmaker John Sayles will join actor Danny Glover in a
conversation about Glover’s remarkable career and about their recent
collaboration on Sayles’s new film, Honeydripper. The event will take
place at The Times Center at 242 West 41st Street and will include a set of
live music by the astonishing Texas blues guitarist Gary Clark Jr.




Honeydripper tells
the tale of down-trodden juke joint in 1950s Alabama saved from extinction by
the new sounds of black rock and roll. The film features an all-star black cast
including Danny Glover, Charles S. Dutton, the brilliant Lisa Gay Hamilton and the
gorgeous and surprisingly-excellent Yaya DaCosta (of America’s Next Top Model fame).




The film will be released in New York City on Friday,
December 28 at the east village’s Cinema
Village
(East 12th Street). The film will also have a limited distribution
in cities across the U.S. For more information about where it’s playing, visit
the film’s website at http://honeydripper-movie.com/new-york-theatrical-release/.





12/13/2007

Father and Mother Mess.



which one looks more likely to arrive at the ball first?

12/12/2007

Janet's new single. *Yawn*

Janet Jackson's new single "Feedback" was leaked this afternoon, and of course within an hour all of the "children" were/are talking about it.


Are you feelin it? It's aight, but I'm still longing for Janet's mid-nineties grooves. Are we okay with the fact that this single sounds so Britney-like?


Melody Set Me Free opens at The Whitney!!




Run to the Upper East Side fine art district right now (dont walk, run!). The full length version of "Melody Set Me Free" made its New York City debut today at the über fancy Whitney Museum of American Art in the exhibition 'Television Delivers People' curated by Gary Carrion-Murayari. The exhibition is on view from December 12-February 17, 2008.




As mentioned previously, "Melody" is the hilarious new art-video written, produced, and directed by Guggenheim Award winning performance artist Kalup Linzy, co-starring 2007 Tony Award nominee Justin Bond (of "Kiki and Herb" fame), Harmonica Sunbeam, Sahara Davenport, Carmen Hammons, Marlon B. and lil' ol me. The video was recently named one of the "Top 10 online videos of 2007" by the oh-so-trendy NY Magazine.




The exhibit "Television Delivers People" brings together single-channel video works from the 1970s to the present that examine how an individual viewer is shaped by television's structure and content. These videos also suggest the possibility of an active approach to viewing which remains relevant even as the physical experience of viewing changes. The exhibition takes its title from Richard Serra's video Television Delivers People (1973), which pairs a Muzak soundtrack with a scrolling list of statements describing the manipulative strategies and motivations of corporate advertisers imbedded in television.




Visit http://www.kaluplinzy.com/

12/11/2007

Veve Clark, Berkeley Professor, dies


I only had to the chance to meet Veve Clark once, back in 2004 during the admitted Ph.D. student's weekend at the University of California, Berkeley. Professor Clark was going to be one of the scholars that I would have worked with had I gone to Berkeley.

May she rest in peace.




VèVè Clark, cosmopolitan African diaspora scholar, dies at 62

By Yasmin Anwar, Media Relations 06 December 2007

Clark is survived by a wide circle of friends, colleagues and students. A memorial gathering in celebration of her life and legacy will be held on Friday, Dec. 14, from 11:30 a.m. to 2 p.m. in the Lipman Room in UC Berkeley's Barrows Hall.

BERKELEY – VèVè Amasasa Clark, an associate professor of African American studies at the University of California, Berkeley, and a literary scholar who coined the term "diaspora literacy," died Dec. 1 at Alta Bates Hospital in Berkeley after being found at home in a coma. She was 62.

During her 16 years on the African American studies faculty at UC Berkeley, Clark became an expert on such topics as African oral expression and the Francophone novel. She was instrumental in helping create at UC Berkeley the nation's first doctorate program in African diaspora studies. "Her theorization of 'diaspora literacy' has functioned as a model for numerous scholars in the field, here in the United States and in the Caribbean. She will be sadly missed," said Suzette Spencer, an assistant professor of African American studies at the University of Wisconsin, Madison, and a former student of Clark's. Clark's urbane manner was reinforced by her multilingualism. She spoke fluent French, Spanish and Creole and had a fair understanding of Wolof, a language spoken in Senegal, Gambia and Mauritania. She co-edited "The Legend of Maya Deren" (1985), a biography of the avant-garde filmmaker and theorist; and "Kaiso! Katherine Dunham: An Anthology of Writings" (1978), about the iconic dancer and choreographer who died last year. "She was the epitome of a brilliant scholar, passionate thinker, gifted writer and master teacher," said Ula Taylor, chair of UC Berkeley's Department of African American Studies. "As a colleague, she was a woman of integrity who was committed to encouraging younger faculty to embrace their own intellectual voice." As a mentor and champion for black scholarship, Clark worked on the retention of African American students and sought to provide a support network for graduate students in African American, African and Caribbean studies. What many students loved most was how she challenged them academically and intellectually.

"She could think so far out of the box, it was mind-blowing, " said Lisa Ze Winters, an assistant professor of English and Africana studies at Wayne State University, Detroit, and a former student of Clark's. "Even as she pushed you, told you that your work could be better, you knew she really wanted you to succeed, to exceed your own expectations. In her mind, there were no limits." Clark was born Dec. 14, 1944, and grew up in the New York City borough of Queens. She was the only child of Alonso Clark, who was from North Carolina and belonged to the worldwide historic Freemasonry fraternity, and of her Caribbean mother. VèVè Clark was extremely close to her father, friends said. Both her parents are deceased. As a child, Clark first contemplated becoming a doctor and then a musician, according to an interview she did in 1996 when she became the inaugural recipient of UC Berkeley's Social Sciences Distinguished Service Award.

As an undergraduate in Queens College at the City University of New York, Clark majored in romance languages. After receiving her bachelor's degree in 1966, she continued her language studies at the Université de Nancy in France, where she received a certificate d'études supérieures. She returned to Queens College and received her master's degree in French in 1969. During the 1970s, Clark headed west to UC Berkeley, where she worked as a teaching assistant in French and then as a lecturer in what was then called Afro-American studies. She also taught French at an experimental collegiate seminar program on campus that was known informally as Strawberry Creek College. Daphne Muse, director of the Women's Leadership Institute at Mills College in Oakland, met Clark in 1973, when they were both teaching at UC Berkeley. The two quickly became close friends, and Clark officiated at Muse's wedding. "She would have me on the floor in tears with laughter. She had an uncanny ability to mimic, and she was just brilliant," said Muse. "She was also incredibly generous, both spiritually and financially. "

In 1980, Clark was hired as an assistant professor of African and Caribbean literature at Tufts University in Massachusetts. During that time, she worked on her Ph.D. thesis in French and ethnology for UC Berkeley and received her degree in 1983. In 1985, she received a faculty research award from Tufts to attend the United Nations Conference for Women in Nairobi. A year later, Clark was promoted at Tufts to associate professor of African and Caribbean literature. In 1991, she returned to UC Berkeley as an associate professor of African American studies. That same year, Clark won recognition for coining the phrase "diaspora literacy" in a paper titled "Developing Diaspora Literature and Marasa Consciousness. " She defined the term as the ability to understand multi-layered meanings of stories, words and folk sayings in African diaspora communities through the knowledge and lived experiences of the community members' cultures. Her method of using literature to convey experiences inspired students to look beyond dry surveys and interviews for their research.

That was the case for Erin Winkler, who took Clark's "Diasporic Dialogues" course during her first year in graduate school at UC Berkeley. "As a social scientist who researches children's developing understandings of race, I was not sure how a literature course would speak to my work," said Winkler, an assistant professor of Africology at the University of Wisconsin, Milwaukee. But Clark encouraged Winkler to use coming-of-age novels in her research, said Winkler, "because they speak to experiences of race in ways that sometimes go unspoken in surveys or interviews. What she modeled in her own scholarship had a profound impact on my development as an interdisciplinary scholar."

During Clark's career, she received numerous awards, including a Guggenheim fellowship for research on choreographer Katherine Dunham and a graduate fellowship for study at the Université de Dakar, Sénégal. She also was a Rockefeller Foundation fellow-in-residence at Brown University, In 1996, after winning UC Berkeley's first Social Sciences Distinguished Service award for "service that benefits undergraduate and/or graduate students," Clark explained to an interviewer her passion for fostering a new generation of black scholars. "We're all trained in something else: English, political science, French, sociology," she said of her own generation. "How many Ph.D.s do we have who actually came though in African American studies or African diaspora studies? So, it's exciting to me that we are about to develop a generation in this field."

Trica Danielle Keaton, an assistant professor of American studies and global studies at the University of Minnesota, Twin Cities, fondly refers to Clark's adages as "VèVèisms." "'Joining the ancestors,' a precious VèVèism, is not an ending, but rather a transition, something that feels akin to one of VèVè's 'zen moves' to higher and safer ground," Keaton said. "I am humbled by the love that she bestowed on us, her 'intellectual daughters and sons.' Indeed, I am honored to be but one of so very many touched by her genius and generosity."