Thursday, December 26, 2013

"heart/like a four-poster bed, heart like a canvas"--Boxing Day


I want a tiny house away from all other forms of life except my cat and maybe sourdough starter. I'll take dragonflies and butterflies, luna moths and maybe the occasional orb spider. I'll take my books and my antique lamps and my 400 Bakelite bracelets. I'll take my cashmere sweaters and my cowboy boots. I'll take my Levis and my lockets, my kimono and my Mikimoto pearls. I'll take Harv's sketchbooks and journals and the canvas of us he didn't finish painting. I'll take the shape of him still in my bed, the scent of him on my pillow every morning before I awaken. (How in the world can one dream of sugar cookies and clove cigarettes, then awaken to a half-empty bed? to a heart like the test of a sand dollar, each petal a sieve for grief?)


(title of blogpost from "Frieda Kahlo to Marty McConnell" by Marty McConnell" 

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Monday, September 30, 2013

DRAFT THREE: July 14, 2013


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HERE LIES ONE:  REMEMBERING YOU THROUGH CAVAFY



And if you

After 25 years, return to sand, to silver glints
Of gum wrappers and lead weights on broken
Test line, return to the spot where he removed

Your swimsuit so deftly and posed you there
And drew you to him after he drew you, your
27-year-old body, in India ink with a wash of grey

At twilight, the magic hour when the sky’s veiled
Violet, when the first stars pock it like rain on water
And below them the lake lies, gray zinc, and waves are

Wrinkles looking for someone’s brow—but not yours,
         For you’ll be ink on ivory forever—and unchanged.
What you didn’t realize is that ivory cracks and after

Find her poor

He dies at this same spot where you were first filled
Up with his child a quarter of a century ago you yield,  
You crack and craze; you unravel like fishing line or

Shot silk or kapok; you float into the air, into the water;
Waves wash over you then, when grief finally beaches
Itself like a hull in the sands of your heart.  The lake

Laps back and forth and fossils wash up on sand
And a bass leaps, flares silver and green, and falls…
And after you cry, you slip out of your swimsuit

And you look at your breasts that pleased one man
And two children, at your belly that cocooned them,  
At the scar that he kissed when you first made love

Ithaka

After your C-section and you were shy, when he said
It is coming home o it is --the only sure things now are
Breast belly crescent scar cunt—this is you, this is

Your body, and can this body so set in its ways
Please another, will another wander to find you
And feel at home? And you slip into the water

As though you were slipping back into your slip and
You float and it is satin shock it is cold and clinging
And your breasts bob and your hair’s gilt

In the late afternoon sun and you cry just a little more
And you climb on the rock where you once lay
On top of him and you lie there till you’re warm         

Won’t have fooled you 

And you leave off your sundress, your sapphire slip,
Your sandals (each dribbling sand like an hourglass),
                  Your sunglasses, your St. Christopher, you gather

Them up in a towel and naked you walk to the water
Your face wavers and his words echo and you do  
See that maybe there is still something to you,

Something of the figurehead, bare-breasted ravaged
By wind and wrinkling waves, a difference
         That perhaps he still sees, and you promise you’ll

Learn to promise to love and honor and cherish
Someone else and you scatter the last of his ashes
And scratch his name in the sand and watch

She has given you

Water filling the letters you have carved so deeply  
That it will be late morning before the very  
Last serif has been erased by the waves. 

Wednesday, September 04, 2013

Oh, Marilyn










              











WARDROBE’S ADVICE TO MISS MORTENSON

Ditch those boots by the backdoor but never
Forget your barnyard brain—see sex as dumb
Animal want. Abandon all gingham;
Lift that fine ass out of your Levis. Slip

On a slip so sheer you’d buff it with
Windex; let one of your bra straps slither
Past a rounded white shoulder. Remember
Tabu; daub it behind your knees and your

Earlobes, beneath the heavy globe of each
Breast.  Rouge your mouth; say nothing, hint
At everything.  Draw a fine line slant
Over each sleepy lid; file half an inch

From one satin pump.  Remember you may
Wiggle, might wobble, should limp like wounded prey.  

Tuesday, June 04, 2013

MISHEARING LATTICE FOR LET US



“WHAT’S A FOUR-LETTER WORD FOR OBSESSION?” 

     “Frigate like a Book.”  Emily Dickinson, #1263

Always you read in
bed, belly down, boards of the
book you’re holding like

shoulders in your hands,
posture the missionary
position, face cupped

over the splayed words  
moving horizontally,
vertically, cross-

word clues, (2 across,
7 down), symmetry not
that of Escher’s birds

or chessboard squares; yet
you believe in them--shadow,
dark serifs, glyphs of

letters; I have faith
in silence, the spaces in
between, the light that makes

it work. You say to me
Clue me in; I say to you
Stanza break, the curve

of the bee over
the imbricated rose.  Fill
in the blanks, dear. How

do I spell this out?
Imagine your hands against
my spine; go ahead

and turn the dog-eared
corner; see what’s waiting for
you on these white sheets.





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Monday, May 27, 2013

Roll Call

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My great-great-grandfather in the Union Army, writing letters home to my great-grandmother, letters still in my family; my great-great uncle hanged as a 17-year-old by night riders for being a member of the Confederate Army (do y'all see why Kentucky was never reconstructed?); my great-grandfather gassed in World War I; my grandfather and his oldest son, my father, and all of his brothers, including my uncle David who served in Viet Nam; my first father-in-law, Charles Johnson in Viet Nam for two tours of duty; my college boyfriend Ken, also there; my former brother-in-law Steve, serving in Desert Storm; a legacy of service starting with my current father-in-law, JD Parker, and continuing unbroken through his son/my brother-in-law Jesse II, his wife Susan and her son Jesse III (both of the latter on active duty); another of my nephews, Chris, graduate of the United States Naval Academy; my teacher (albeit briefly) Bruce Weigl; my student, Denny; my friend Butch; Major Dale A. Johnson, whose POW bracelet I wore.
Air Force. Army. Coast Guard. Marines. Merchant Marines. Navy.

Thank you for what you've done, for the history you've provided.

There's also the history of my first mother-in-law, Lilo, who spent her childhood in bomb shelters in Mannheim, learning to play chess in the dark; of my friend Mai, who escaped Saigon on one of the last flights out of the country; of my friend Jules (name changed) who left the service after being raped by his commanding officer. Those stories will wait for another day, but they're no less true than the ones above, and no less worthy of being remembered.

Thursday, May 09, 2013

Hang Fire

"Each of us is born with a box of matches inside us, but we can't strike them all by ourselves.”
  Like Water for Chocolate

 


Enlighten me. Please.

Thursday, May 02, 2013

Joaquin Sorolla, A Walk on the Beach


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Sometimes I long for a turn-of-last-century life , one with white dresses flittering in the wind, shawls and parasols, net-veined straw hats.  

That's not the life I've been dealt.  

I've heard all my life By fifty, you have the face you deserve.  I'm not dissatisfied with my face.  

But what did I ever do to deserve this loneliness?  It's my first memory in the world, my adolescence and youngest adulthood.  For 23 years I was safe from it, mostly.  

Although my doctor refuses to medicate me for it, for which I am ginormously glad, I am so depressed.  

Words drip slow as pitch from my fingers.

How slow is that?  

Sunday, March 24, 2013

Billy Elliot (10/12) Movie CLIP - What Dancing Feels Like (2000) HD



This, this, this--is why I write.

Not because I sometimes get published, not because I can't NOT do it (I didn't do it for 15 years and I have few regrets), but because once the stiffness stops and I get going, there is nothing, nothing like it.

Well, sex, but that's muscle memory, too.

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Sunday, March 17, 2013

In the last month...


Eight poems were accepted; four of them are up right now--three at Parable Press; one at The Centrifugal Eye.

My MS was a finalist, still a bridesmaid, but the dress is a little more fetching this time.

I finished off two batches of 214 students and now have two more.

My 342 students are awesome.  I love them, their poems, their hard-working attitude.

I donated 18 bags of stuff to the thrift store behind my house.

I fixed up the man I was dating with my friend; they have moved in together.

I am a poem-writing, teaching yenta.

I have only cried once today.  That's an improvement.

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Sunday, January 06, 2013

Channeling Medusa


I am strangely happy today--I think it's being surrounded by snaky hair and other writers.  As long as I meet no Harry Hamlin/Perseus types, I shall continue with twisty locks and sculpting all things statuary. 

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Tuesday, January 01, 2013

Happy New Year's Day










                                            







) dens of lions, speckled eggs, decks of cards
) a skein of writers, a smart set
) a desk set, a settee, a nest of vipers
) two steps into the darkness but no more