We call this "Oysters in the shell: a pictorial story."
Monday, April 21, 2014
Les Mis
We took the oldest three to the Hale Center Theater's performance of Les Mis. It was wonderful to go to a production that removes language and many of the questionable messages. Before a nice performance, comes a nice meal and a new experience.
We call this "Oysters in the shell: a pictorial story."
We call this "Oysters in the shell: a pictorial story."
Thursday, April 17, 2014
Clisby
For Maggie's eleventh birthday she wanted a murder mystery party. So David took a break from taking care of me and handled the party. He wrote a mystery for about 17 young ladies to participate in. Ami and Tim were the murder victims (The sophrano opera singer and a detective). Melissa took care of make-up. David acted as Clisby, the butler and murderer. Melissa was the head chef. Susanna was the cat [which was subsequently duct taped and drowned, though it survived, but lost its tail]. We received requests to put this on the blog with instructions for those that would like to copy or do a variation of it as long as you do not sell it or charge anyone to use it or a variation of it unless you first buy the creator a Harley Road King.
Invitations
Each girl received a description of character and the following instructions as part of the invitation:
TOP SECRET
Do not share any of this information with anyone but your parents before the mystery party. Doing so may cause the murderer to kill you before you even have a chance to survive…
Instructions:
This is a dinner murder mystery. Come ready to act, laugh, have fun, and perhaps even die (character only).
Please text the cook (801) 400-3930 to inform her of any food allergies.
Please be in character when you arrive at the party.
The attire will be gaudy dress-up, but please raid your closets at home (or your mom’s or grandma’s for some real fun! Wigs! Make-up! Silliness! It’s opera!)
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Do NOT tell anyone about your character, background, or anything else about the party until you arrive and get to know the other “guests.”
Pay attention, because by the end, you will want to make a guess at who the murderer is…
There will be “Oscars” for best acting, best costume, best accent, best improv, best storytelling, and best detective (if you correctly determine the murderer, etc.).
Listen to people carefully to determine if they had a motive to kill the victim.
RSPV
Upon RSVP they received their character...
Your Role:
You are Trista Selfe.
You grew up in England and became an American citizen after falling in love with an American singer, Jed Manhattan, but sadly, he dumped you for an opera vocalist he met at one of your sister’s operas, but you never found out who she was…
You speak with an English posh and proper accent (if you like).
Your parents spent all their money on your sister’s voice lessons, leaving none for your beat boxing hobby (which you like to show off).
You are the sister of Carlotta Selfe, the prima donna of the Hoffzart Metropolitan Opera.
You are a guest at Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Nadja Derval.
You grew up in Russia and became an American citizen after falling in love with an American singer, Jed Manhattan, but sadly, he dumped you for an opera vocalist he met at one of the operas you directed; you never found out who she was but if you did…
You speak with a Russian accent (if you like).
You are the director of the Hoffzart Metropolitan Opera.
You feel that the opera has not been as successful as it should be due to the prima donna Carlotta Selfe. You feel that the understudy (Xeena Bianchi) can sing better than she can.
Carlotta Selfe annoys you so much that you hiccup every time you hear her name.
You are a guest at Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli
Your Role:
You are Natasha Rachminioff.
You grew up in the Ukraine and became the lead ballerina of the Hoffzart Metropolitan Opera because of your great natural talent for dancing.
Unfortunately, you have always wanted to be the prima donna – the lead singer in the opera. You have taken years of vocal lessons, but because people view you as a dancer, they never take you seriously.
In order to show that you can sing, you decide to spend the entire evening of the Gala singing all of your conversations and discussions to show that they should give you a singing role.
You are a guest at the Prima Donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Katirina Vitkor, a happy but short-tempered ballerina for the Hoffzart Metropolitan Opera.
You grew up on the Jersey Shore, a child of Russian immigrants. You speak with a New York / Jersey accent.
Though you are an excellent dancer, your job is in danger because at rehearsal, the Prima Donna Carlotta Selfe (who is never where she is supposed to be) ran into you and then slapped you claiming it was your fault. She stormed off the stage and demanded that either you be fired or she would quit. No one believed her, but you never know.
You came to this party uninvited with hopes to apologize, or to convince the director that you should not be fired by showing off your dancing everywhere you move.
You are a party crasher at the Prima Donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Angela St. John, the daughter of a southern plantation owner, and a true southern belle. You grew up rich and privileged and fell in love with classical music at a young age. You used your family’s money and power to get accepted to the best musical schools, graduating with a doctorate from Julliard in music conducting.
You work because you love music. Unfortunately, the prima donna of the opera, Carlotta Selfe, does not have an ear for music, and she never follows your directions. You know that the opera would be far better without her.
You speak with a southern accent and always remember your “sir”s and “Ma’am”s, and often say “well I never!” and “bless her heart”
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Xeena Bianchi, the talented understudy for the Hoffzart Metropolitan Opera. Most people in the opera house who know what happens behind the scenes know that you are probably more talented than the prima donna Carlotta Selfe.
You are humble and kind, but you hide a deep desire to be the lead vocalist.
Carlotta Selfe ignores you and treats you like you do not exist.
You grew up in Canada. You may choose to speak with a slight Canadian accent (well don’tcha know!).
Anytime something crazy happens you strike martial arts poses (you secretly want to be a ninja).
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Janarah Loxy, the main alto for the Hoffzart Metropolitan Opera.
You resent that opera gives the best librettos to the sopranos, but the real reason you dislike those prima donnas is because Carlotta Selfe stole your boyfriend.
Even more annoying is that Carlotta acts like you are her best friend, and rubs her relationship with Herr Fritz in your face.
You grew up in Ireland, and may choose to speak with an Irish accent if you like.
You blame leprechauns whenever things go bad, and believe those nasty little beasts are the cause of all evil. When things do not go well, you mutter “leprechauns” to yourself in a sinister way.
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Claris Romanova, the neighbor of Carlotta Selfe.
Carlotta is the prima donna of the Hoffzart Metropolitan Opera, and has the horrible habit of practicing at all hours of the night, outside, keeping you awake. She has ignored you and your sister’s requests for peace and quiet, and acts like nothing is wrong between you.
You believe in revenge, so once, you wrapped her cat in duct tape and put it on a bar-b-que. Amazingly, the cat survived. You regularly discuss your plans to eradicate cats from the earth.
Though your parents are from Russia, (they were spies that defected), you grew up in Texas, and speak with a drawl.
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Jill Eaton, the talent agent of the Hoffzart Metropolitan Opera’s prima donna, Carlotta Selfe.
You are really good at what you do, and you are basically responsible for getting her the main roles and leads she enjoys.
Carlotta never gives you any credit, in fact, she forgets your name half the time.
Even worse, she regularly refuses offers you have worked so hard to get her that would make her (and you) lots more money.
Because she is the sole source of your income, you have taken out a two million dollar life insurance policy on her.
You are from California, wish you drove a convertible Ferrari, and love the parties that come with being a player in the entertainment industry. You are welcome to adopt a valley girl accent (like totally! Oh my gosh!).
Anytime someone wants you to make a decision (except your dinner order) you suggest that you “put a pin in it” and decide later.
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Mia Massariti, a former racecar driver and now the chauffer of Carlotta Selfe.
Carlotta is the prima donna of the Hoffzart Metropolitan Opera, and even though she does not have a driver’s license, she always criticizes your perfect driving.
You know that Carlotta has left you all of her vehicles (including the Ferraris, the Range Rover, the Aston Martin, and the Rolls Royce) in her Last Will and Testament because she has no family or friends.
You were born and raised in Italy, and miss your motherland. You may speak with an Italian accent.
Whenever you walk, you hold your hands up in front of you and pretend you are driving. You can honk at people who are in your way or annoying you.
You are a resident at the prima donna Carlotta Selfe’s house, and therefore attending the Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Ophelie Andress, a French national who has come to America to work as the costume designer of the Hoffzart Metropolitan Opera.
You want to use this job to get your own haute couture line of clothing.
You love France, hate England and people from England because they have no fashion sense. At least Americans try.
You speak with a French accent.
You believe the best way to make friends is to share knock-knock jokes, so you tell them at every opportunity (they do not have to be funny).
The biggest problem of your job is the prima donna Carlotta Selfe’s continued weight gains and losses. She never looks good in your outfits because she does not have any respect for her health. Starve and binge, binge and starve, she makes your work look bad even if it is perfect at the fitting, and she always blames you.
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Molly McDice, the wig master and head of make-up for the Hoffzart Metropolitan Opera
You have won a couple awards for your phenomenal work.
Unfortunately, your job is far more stressful due to the prima donna Carlotta Selfe’s attitude and actions towards your job. She does not respect your time and advice. She never makes her appointments, and she always blames you for her lack of acting skill. You wish that the opera would recognize her lack of talent and replace her, before she ruins your reputation.
You come from Boston, and have an accent from that region.
Unfortunately, you suffer from narcolepsy, (an illness that causes you to fall asleep at random times, usually in the middle of conversations.)
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Barbara Monroe, the wealthiest benefactor of the Hoffzart Metropolitan Opera.
You recently were in a car accident that some say rattled your brains a bit. Others believe you are crazy. They may be right.
You love opera, cheese, and dragons.
You are currently seeking for someone that sells dragons, and you particularly would like a Hungarian Horntail. You have heard of a dealer named Hagrid, but do not know where he works out of.
You believe the only subjects worth discussing are opera, cheese, dragons, and did I mention, dragons.
You do not care if other people do not believe in dragons, you know better. The flying-fire-breathing ones are your favorites.
Your voice was damaged from a recent experiment where you tried to breathe fire to channel your inner dragon, so you can only speak with a scary whisper.
You are an honored guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Arrival
At the beginning of the party, the girls were instructed to get to know each other as ate pizza and played charades. After finishing, they went to the basement only to find [Ami] bruised and bloody and dead-ish. The police were called and Tim came down dressed up. He announced that since there was no evidence of a struggle, and the wounds were on the front of the victim, then she must have knew her killer and they must have been in the house about 5 hours before. Then the power went out. When it came back on, [Tim] had a knife in his back.
The girls then each received their alibi file.
Alibi
Trista Selfe.
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you went to a spa and laser treatment center. You went to get your hair done for the gala. While you were there you saw Jill Eaton and she saw you, but looked embarrassed.
If anyone mentions Jed Manhatten, you need to get flustered and look jealous.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Nadja Derval
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you spent time organizing your Jed Manhatten scrapbook. You can prove it because the glue takes 24 hours to properly dry, and you would be glad to show pictures of how much Jed Manhatten loved you.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Don’t forget to continue hiccupping every time you hear Carlotta Selfe’s name.
Natasha Rachminioff.
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you went on a date with Jed Manhatten to the Zoo. You also have his cell phone number and can call him to verify your story. (He also has the ticket stubs.)
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Katirina Vitkor
You get really upset at anyone who accuses you, and point out that they are just jealous of your natural good looks.
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you and Angela St. John spent time working on your footwork and talking about ideas for the next opera.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Angela St. John,
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you and Katirina Vitkor spent time working on her footwork and talking about ideas for the next opera.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Remember to continue to randomly say “well I never!” and “bless her heart.”
Xeena Bianchi,
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you went to your martial arts practice. Let everyone know that if they do not believe you, you would be glad to show them what you learned.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Continue to strike martial arts poses (you secretly want to be a ninja) at every accusation.
Janarah Loxy
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you and Barbara Monroe went hunting. You took your bb gun to kill leprechauns, and she took an invisible lasso to catch a Hungarian Horntail.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Clarise Romanova
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you watched Oprah. Your alibi is that you can tell all about the guest cook on the show and what they ate. (You will need to describe this.)
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Jill Eaton
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you went to a spa and laser treatment center. You went to get a botox treatment for the gala. While you were there you saw Trista Selfe and she saw you. You were completely embarrassed and do not want to talk about being there or being seen by Trista Selfe. Remember to tell people that they should just “put a pin” in this conversation, because the murder happened long ago. Then accuse someone else.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Mia Massariti
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you drove Ophilia Andress, the costume designer, and Molly McDice, the wig and make-up specialist around town on errands.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Remember to continue pretending you are driving and honking at people who are in your way or annoying you.
Ophelie Andress
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
If you are asked where you were this afternoon, you need to start to cry hysterically and let everyone know that this afternoon you were in constant peril and almost died at the horrible driving of Mia Massariti when she drove you and Molly McDice, the wig and make-up specialist, around town on errands. Continue to sob quietly when you are done.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Molly McDice
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
If you are asked where you were this afternoon, you need to start to giggle hysterically and let everyone know that this afternoon you had the best time of your life. Mia Massariti showed you and Ophilia Andress how to get around town without getting stuck in traffic while you were out on errands. Continue to giggle every once in a while when you are done.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Barbara Monroe
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
You have no idea what you did this afternoon, so if anyone accuses you, you need to give a discourse on the valuable uses of dragon blood, and how you would train your dragon to donate blood every eight weeks. You also need to describe what you would name your dragon and what else you would do with it.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Your voice was damaged from a recent experiment where you tried to breathe fire to channel your inner dragon, so remember to only speak with a scary whisper.
Conclusion
The girls then had the chance to accuse anyone in the room and defend themselves. They then were each given the chance to vote on the killer. The person they voted on "dies." Then the power went out. David killed someone who accused him. The girls talked about who would want her dead. Decided on who they thought the killer was, and eliminated another victim. The power went out and David killed another individual who accused him. The girls got wise and chose David, ending the game through vigilante justice.
Invitations
Each girl received a description of character and the following instructions as part of the invitation:
TOP SECRET
Do not share any of this information with anyone but your parents before the mystery party. Doing so may cause the murderer to kill you before you even have a chance to survive…
Instructions:
This is a dinner murder mystery. Come ready to act, laugh, have fun, and perhaps even die (character only).
Please text the cook (801) 400-3930 to inform her of any food allergies.
Please be in character when you arrive at the party.
The attire will be gaudy dress-up, but please raid your closets at home (or your mom’s or grandma’s for some real fun! Wigs! Make-up! Silliness! It’s opera!)
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Do NOT tell anyone about your character, background, or anything else about the party until you arrive and get to know the other “guests.”
Pay attention, because by the end, you will want to make a guess at who the murderer is…
There will be “Oscars” for best acting, best costume, best accent, best improv, best storytelling, and best detective (if you correctly determine the murderer, etc.).
Listen to people carefully to determine if they had a motive to kill the victim.
RSPV
Upon RSVP they received their character...
Your Role:
You are Trista Selfe.
You grew up in England and became an American citizen after falling in love with an American singer, Jed Manhattan, but sadly, he dumped you for an opera vocalist he met at one of your sister’s operas, but you never found out who she was…
You speak with an English posh and proper accent (if you like).
Your parents spent all their money on your sister’s voice lessons, leaving none for your beat boxing hobby (which you like to show off).
You are the sister of Carlotta Selfe, the prima donna of the Hoffzart Metropolitan Opera.
You are a guest at Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Nadja Derval.
You grew up in Russia and became an American citizen after falling in love with an American singer, Jed Manhattan, but sadly, he dumped you for an opera vocalist he met at one of the operas you directed; you never found out who she was but if you did…
You speak with a Russian accent (if you like).
You are the director of the Hoffzart Metropolitan Opera.
You feel that the opera has not been as successful as it should be due to the prima donna Carlotta Selfe. You feel that the understudy (Xeena Bianchi) can sing better than she can.
Carlotta Selfe annoys you so much that you hiccup every time you hear her name.
You are a guest at Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli
Your Role:
You are Natasha Rachminioff.
You grew up in the Ukraine and became the lead ballerina of the Hoffzart Metropolitan Opera because of your great natural talent for dancing.
Unfortunately, you have always wanted to be the prima donna – the lead singer in the opera. You have taken years of vocal lessons, but because people view you as a dancer, they never take you seriously.
In order to show that you can sing, you decide to spend the entire evening of the Gala singing all of your conversations and discussions to show that they should give you a singing role.
You are a guest at the Prima Donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Katirina Vitkor, a happy but short-tempered ballerina for the Hoffzart Metropolitan Opera.
You grew up on the Jersey Shore, a child of Russian immigrants. You speak with a New York / Jersey accent.
Though you are an excellent dancer, your job is in danger because at rehearsal, the Prima Donna Carlotta Selfe (who is never where she is supposed to be) ran into you and then slapped you claiming it was your fault. She stormed off the stage and demanded that either you be fired or she would quit. No one believed her, but you never know.
You came to this party uninvited with hopes to apologize, or to convince the director that you should not be fired by showing off your dancing everywhere you move.
You are a party crasher at the Prima Donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Angela St. John, the daughter of a southern plantation owner, and a true southern belle. You grew up rich and privileged and fell in love with classical music at a young age. You used your family’s money and power to get accepted to the best musical schools, graduating with a doctorate from Julliard in music conducting.
You work because you love music. Unfortunately, the prima donna of the opera, Carlotta Selfe, does not have an ear for music, and she never follows your directions. You know that the opera would be far better without her.
You speak with a southern accent and always remember your “sir”s and “Ma’am”s, and often say “well I never!” and “bless her heart”
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Xeena Bianchi, the talented understudy for the Hoffzart Metropolitan Opera. Most people in the opera house who know what happens behind the scenes know that you are probably more talented than the prima donna Carlotta Selfe.
You are humble and kind, but you hide a deep desire to be the lead vocalist.
Carlotta Selfe ignores you and treats you like you do not exist.
You grew up in Canada. You may choose to speak with a slight Canadian accent (well don’tcha know!).
Anytime something crazy happens you strike martial arts poses (you secretly want to be a ninja).
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Janarah Loxy, the main alto for the Hoffzart Metropolitan Opera.
You resent that opera gives the best librettos to the sopranos, but the real reason you dislike those prima donnas is because Carlotta Selfe stole your boyfriend.
Even more annoying is that Carlotta acts like you are her best friend, and rubs her relationship with Herr Fritz in your face.
You grew up in Ireland, and may choose to speak with an Irish accent if you like.
You blame leprechauns whenever things go bad, and believe those nasty little beasts are the cause of all evil. When things do not go well, you mutter “leprechauns” to yourself in a sinister way.
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Claris Romanova, the neighbor of Carlotta Selfe.
Carlotta is the prima donna of the Hoffzart Metropolitan Opera, and has the horrible habit of practicing at all hours of the night, outside, keeping you awake. She has ignored you and your sister’s requests for peace and quiet, and acts like nothing is wrong between you.
You believe in revenge, so once, you wrapped her cat in duct tape and put it on a bar-b-que. Amazingly, the cat survived. You regularly discuss your plans to eradicate cats from the earth.
Though your parents are from Russia, (they were spies that defected), you grew up in Texas, and speak with a drawl.
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Jill Eaton, the talent agent of the Hoffzart Metropolitan Opera’s prima donna, Carlotta Selfe.
You are really good at what you do, and you are basically responsible for getting her the main roles and leads she enjoys.
Carlotta never gives you any credit, in fact, she forgets your name half the time.
Even worse, she regularly refuses offers you have worked so hard to get her that would make her (and you) lots more money.
Because she is the sole source of your income, you have taken out a two million dollar life insurance policy on her.
You are from California, wish you drove a convertible Ferrari, and love the parties that come with being a player in the entertainment industry. You are welcome to adopt a valley girl accent (like totally! Oh my gosh!).
Anytime someone wants you to make a decision (except your dinner order) you suggest that you “put a pin in it” and decide later.
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Mia Massariti, a former racecar driver and now the chauffer of Carlotta Selfe.
Carlotta is the prima donna of the Hoffzart Metropolitan Opera, and even though she does not have a driver’s license, she always criticizes your perfect driving.
You know that Carlotta has left you all of her vehicles (including the Ferraris, the Range Rover, the Aston Martin, and the Rolls Royce) in her Last Will and Testament because she has no family or friends.
You were born and raised in Italy, and miss your motherland. You may speak with an Italian accent.
Whenever you walk, you hold your hands up in front of you and pretend you are driving. You can honk at people who are in your way or annoying you.
You are a resident at the prima donna Carlotta Selfe’s house, and therefore attending the Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Ophelie Andress, a French national who has come to America to work as the costume designer of the Hoffzart Metropolitan Opera.
You want to use this job to get your own haute couture line of clothing.
You love France, hate England and people from England because they have no fashion sense. At least Americans try.
You speak with a French accent.
You believe the best way to make friends is to share knock-knock jokes, so you tell them at every opportunity (they do not have to be funny).
The biggest problem of your job is the prima donna Carlotta Selfe’s continued weight gains and losses. She never looks good in your outfits because she does not have any respect for her health. Starve and binge, binge and starve, she makes your work look bad even if it is perfect at the fitting, and she always blames you.
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Molly McDice, the wig master and head of make-up for the Hoffzart Metropolitan Opera
You have won a couple awards for your phenomenal work.
Unfortunately, your job is far more stressful due to the prima donna Carlotta Selfe’s attitude and actions towards your job. She does not respect your time and advice. She never makes her appointments, and she always blames you for her lack of acting skill. You wish that the opera would recognize her lack of talent and replace her, before she ruins your reputation.
You come from Boston, and have an accent from that region.
Unfortunately, you suffer from narcolepsy, (an illness that causes you to fall asleep at random times, usually in the middle of conversations.)
You are a guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Your Role:
You are Barbara Monroe, the wealthiest benefactor of the Hoffzart Metropolitan Opera.
You recently were in a car accident that some say rattled your brains a bit. Others believe you are crazy. They may be right.
You love opera, cheese, and dragons.
You are currently seeking for someone that sells dragons, and you particularly would like a Hungarian Horntail. You have heard of a dealer named Hagrid, but do not know where he works out of.
You believe the only subjects worth discussing are opera, cheese, dragons, and did I mention, dragons.
You do not care if other people do not believe in dragons, you know better. The flying-fire-breathing ones are your favorites.
Your voice was damaged from a recent experiment where you tried to breathe fire to channel your inner dragon, so you can only speak with a scary whisper.
You are an honored guest at the prima donna Carlotta Selfe’s Gala, a party for high-society individuals the day before the premier of the opera: Il Fetore Della Morte e Fagioli.
Arrival
At the beginning of the party, the girls were instructed to get to know each other as ate pizza and played charades. After finishing, they went to the basement only to find [Ami] bruised and bloody and dead-ish. The police were called and Tim came down dressed up. He announced that since there was no evidence of a struggle, and the wounds were on the front of the victim, then she must have knew her killer and they must have been in the house about 5 hours before. Then the power went out. When it came back on, [Tim] had a knife in his back.
The girls then each received their alibi file.
Alibi
Trista Selfe.
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you went to a spa and laser treatment center. You went to get your hair done for the gala. While you were there you saw Jill Eaton and she saw you, but looked embarrassed.
If anyone mentions Jed Manhatten, you need to get flustered and look jealous.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Nadja Derval
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you spent time organizing your Jed Manhatten scrapbook. You can prove it because the glue takes 24 hours to properly dry, and you would be glad to show pictures of how much Jed Manhatten loved you.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Don’t forget to continue hiccupping every time you hear Carlotta Selfe’s name.
Natasha Rachminioff.
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you went on a date with Jed Manhatten to the Zoo. You also have his cell phone number and can call him to verify your story. (He also has the ticket stubs.)
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Katirina Vitkor
You get really upset at anyone who accuses you, and point out that they are just jealous of your natural good looks.
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you and Angela St. John spent time working on your footwork and talking about ideas for the next opera.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Angela St. John,
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you and Katirina Vitkor spent time working on her footwork and talking about ideas for the next opera.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Remember to continue to randomly say “well I never!” and “bless her heart.”
Xeena Bianchi,
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you went to your martial arts practice. Let everyone know that if they do not believe you, you would be glad to show them what you learned.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Continue to strike martial arts poses (you secretly want to be a ninja) at every accusation.
Janarah Loxy
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you and Barbara Monroe went hunting. You took your bb gun to kill leprechauns, and she took an invisible lasso to catch a Hungarian Horntail.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Clarise Romanova
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you watched Oprah. Your alibi is that you can tell all about the guest cook on the show and what they ate. (You will need to describe this.)
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Jill Eaton
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you went to a spa and laser treatment center. You went to get a botox treatment for the gala. While you were there you saw Trista Selfe and she saw you. You were completely embarrassed and do not want to talk about being there or being seen by Trista Selfe. Remember to tell people that they should just “put a pin” in this conversation, because the murder happened long ago. Then accuse someone else.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Mia Massariti
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
This afternoon you drove Ophilia Andress, the costume designer, and Molly McDice, the wig and make-up specialist around town on errands.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Remember to continue pretending you are driving and honking at people who are in your way or annoying you.
Ophelie Andress
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
If you are asked where you were this afternoon, you need to start to cry hysterically and let everyone know that this afternoon you were in constant peril and almost died at the horrible driving of Mia Massariti when she drove you and Molly McDice, the wig and make-up specialist, around town on errands. Continue to sob quietly when you are done.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Molly McDice
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
If you are asked where you were this afternoon, you need to start to giggle hysterically and let everyone know that this afternoon you had the best time of your life. Mia Massariti showed you and Ophilia Andress how to get around town without getting stuck in traffic while you were out on errands. Continue to giggle every once in a while when you are done.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Barbara Monroe
If you are accused, you need to defend yourself and explain why it absolutely could not have been you. Then you need to accuse someone else or ask someone else a question to determine who the murderer is. You cannot lie. You need to ask questions until you figure out who is lying. Then you need to accuse someone else.
You have no idea what you did this afternoon, so if anyone accuses you, you need to give a discourse on the valuable uses of dragon blood, and how you would train your dragon to donate blood every eight weeks. You also need to describe what you would name your dragon and what else you would do with it.
You are NOT allowed to lie about your character’s facts, only the murderer may lie, and unless you are informed otherwise, you are NOT the murderer.
Pay attention, because by the end, you will want to make a guess at who the murderer is…
Listen to people carefully to determine if they had a motive to kill the victim.
Your voice was damaged from a recent experiment where you tried to breathe fire to channel your inner dragon, so remember to only speak with a scary whisper.
Conclusion
The girls then had the chance to accuse anyone in the room and defend themselves. They then were each given the chance to vote on the killer. The person they voted on "dies." Then the power went out. David killed someone who accused him. The girls talked about who would want her dead. Decided on who they thought the killer was, and eliminated another victim. The power went out and David killed another individual who accused him. The girls got wise and chose David, ending the game through vigilante justice.