One particularly draining summer afternoon, after interviewing frivolous women for a Best Dressed List article, I watched The Hours in a Megamall cinema. And cried, alone, on a seat by the aisle. And masochistically watched it for a second time. And swore to go out and get a copy of both Virginia Woolf's Mrs. Dalloway and Michael Cunningham's novel to see how the former had influenced the latter and how the film had taken off from both books.Three summers later, I finally opened a musty, yellow-paged 1926 copy of Mrs. Dalloway that Elmo borrowed from the Rizal Library for me before he left for Spain. I still hadn't read Woolf's fiction, though I did pore over her A Room of One's Own when I was taking my MA, and I know of the stream of consciousness technique she was famous for. And that's all I did yesterday---read 296 pages of a day in the life of party-throwing Clarissa Dalloway, a day detailing the impressions and observations and nostalgizing of the title character and the people she comes across. Though the novel touches on cross-class tensions, war's psychological aftereffects, spurned love, social climbing, religious intolerance, and the pure mundaneness of people's lives, the soul of it lies in its awarenes of multiplicity---of the multiple stories and lives converging, crossing, tugging, detaching.
Though at times I did find the shifting from one consciousness to another a bit tedious, I understand the impulse behind it. How often I'd wanted to do that myself---read people's minds, find out how they react to the same event, how they reconfigure memories. It's such an interior-focused book, but at the same time it's so expansive and empathic. Even the little epiphanies her characters undergo---that we are most alone when we're in love; that an abyss separates us even from close friends; that the best parts of us attach themselves to places and people and strangers we feel an affinity with---resonate.
I do wish there were more "events" besides Septimus' death, but plot really isn't the point of the novel. It's an elaborate, delicate exercise in point of view. And while I can't say it truly blew me away, it was quite refreshing to read on a sweaty, slow Good Friday. Maybe I'll take on To the Lighthouse next.
"She would not say of anyone in the world now that they were this or that. She felt very young; at the same time unspeakably aged. She sliced like a knife through everything; at the same time was outside, looking on. She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day."