I haven't been blogging about Jazz at all because I haven't been able to get any pictures of her (a shame, really, because she's probably the fanciest horse I'm riding right now). She is doing really well and her owner is really pleased with her progress.
We eliminated the buck in the first two rides and it hasn't made an appearance since. I explained to CZ that Jazz wasn't using her hind end to push into the canter. Instead, she was using her head to sort of swing into it, and then getting carried away. The fix was to build her strength in a frame, asking for a canter only on a loose rein to start, and developing a proper frame at the walk and trot. As she built strength and topline, she could carry herself properly with less and less assistance. Her hindquarters and neck started to show visible improvement and she is now able to pick up the canter from a put together trot.
We spent the first month just building quality at the gaits. She was definitely better going to the left and looking at the muscling on her shoulders and hindquarters showed that she was developed crooked. CZ rides better to the left, which wasn't helping resolve the issue. We did lots of circles and serpentines and her trot and canter slowly came together. Jazz also has a drop dead gorgeous free walk that I wish I could transfer over to CP.
As she got fitter and more relaxed, I also re-installed some of her lateral work. We started with turns on the forehand, which in turn really helped her pick up her shoulder (her one really bad habit is dropping her shoulder any time she wants to get out of work). Over time we added some turns on the haunches and started playing around with leg yields, shoulder in, and haunches in. She's really starting to lighten up on the leg. Once her shoulders were really supple and she was relaxed at all three gaits, we started working on her changes. They're still a bit hit-or-miss, but they're coming back and she hasn't been sassy about it at all.
But our biggest accomplishment has definitely been getting CZ more and more comfortable in the saddle.
After our first few training sessions, CZ told me that she immediately felt a difference in Jazz. The praise continued as time went on. She even got brave and cantered in her 'bad direction'.
Eventually, it came time for me to give CZ a lesson on her horse. She hopped on board and warmed Jazz up at a lovely walk. The mare was relaxed, flexed at the poll, and really pushing from behind. When she picked up the trot, however, things fell apart. Jazz raised her head, tensed her back, and slowed to a minced trot that was very unlike her. I reminded CZ to half halt the outside rein to bring Jazz into a frame. Inside rein back for the bend, outside rein slightly open to lift the shoulder, and relax. Her posture was very correct, but the horse just wasn't working with her. Her hands were still, still, still. She barely budged when I told her to open her outside rein.
Finally, I asked, "Did someone teach you that '
this is where your hands go, keep them there'?"
She nodded."Yes. I was told it's like holding a soup bowl and you can't spill any of the soup."
I took a deep breath and explained, "Yes. Technically that is where your hands go, but they don't stay there. You use them to communicate with your horse, then they go back to where they 'live'. There is a difference between still hands and quiet hands. For example, I can stand completely
still in the middle of the ring and scream at you, or I can follow you around
quietly and explain what I want you to do. Which would be a better way to teach you?"
CZ then told me that this particular trainer had actually taken a lot of the joy out of riding. "She always made me feel like I wasn't worth teaching. She yelled a lot and it never mattered how much progress I made, I still wasn't good enough. And if I couldn't accomplish something, she would just tell me it was because I was too fat to ride effectively." (I should add here that my client is not even remotely fat.)
"And you
paid this person? That's terrible!"
So I told her to relax her arms. As if by magic, Jazz dropped into a frame, engaged her hindquarters and picked up a gorgeous stretchy trot. I reminded CZ that every time she had issues with Jazz, I wanted her to try softening her hands first.
"See how much she's willing to give you before you force her. I think you'll be surprised at how willing she is if you learn how to give and take. The key to the half halt is the release. That's why it works so well."
On top of that, I explained how her hands were having an effect on everything from her canter transition to her shoulder. I'd be willing to bet that's where the buck came from. Her face was blocked and she couldn't move her head so she threw up her hind end to get enough power to move forward.
"And when it comes to her lateral work, the reason she's resisting you is because she's waiting for the rest of the cue. Leg is just part of it. Inside leg and inside rein mean one thing. Inside leg and outside rein mean something else entirely. So when you put your inside leg on her, she's waiting for the rest of the message. She's not being bad, she just has no idea what you want."
I also told her to stop nagging and start prioritizing. Tempo first. You can't accomplish anything if the horse isn't moving forward. Frame and bend next, and ONLY fix the shoulder if she drops it and everything else is together. There's no point in preemptively worrying about the shoulder. It will just make her dead to the leg.
Our final breakthrough came when CZ had a really great moment at the walk and I told her, "See? You're riding it perfectly! You know she's capable of it. You know you can get it from her. You got it and you're riding around like 'no big deal', like 'isn't this how everyone does it?' I want you to ride everything like that. Like it's no big deal."
She says that tip really helped her out.
So... prioritize, relax your arms, and ride like it's no big deal. They're really coming along :)
The only bad news is that Jazz may have to move come fall.
CZ currently has Jazz essentially in her backyard. She has paddocks and a ring and a barn that serves mostly as storage because the township won't let her tear it up and build a new one. The mare technically lives next door where there is a newer barn and nice run in sheds with enclosed stalls. The owner of that property is in his 90's, however, and had a heart event two years ago, which nearly killed him. His wife is insisting that he not do the physical labor with the horses and he's down to mostly just throwing feed at Jazz twice a day. CZ does the hard stuff herself (so she's basically paying to do self board, but it's worth it for the convenience of having the horse at home). Once the hay in the barn runs out, Jazz has to find a new place to live.
CZ said she'll miss having her in the backyard, where she's been for the last decade, but it may be a good thing since she'll have other horses to play with. The mare has definitely been lonely since Dreamy died. CZ has basically been her only friend in that time. The increased work load definitely helps, but it's not a substitute for equine company. The good news is there will be trails at the new barn, which has CZ all excited and will give me more work when fall rolls around.