Heather K Is A Quilter

I make quilts. Sometimes I ghost make them for others. Sometimes for gifts. Sometimes my heart makes them. Email me for custom work heather.kinion@gmail.com

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“Shape Study No 1: Circular Logic” by Heather Kinion

cotton and linen fabrics, cotton thread, wool batting

The arguments go around and around and always end up in favor of those with power.

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“Line Study No 3: Power and Pressure” by Heather Kinion

cotton and linen fabrics, cotton thread, and wool batting

A meditation. Dense quilting lines create shape and dimension

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“Line Study No 2: Plaid Unravels” by Heather Kinion

Cotton and linen fabrics, cotton thread, wool batting

The rhythm of plaid falls apart.

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“Shape Study No 1 : The hat”

by Heather Kinion

2023 19"x24"

cotton fabric, cotton thread, wool batting

Inspired by the new tiling shape discovered in early 2023.

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Geese Study No 3: Homage to Las Manos 2022 37" x 56"

by Heather Kinion

In the improvisationally pieced background are quilted triangles in a variety of sizes quilted with white and off white thread.

cotton fabric, cotton thread, wool batting

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“Line Study No 1: Slopes” 2020 57" x 63"

by Heather Kinion

The sloping lines were drawn free hand and filled in with dense hand quilting.

Published in “Curated Quilts” Issue 24 in 2023.

Accepted into “Quilts=Art=Quilts” 2023 at the Schweinfurth Art Center

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“Small Crosses” 2020 12" square

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“Geese Study No 2” 2018 by Heather Kinion

All three of the stacked blue triangles are created with dense hand quilting stitches, but the middle triangle has a doubled layer of cotton batting, and the bottom triangle has a doubled layer of cotton batting with the additional layer being made of cotton that has been dyed black.

One photo shows both the front and some of the back of the quilt at the same time.

This quilt was exhibited at Quiltcon in 2019.

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“Candy Machine” 2018 an original patchwork quilt top by Heather Kinion with quilting by Nicole Maroon

Geese Study #1 is the second of my almost whole cloth series, the first where I toyed with the idea of modernizing red work embroidery as dense quilting. I used three off white solids and three off white threads and nearly an entire big spool of aurifil 12 wt red thread.

This quilt was accepted to hang at QuiltCon in Pasadena in February 2018 for exhibit only as I am on the Board of Directors of the Modern Quilt Guild