Tuesday, September 30, 2008
Ana
Portion of a dance by Ana Karakasheva in the old bath in Plovdiv, Bulgaria. It is evidently the final movement of a work entitled Carmen.and it is really wonderful! Music by Pano Manoullidis ( a Nina Simone, Jimi Hendrix mix).
The Mud Puddle
I am no political scholar, although at my age I have seen a lot of things go down. Ideals compromised. And those that spoke of such, assassinated. I get this feeling America is out of touch with the world. I get this feeling our day may be over. The McCain/ Palin ticket would be laughable if the stakes were not so high. But since they are, it is scary to me. I put my faith in the younger generation, my own coming-of age children, and put what money I have left on Obama.
Terminal Five, NYC
Wish I was there tonight for the Ben Folds concert on the day of the new CD release of Way To Normal. Ben, Sam and Jared will appear on Conan O'Brien Thursday, October 2nd. Regina Spektor will be there too, to do a duet with Ben Folds of the song "You Don't Know Me", the first single off the new CD. I have already posted the official video of You Don't Know Me, so here is a Youtube fan video featuring the song. And, in a moment of shameless son promotion, I encourage you to get this CD, it will help Sam pay off his new drum kit!
Monday, September 29, 2008
It's All Right Ma, Bob Dylan
I can't help but reprise this song because it is as relevant today as it was back then.
The Associated Press
Friday, September 26, 2008; 3:17 PM
NEW YORK -- Bob Dylan's new album shall be released one week early as a free online stream on National Public Radio's Web site.
NPR Music will stream the entire two-CD, "Tell Tale Signs," beginning at 12:01 a.m. EDT Tuesday. It will be available for listening at least until Oct. 7, when the album is officially released by Columbia Records.
"Tell Tale Signs" is the eighth volume of Dylan's ongoing rarities compilations, titled the "Bootleg Series." This edition includes out-takes and rare cuts from the last two decades. An alternate version of "Mississippi" _ a song from 2001's "Love and Theft" _ was earlier made available as a free download at Amazon.com.
The early album stream is a first for NPR Music, which often provides live concerts for free as podcasts.
___
Sunday, September 28, 2008
Pina Bausch
Pina Bausch was born in 1940 in Solingen, Germany. She grew up to be a dancer and a choreographer and eventually the director of Tanztheater, Wupperthal. If it is a fairytale escape you look for in dance, you will not find it in the performances of Pina Bausch. Instead you have the anti-fairytale, so to speak. The works are played out in a seemingly plot-less manner. They are unsettling because they are so difficult to categorically interpret. So you are left with your own Rorschach. To quote Nietzsche, "There are no facts, only interpretations." And the interpretations in this case are so personal as to prohibit dissection and analytical review. To me, it makes sense that Pina's work may have a lot to do with the re-structuring or the re-finding of feeling in post- holocaust Germany. But Susan Sontag says that interpretation is only the revenge of the intellect on art. And so, maybe Bausch has nothing to do with rational explanations, but only wordless felt meanings. The work of Pina Bausch appears in Pedro Almodovar's film Talk To Her, and while they are seen in only brief cuts, they are important to Almodovar's portrayal of issues of loneliness, love, and loss. Here is a scene from Cafe Muller by Pina Bausch, I chose it because it is short, and I think it captures some consistent theme in her work of leading the viewer to pathos by way of humor.
Scene from Cafe Muller, Pina Bausch
Scene from Cafe Muller, Pina Bausch
Laurie Anderson, "Only An Expert..."
Laurie Anderson, now entering her 60's still exhibits the sharp wit and socio-political insight that brought her world-wide acclaim over the past decades. Anderson was a child of the Western suburbs of Chicago in the 50's who went on to study art and music in her schooling. She received an MFA from Columbia University in 1972 in sculpture. By that time however she was already experimenting in performance art work that included music and spoken word. In one of her early notable pieces, "Duet In Ice" she steps into a pair of ice skates, the blades of which were frozen in a block of ice. She then played the violin continuously until the ice melted and freed her. Through the 70's more and more people were taking notice of Laurie's fresh and provocative work, but it wasn't until 1981 with the release of O Superman on her Big Science CD that she became a cross-over star appearing extensively in art journals , art museum and gallery installations, and at the same time, soaring up on the pop rock charts of both the U.S. and the U.K. Her work includes performances with hybrid music instruments of her own invention, and numerous collaborations with leading artists, musicians, and poets of her time. She performed frequently alongside Lou Reed and the two were married this past Spring (2008). She has most recently been touring her Homeland CD world-wide. She describes it as a concert poem. It is, in fact, a running poetic commentary on America set to inventive music. And Laurie Anderson seems as provocative and in-the-moment as always.
Laurie Anderson (live) "Only An Expert..." from the Homeland CD, 2008.
Laurie Anderson (live) "Only An Expert..." from the Homeland CD, 2008.
Saturday, September 27, 2008
Reprise of a bygone melody.
Edgar Yipsel Harburg grew up a long time ago on the lower east side of New York City. He and Ira Gershwin were high school buddies and fast friends for years thereafter. Yip, as he came to be known, may be remembered as the American lyricist who wrote the songs for The Wizard of Oz; including the classic Somewhere Over The Rainbow. But, well before that, he had been writing songs with Jay Gorney. It was his pal Ira Gershwin who brought the two together around 1928-30. Jay Gorney born in the 1890's in Russia, fled with his family to America. He played piano as a way of making a living as he worked his way through law school. There was a lullabye he liked to play that he had learned as a child in Russia. From this simple beginning, the team of Jay Gorney and Yip Harburg put together a song based on that melody that was to become the anthem of the Great Depression.
Buddy Can You Spare A Dime, 1931.
In the 1950's both Yip Harburg and Jay Gorney fell victim to the rampant MyCarthy demagoguery of the time and were blacklisted. While each rebounded somewhat from this branding, for the most part they faded away laurels in hand.
Buddy Can You Spare A Dime, 1931.
In the 1950's both Yip Harburg and Jay Gorney fell victim to the rampant MyCarthy demagoguery of the time and were blacklisted. While each rebounded somewhat from this branding, for the most part they faded away laurels in hand.
You Don't Know Me, Ben Folds
You Don't Know Me was written by Ben Folds as a duet and appears on the forth-coming Way To Normal CD. It features Regina Spektor and Ben Folds as duet. Official video of this single was directed by Tim and Eric. who appear as central characters in the video skit. Also look for some surprise cameos of Josh Groban making faces!
Ben Folds Tour Dates
The band will be performing songs from the Way To Normal CD in the following cities through mid-December. Dates for 2009 are not yet posted.
September 24 - Washington DC : Constitution Hall
September 25 - Providence, RI : Bank of America Skating Center
September 26 - Boston, MA : Orpheum
September 27 - Storrs, CT : University of Connecticut
September 30 - New York, NY : Terminal 5
October 1 - New York, NY : Terminal 5
October 3 - Fort Wayne, IN : Embassy Theatre (Ben Folds with the Ft. Wayne Philharmonic)
October 4 - Louisville, KY : Kentucky Center (Ben Folds with the Louisville Orchestra)
October 8 - Athens, OH : Ohio University
October 9 - Detroit, MI : State Theatre
October 10 - Chicago, IL : Congress
October 11 - Green Bay, WI : Resch Center / Okobos Music Festival (Ben Folds with Death Cab for Cutie)
October 16 - St. Louis, MO : Paegent
October 17 - Minneapolis, MN : Myth
October 18 - Kirksville, MO : Pershing Arena
October 22 - Kansas City, MO : Uptown Theater
October 23 - Dallas, TX : Palladium Ballroom
October 24 - Houston, TX : Warehouse Live
October 25 - Austin, TX : Stubb's
November 11 - Tempe, AZ : Arizona State Univ, Gammage Auditorium
November 13 - San Francisco, CA : The Warfield
November 14 - Los Angeles, CA : Wiltern Theater
November 21 - The Haugue Netherlands : Schouwburg
November 26 - Frankfurt, Germany : Mousonturm
November 27 - Berlin, Germany : Kesselhaus
November 30 - London England, United Kingdom : Shepherds Bush Empire
December 1 - Ipswich, United Kington : Regent Theatre
December 2 - Newcastle, United Kingdom : Newcastle Arena (w/ Counting Crows)
December 4 - Nottingham, United Kingdom : Nottingham Arena (w/ Counting Crows)
December 5 - Wembley, United Kingdom : Wembley Arena (w/ Counting Crows)
December 7 - Manchester, United Kingdom : Manchester Arena (w/ Counting Crows)
December 8 - Cardiff, United Kingdom : Cardiff Arena (w/ Counting Crows)
December 10 - Bournemouth, United Kingdom : Bournemouth Arena (w/ Counting Crows)
December 11 - Brighton, United Kingdom : The Brighton Centre, Main Hall (w/ Counting Crows)
December 13 - Birmingham, United Kingdom : Birmingham Arena (w/ Counting Crows)
December 14 - Sheffield, United Kingdom : Sheffield Arena, Arena (w/ Counting Crows)
September 24 - Washington DC : Constitution Hall
September 25 - Providence, RI : Bank of America Skating Center
September 26 - Boston, MA : Orpheum
September 27 - Storrs, CT : University of Connecticut
September 30 - New York, NY : Terminal 5
October 1 - New York, NY : Terminal 5
October 3 - Fort Wayne, IN : Embassy Theatre (Ben Folds with the Ft. Wayne Philharmonic)
October 4 - Louisville, KY : Kentucky Center (Ben Folds with the Louisville Orchestra)
October 8 - Athens, OH : Ohio University
October 9 - Detroit, MI : State Theatre
October 10 - Chicago, IL : Congress
October 11 - Green Bay, WI : Resch Center / Okobos Music Festival (Ben Folds with Death Cab for Cutie)
October 16 - St. Louis, MO : Paegent
October 17 - Minneapolis, MN : Myth
October 18 - Kirksville, MO : Pershing Arena
October 22 - Kansas City, MO : Uptown Theater
October 23 - Dallas, TX : Palladium Ballroom
October 24 - Houston, TX : Warehouse Live
October 25 - Austin, TX : Stubb's
November 11 - Tempe, AZ : Arizona State Univ, Gammage Auditorium
November 13 - San Francisco, CA : The Warfield
November 14 - Los Angeles, CA : Wiltern Theater
November 21 - The Haugue Netherlands : Schouwburg
November 26 - Frankfurt, Germany : Mousonturm
November 27 - Berlin, Germany : Kesselhaus
November 30 - London England, United Kingdom : Shepherds Bush Empire
December 1 - Ipswich, United Kington : Regent Theatre
December 2 - Newcastle, United Kingdom : Newcastle Arena (w/ Counting Crows)
December 4 - Nottingham, United Kingdom : Nottingham Arena (w/ Counting Crows)
December 5 - Wembley, United Kingdom : Wembley Arena (w/ Counting Crows)
December 7 - Manchester, United Kingdom : Manchester Arena (w/ Counting Crows)
December 8 - Cardiff, United Kingdom : Cardiff Arena (w/ Counting Crows)
December 10 - Bournemouth, United Kingdom : Bournemouth Arena (w/ Counting Crows)
December 11 - Brighton, United Kingdom : The Brighton Centre, Main Hall (w/ Counting Crows)
December 13 - Birmingham, United Kingdom : Birmingham Arena (w/ Counting Crows)
December 14 - Sheffield, United Kingdom : Sheffield Arena, Arena (w/ Counting Crows)
The Bitch Went Nuts
In general, in posting videos of music or dance or other events, I try to find the best version to present...best audio/video/camera etc. So I am making an exception here because there is no better choice out there right now of Ben Folds, The Bitch Went Nuts from the yet to be released cd "Road To Normal". So this is an audience POV posted by a fan at last night's show at the Orpheum in Boston. The CD will be released September 30 and the band will mark that date with live shows in Manhatten and an appearance on Conan O'Brien (Oct 2). So, until you get a chance to listen to the new cd, or catch the band when it comes to a city or country near you, here is a glimpse of what's coming down the pike.
Ben Folds, The Bitch Went Nuts, from the Way To Normal CD.
Ben Folds, The Bitch Went Nuts, from the Way To Normal CD.
Friday, September 26, 2008
Santiago de Cuba, 2002
Yoannis Castillo and Miriam Lambert serve up salsa on the floor of Casa de la Trova.
Aga Zaryan, "Throw It Away"
Aga Zaryan a remarkable jazz singer from Warsaw, Poland covers Abbey Lincoln's 'Throw It Away" on her LP 'Picking Up The Pieces'. To hear Abbey's original version click on 'Mything Links' at the bottom of my post archive.
Thursday, September 25, 2008
Danse, 1991, Lalala Human Steps
Louise Lecavalier of Lalala Human Steps, dances to music of "Upscale Drifter", by Marco Aldendorff. Video and choreography by Edouard Lock. Lecavalier can also be seen dancing on stage with David Bowie on the "Sound and Vision" world tour in 1991which was conceived and directed by Edouard Lock for David Bowie.
dEUS, Slow
dEUS could be a god reference or the name of a Belgian beer. In this case it is the name of a noted indie band from Belgium. dEUS first came together in 1994 and was produced by Peter Vermeersch. The influence of Vermeersch is evident in this first video release from the 2008 "Vantage Point" cd. It features the band split-screen alongside street choreography. Vermeersch you may recall was one of the composers of the music accompanying Rosas Dances Rosas a dance film by Thierry De Mey. De Mey and Vermeersch co-wrote the music for that performance, and Vermeersch has been known for music specifically written for dance. The poetic lyrics for 'Slow" are posted beneath the video.
dEUS, "Slow"
Slow by dEUS
Slow
Would be the tempo of the restless soul
You have seen what a listless life can bring
Wait, and then you wait until he's waiting for
The latency of everything
Slow
Will be the rhythm of the hummingbird
The quick speed in the shutter of his eye
On flowers you will pose and you will spread the word
on how the world is slowly passing by
Slow
Entireness of your control
Of the moment that is nearly standing still
And wait for a minute and not a second more
Unphased like a forbidden thrill
Gently behind the beat
We shuffle on ancient streets
The reverb of time
Is our vantage point
We slept for a million years
Lived through a million fears
We are not nervous
We will not ask for more
If you can slow up I'm gonna slow up too
Slow
Like the kissing of a lazy cheek
Like the limit and the deadline of the rush
And words, words waiting for you to speak
of getting lost in your eternal crush
Slow
Would be the tempo of the restless mind
You've seen what a listless life can bring
And wait and then he waits until he's waiting for
For the latency of everything
Gently behind the beat
We shuffle on ancient streets
The reverb of time
Is our vantage point
We slept for a million years
Lived through a million fears
We are not nervous
We will not ask for more
Pawns of the troubled times
And kings of our petty crimes
The minds will function
With a small delay
See what the past has planned
The future's a beggar's hand
The more we understand
The slower our days
If you can slow up I'm gonna slow up too
dEUS, "Slow"
Slow by dEUS
Slow
Would be the tempo of the restless soul
You have seen what a listless life can bring
Wait, and then you wait until he's waiting for
The latency of everything
Slow
Will be the rhythm of the hummingbird
The quick speed in the shutter of his eye
On flowers you will pose and you will spread the word
on how the world is slowly passing by
Slow
Entireness of your control
Of the moment that is nearly standing still
And wait for a minute and not a second more
Unphased like a forbidden thrill
Gently behind the beat
We shuffle on ancient streets
The reverb of time
Is our vantage point
We slept for a million years
Lived through a million fears
We are not nervous
We will not ask for more
If you can slow up I'm gonna slow up too
Slow
Like the kissing of a lazy cheek
Like the limit and the deadline of the rush
And words, words waiting for you to speak
of getting lost in your eternal crush
Slow
Would be the tempo of the restless mind
You've seen what a listless life can bring
And wait and then he waits until he's waiting for
For the latency of everything
Gently behind the beat
We shuffle on ancient streets
The reverb of time
Is our vantage point
We slept for a million years
Lived through a million fears
We are not nervous
We will not ask for more
Pawns of the troubled times
And kings of our petty crimes
The minds will function
With a small delay
See what the past has planned
The future's a beggar's hand
The more we understand
The slower our days
If you can slow up I'm gonna slow up too
Wednesday, September 24, 2008
Edouard Lock and Lalala Human Steps.

Edouard Lock, self portrait
Edouard Lock was born in Morocco but migrated to Canada with his parents as a child. There he grew up with an interest in both film and dance. He founded Lalala Human Steps around 1980. As a choreographer he expected his company to be well trained in classic point technique as well as contemporary and minimalist music and dance. Rigorous athletic training (sport) was also emphasized. The dances that began to emerge from Lalala Human Steps were quite energetic and precise. Dancers moved at his direction from point, to feigned martial art gestures, or gymnastic leaps. Film or video were integral and he directed these as well.
Amelia, the film.
Amelia, was created as a feature length dance-film in 2002. Eduard Lock choreographs the Lalala Human Steps troupe through a series of dance movements in the minimalist environment of a cube-like room with no apparent exit. And the music score by David Lang written for violin, cello, piano, and voice is a minimalist sub-strate for the lyrics of five Lou Reeds songs hailing from the 1960's era of Velvet Underground (In this instance, Lou Reed's "I am waiting for the man" was adapted and then delivered vocally in the film by Nadine Medawar). The result is an award winning dance/film/music fusion.
A scene from "Amelia"
Blush, by Wim Vandekeybus
Tuesday, September 23, 2008
Life is too confusing, I must get some relief...
Talk of 700 billion down the tubes....and I find it difficult to gas up my truck to keep rolling...It is a lovely fall day, and yet something wrong is in the air. I need some easy listening....I need some Muzak...some blast from the past...some golden oldie to soothe me.........................Hat off to Bob Dylan and to Jimi who punctuated the moment.
Fase: Four Movements to the Music of Steve Reich
Fase is a film by Thierry De May, a cinematographer who worked in collaboration with Anna Theresa De Keersmaeker, a remarkable dancer and choreographer, to bring together four dances based on the minimalist music of Steve Reich. As a film/dance expression, the results transcend either medium to become an artistic entity of it's own. To observe a dance performed in real time and from a single point of view is a special experience. At least, this is how I have always felt in watching a dance. But to bring artful cinematography into the creative documentation of a dance is another, also special experience. For now, my point of view can move as the camera moves. And the camera in a way becomes a participant in the dance. "Violin Phase" posted below, is the thirdof the four movements in this dance/film. Anna Theresa De Keersmaeker dances on a shallow surface of sand in the woods. Her movements create a signature of sorts in the sand that evolves through the dance as a minimalist mandala of sorts. Thierry De May uses fixed camera, overhead crane shots, and tracks completely around the performance at times. All four movements are posted on this blog-site here and there. However they are randomly placed. But in the event that you are keen on minimalist music and the likewise minimalist style of De Keersmaeker, all four movements from Fase are posted in their proper order on my Mything Links site. (See my links as listed beneath the monthly archive on the left). Thanks is due to seanmckeen's Youtube channel for putting all videos pertaining to this performance/film together in a coherent playlist as well as enabling the sending of the whole sequence of movements as an embedded player.
Monday, September 22, 2008
Rosas Dances Rosas
Rosas Dance Company was begun in Belgium by Anne Teresa De Keersmaeker in the mid 80's. I have featured performances by Rosas in the past. (De Keersmaeker and Michele Anne De Mey dancing to Steve Reich.) This video is actually a film clip of one portion of Rosas Dances Rosas, which is an hour and a half in length performed live. The dance in its entirety was performed at The Brooklyn Academy of Music. (BAM) The dance has been filmed by Thierry De Mey (Michele Anne's brother), but I don't know if it is commercially available. Music, by Thierry De Mey and Peter Vermeersch.
Rosas Dances Rosas (in part).
Rosas Dances Rosas (in part).
Pick-Up Truck, by Olin Calk
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Photo sent to me from my son showing a recent creation by Olin Calk. Except for the wheel rims and the front bumper, the truck is constructed on a ribar welded armature wrapped in chicken wire and then finished off with newspaper mache. The truck is a life-size reproduction of a truck that is parked out on Olin's ranch. The paper truck sits on exhbit in Old Mesilla, the historic center of Las Cruces, New Mexico
Roadrunner, Las Cruces, New Mexico
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Olin and I built the roadrunner for the city of Las Cruces to promote a city- wide campaign to educate people on the importance of re-cycling. The roadrunner is approximately 40 feet long and stands about 21 feet tall. It is built entirely from non-degradable trash we gathered from the city's landfill. The roadrunner presently stands on a mesa overlooking the city.
Sam and Syd, On the road....
Sunday, September 21, 2008
My Apology
I really have tried not to get too political on this site. I like to take my readers through my own nostalgia and also post new and hopefully, interesting art in all the many ways it shows itself. whether it be music, dance, the spoken word..I guess I am my own favorite reader on this site. I post what I like to see. I come to this site and see what I want to see. Things that comfort me and give me hope, I suppose. Today, I went to a fellow blogger's site and he had posted this video that scared the hell out of me. It was one of those Youtube vids people put together to promote their cause. But it was a hard one to dismiss. John McCain shaking hands and endorsing an evangelist who seems such a hate-monger, and even suggesting it is he that should be speaking in lieu of him(McCain). So, here is that video, and tell me where I am wrong in thinking this is scary. Thanks for the tip,Salah!
Hay Unos Ojos
Well, if you have been following my posts for awhile, you know I have a special fondness for hispanic music even though I don't speak the language. I couldn't have been more than 10 or 11 when I first heard Lola Beltran on the radio in my father's car. And I was instantly in love with her. Anyway, here she is singing with Linda Ronstadt, somebody I also fell in love with upon hearing her in her first band, The Stone Poneys.
List of Things I Probably Won't Do Today
One: Gas up my truck.
Two: Drive down to the coast of Louisiana.
Three: Wander into a bar and meet Linda Ronstadt.
Four: Lie on a motel room bed with Linda caressing my head, and,
Five: saying softly, "Poor baby, poor baby, it's a hard life isn't it?"
Six: have her sing Blue Bayou just for me.
ThankGod for Youtube:
Blue Bayou, Linda Ronstadt
This song was actually written by Roy Orbison and Joe Melson. And Orbison's delivery on this is of course wonderful with his operatic voice, But, if I am not mistaken, it was Rondstadt who first put it on the charts. Linda Ronstadt also recorded this in Spanish as "Lago Azur",.
Two: Drive down to the coast of Louisiana.
Three: Wander into a bar and meet Linda Ronstadt.
Four: Lie on a motel room bed with Linda caressing my head, and,
Five: saying softly, "Poor baby, poor baby, it's a hard life isn't it?"
Six: have her sing Blue Bayou just for me.
ThankGod for Youtube:
Blue Bayou, Linda Ronstadt
This song was actually written by Roy Orbison and Joe Melson. And Orbison's delivery on this is of course wonderful with his operatic voice, But, if I am not mistaken, it was Rondstadt who first put it on the charts. Linda Ronstadt also recorded this in Spanish as "Lago Azur",.
Disappearance of the "Illusions of News"
Not too many days ago, I posted Part I of a documentary by Bill Moyers entitled The Illusion of News. I posted the first ten minutes on this site and the hour-long film was posted in it's entirety on my Mything Links blogsite. Perhaps some of you saw this documentary or portions of it. It has now been removed from Youtube. So, sorry if you missed it. I went to the Youtube channel from which the film had been posted and find that the channel is also no longer on Youtube due to "use violations". I am not sure what occurred on that Youtube channel between now and the day I posted from it to my blogsite. At that time, other videos that had been posted from this channel were primarily informational clips on the subject of media.
Saturday, September 20, 2008
GRACIAS, Frida Dance Company
Ana Karakasheva, Denitza Gerginikova. and Milena Dabova being danced.
Music by Barnakustika.
Camera and promotional artwork by Elena Kalpakchieva.
Lighting by Desislava Chongarova
Location: The ancient bath in Plovdiv, Bulgaria
GRACIAS, Part I
GRACIAS, Part II
GRACIAS, Part III
Music by Barnakustika.
Camera and promotional artwork by Elena Kalpakchieva.
Lighting by Desislava Chongarova
Location: The ancient bath in Plovdiv, Bulgaria
GRACIAS, Part I
GRACIAS, Part II
GRACIAS, Part III
Friday, September 19, 2008
Tony Blair and the Faith Foundation
In general, I have tried not to make my blogs too long and have dedicated longer discourses to my other blogsite...Mything Links. But I decided to post this here. If you don't have time, I understand. Tony Blair's speech on the video below is about 15 minutes long. The text that follows is basically the speech in print, minus a few introductory homages. I like to listen to the speech and read along...mostly since my mind seems to wander. (It's not easy being me.) I think it is a potentially important project. The speech by Tony Blair at the launch of the Tony Blair Faith Foundation at the Time Warner Centre, New York on Friday, May 30th, 2008
Last month in Westminster Cathedral, I set out the purpose of the Tony Blair Faith Foundation. It will concern itself with the six leading faiths: Christian, Muslim, Hindu, Buddhist, Sikh and Jewish. Today we launch the first of a series of partnerships to give effect to that purpose.
Let me describe the reason for this Foundation. The world is undergoing tumultuous change. Globalization, underpinned by technology, is driving much of it, breaking down boundaries, altering the composition of whole communities, even countries and creating circumstances in which new challenges arise that can only be met effectively together. Interdependence is now the recognised human condition.
So, the characteristic of today's world is change. The consequence is a world opening up, and becoming interdependent. The conclusion is that we make sense of this interdependence through peaceful co-existence and working together to resolve common challenges.
In turn, this requires an attitude, a state of mind, an emotional as well as an intellectual response consistent with this conclusion. A sentiment that we are members of a global community as well as individual nations means we must be global citizens as well as citizens of our own country.
All this sounds impossibly idealistic.
But if the analysis of the nature of the world is as I set out, then it is in fact the only practical way to organise our affairs. Idealism becomes the new realism.
This is especially so since the world is changing in other ways too.
Power is shifting east. The centre of gravity of political interest and political power is moving. The emergence of China and India, has been obvious, in prospect, for years. Now it is here in our lives, in practical impact. And not just in the Far East, but the near East too.
Just think of an institution like the G7; think of when it was founded and its members; think if it were invented today and how different that membership would be. The 20th Century order is history. There is a new reality. We have to come to terms with it. And it implies, at its fundamentals, peaceful co-existence or catastrophe.
Into this new world, comes the force of religious faith. Gallup have kindly made available for me today, the latest polling information in their rolling poll of religious attitudes, which is a hugely important source of analysis.
Here is what the polling shows.
Most Christians want better relations between Christianity and Islam but believe most Muslims don't. Most Muslims want better relations but believe most Christians don't. Most Americans think most Muslims do not accept other religions. Actually most Muslims say they want greater and not lesser interaction between religions.
In answer to the question: "is religion an important part of your life", many Muslim countries' citizens answer in the high 80's or 90's as a percentage; in the US it is around 70%; in the UK and mainland Europe it is under 40%. Interestingly, though, even in the UK over a third of people say it is important.
So: religion matters and there is a lot of fear around between the faiths.
In summary, you cannot understand the modern world unless you understand the importance of religious faith. Faith motivates, galvanises, organises and integrates millions upon millions of people.
Here is the crucial point. Globalisation is pushing people together. Interdependence is reality. Peaceful co-existence is essential. If faith becomes a countervailing force, pulling people apart, it becomes destructive and dangerous.
If , by contrast, it becomes an instrument of peaceful co-existence, teaching people to live with difference, to treat diversity as a strength, to respect "the other", then Faith becomes an important part of making the 21st Century work. It enriches, it informs, it provides a common basis of values and belief for people to get along together.
I believe, as someone of Faith that religious faith has a great role to play in an individual's life.
But even if I didn't, even if I was of no faith, I would still believe in the central necessity of people of faith learning to live with each other in mutual respect and peace.
That is the "why" of the Foundation. Now for the "what".
There are many excellent meetings, convocations, conferences and even organisations that work in the inter-faith area. We do not want to replicate what they do.
We do not want to engage in a doctrinal inquiry.
We do not want to subsume different faiths in one faith of the lowest common denominator.
We want to show faith in action.
We want to produce greater understanding between faiths through encounter.
We want people of one faith to be comfortable with those of another because they know what they truly believe, not what they thought they might believe.
There will be four specific aspects to our work on which we concentrate today.
First, the Foundation aims to educate. We begin today with the association with Yale University. Yale's School of Divinity and School of Management will help design a new course called "Faith and Globalisation". It will run over three years.
I will lead a series of seminars each Fall, starting in September 2008. The idea is to create a course which, over time, can become an enduring part of Yale's teaching; can be spun off to other universities in different parts of the globe; can stimulate original research and be a resource for those working in this field.
We are going to use new and interactive media to engage young people of different faiths. Annika Small, who has done such a brilliant job with Future Lab in the UK bringing together software and education, has agreed to head up this part of the Foundation's work.
We are in discussion with leading publishers about a specific publishing imprint for the Foundation and with others to create a set of programmes explaining the world of faith. We will make announcements of these partnerships later in the year.
We will use the material we design not just for young people and faith communities but also for business and the worlds of commerce and politics.
We cannot afford religious illiteracy. No modern company would today be ignorant of race or gender issues. The same should be true of faith.
Secondly, we are announcing the first of our partnerships to mobilise those of faith in pursuit of the UN's Millennium Development Goals. Today we call on the 4 billion people of faith in the world to help do more to end the scourge of malaria that has killed so many millions of our fellow human beings and will kill many more unless eradicated.
We are joining with the Malaria No More Campaign, a wonderful organisation whose mission is to end death through malaria in the next 5 - 10 years. Saleema will talk more about it. Put simply over one million people die of malaria each year. Their deaths are preventable. In Africa, 40% of victims are Muslim. But across much of Asia, malaria continues to strike and combating it is a huge opportunity for people across the faiths - Hindu, Sikh and Buddhist as well as the Abrahamic faiths - to act in unison.
The solution lies in distributing bed nets and medicines. The resources are becoming available. But the need to get the bed nets and medicines to the people and see them properly used, is where the faiths, who are present in each of the affected communities, can help. Our purpose will be to help mobilise the different Faiths in pursuit of this goal.
Thirdly, we believe that inter-faith interaction can benefit from a physical structure to which people can come, to learn, to discuss and to contemplate. We have agreed to partner the proposal initiated by the Co-Exist Foundation to establish Abraham House in London.
Though expressly about the Abrahamic faiths, it will be open to those from the wider faith community. It will be a standing exhibition, library and convention centre for the inter-faith world. The extraordinary success of the "Sacred Texts" exhibition at the British Library last year shows the potential for such an initiative.
Finally, we will help organisations whose object is to counter extremism and promote reconciliation in matters of religious faith. Though there is much focus, understandably, on extremism associated with the perversion of the proper faith of Islam, there are elements of extremism in every major faith. It is important where people of good faith combat such extremism, that they are supported.
To summarise, the possibilities of a world of change are enormous.
This is a century rich in potential to solve problems, provide prosperity to all, to overcome longstanding issues of injustice that previously we could not surmount. But it only works if the values which inform the change are values that unify and do not divide. Religious faith has a profound role to play.
For good or for ill.
The Tony Blair Faith Foundation will try to make it for good.
Last month in Westminster Cathedral, I set out the purpose of the Tony Blair Faith Foundation. It will concern itself with the six leading faiths: Christian, Muslim, Hindu, Buddhist, Sikh and Jewish. Today we launch the first of a series of partnerships to give effect to that purpose.
Let me describe the reason for this Foundation. The world is undergoing tumultuous change. Globalization, underpinned by technology, is driving much of it, breaking down boundaries, altering the composition of whole communities, even countries and creating circumstances in which new challenges arise that can only be met effectively together. Interdependence is now the recognised human condition.
So, the characteristic of today's world is change. The consequence is a world opening up, and becoming interdependent. The conclusion is that we make sense of this interdependence through peaceful co-existence and working together to resolve common challenges.
In turn, this requires an attitude, a state of mind, an emotional as well as an intellectual response consistent with this conclusion. A sentiment that we are members of a global community as well as individual nations means we must be global citizens as well as citizens of our own country.
All this sounds impossibly idealistic.
But if the analysis of the nature of the world is as I set out, then it is in fact the only practical way to organise our affairs. Idealism becomes the new realism.
This is especially so since the world is changing in other ways too.
Power is shifting east. The centre of gravity of political interest and political power is moving. The emergence of China and India, has been obvious, in prospect, for years. Now it is here in our lives, in practical impact. And not just in the Far East, but the near East too.
Just think of an institution like the G7; think of when it was founded and its members; think if it were invented today and how different that membership would be. The 20th Century order is history. There is a new reality. We have to come to terms with it. And it implies, at its fundamentals, peaceful co-existence or catastrophe.
Into this new world, comes the force of religious faith. Gallup have kindly made available for me today, the latest polling information in their rolling poll of religious attitudes, which is a hugely important source of analysis.
Here is what the polling shows.
Most Christians want better relations between Christianity and Islam but believe most Muslims don't. Most Muslims want better relations but believe most Christians don't. Most Americans think most Muslims do not accept other religions. Actually most Muslims say they want greater and not lesser interaction between religions.
In answer to the question: "is religion an important part of your life", many Muslim countries' citizens answer in the high 80's or 90's as a percentage; in the US it is around 70%; in the UK and mainland Europe it is under 40%. Interestingly, though, even in the UK over a third of people say it is important.
So: religion matters and there is a lot of fear around between the faiths.
In summary, you cannot understand the modern world unless you understand the importance of religious faith. Faith motivates, galvanises, organises and integrates millions upon millions of people.
Here is the crucial point. Globalisation is pushing people together. Interdependence is reality. Peaceful co-existence is essential. If faith becomes a countervailing force, pulling people apart, it becomes destructive and dangerous.
If , by contrast, it becomes an instrument of peaceful co-existence, teaching people to live with difference, to treat diversity as a strength, to respect "the other", then Faith becomes an important part of making the 21st Century work. It enriches, it informs, it provides a common basis of values and belief for people to get along together.
I believe, as someone of Faith that religious faith has a great role to play in an individual's life.
But even if I didn't, even if I was of no faith, I would still believe in the central necessity of people of faith learning to live with each other in mutual respect and peace.
That is the "why" of the Foundation. Now for the "what".
There are many excellent meetings, convocations, conferences and even organisations that work in the inter-faith area. We do not want to replicate what they do.
We do not want to engage in a doctrinal inquiry.
We do not want to subsume different faiths in one faith of the lowest common denominator.
We want to show faith in action.
We want to produce greater understanding between faiths through encounter.
We want people of one faith to be comfortable with those of another because they know what they truly believe, not what they thought they might believe.
There will be four specific aspects to our work on which we concentrate today.
First, the Foundation aims to educate. We begin today with the association with Yale University. Yale's School of Divinity and School of Management will help design a new course called "Faith and Globalisation". It will run over three years.
I will lead a series of seminars each Fall, starting in September 2008. The idea is to create a course which, over time, can become an enduring part of Yale's teaching; can be spun off to other universities in different parts of the globe; can stimulate original research and be a resource for those working in this field.
We are going to use new and interactive media to engage young people of different faiths. Annika Small, who has done such a brilliant job with Future Lab in the UK bringing together software and education, has agreed to head up this part of the Foundation's work.
We are in discussion with leading publishers about a specific publishing imprint for the Foundation and with others to create a set of programmes explaining the world of faith. We will make announcements of these partnerships later in the year.
We will use the material we design not just for young people and faith communities but also for business and the worlds of commerce and politics.
We cannot afford religious illiteracy. No modern company would today be ignorant of race or gender issues. The same should be true of faith.
Secondly, we are announcing the first of our partnerships to mobilise those of faith in pursuit of the UN's Millennium Development Goals. Today we call on the 4 billion people of faith in the world to help do more to end the scourge of malaria that has killed so many millions of our fellow human beings and will kill many more unless eradicated.
We are joining with the Malaria No More Campaign, a wonderful organisation whose mission is to end death through malaria in the next 5 - 10 years. Saleema will talk more about it. Put simply over one million people die of malaria each year. Their deaths are preventable. In Africa, 40% of victims are Muslim. But across much of Asia, malaria continues to strike and combating it is a huge opportunity for people across the faiths - Hindu, Sikh and Buddhist as well as the Abrahamic faiths - to act in unison.
The solution lies in distributing bed nets and medicines. The resources are becoming available. But the need to get the bed nets and medicines to the people and see them properly used, is where the faiths, who are present in each of the affected communities, can help. Our purpose will be to help mobilise the different Faiths in pursuit of this goal.
Thirdly, we believe that inter-faith interaction can benefit from a physical structure to which people can come, to learn, to discuss and to contemplate. We have agreed to partner the proposal initiated by the Co-Exist Foundation to establish Abraham House in London.
Though expressly about the Abrahamic faiths, it will be open to those from the wider faith community. It will be a standing exhibition, library and convention centre for the inter-faith world. The extraordinary success of the "Sacred Texts" exhibition at the British Library last year shows the potential for such an initiative.
Finally, we will help organisations whose object is to counter extremism and promote reconciliation in matters of religious faith. Though there is much focus, understandably, on extremism associated with the perversion of the proper faith of Islam, there are elements of extremism in every major faith. It is important where people of good faith combat such extremism, that they are supported.
To summarise, the possibilities of a world of change are enormous.
This is a century rich in potential to solve problems, provide prosperity to all, to overcome longstanding issues of injustice that previously we could not surmount. But it only works if the values which inform the change are values that unify and do not divide. Religious faith has a profound role to play.
For good or for ill.
The Tony Blair Faith Foundation will try to make it for good.
GRACIAS!
Ana Karakasheva, Denitza Gerginikova, and Milena Dabova continue rehearsal for the performance. Music by Barnakustika.
Two Nights Before The Performance
Ana, Denitza, and Milena explore the old bath in Plovdiv, Bulgaria and work out nuances of their dance. Desislava Chongarova sets lights. Elena Kalpakchieva films. Music by Barnakustika.
Barnakustika!
It is a wonderful thing to go to a city where buskers are around every street corner willing to perform for whatever one might pitch into the hat, or into the instrument case laying open in front of them. In many places such public performances occur without restriction. Along the walking streets of Copenhagen it was an ever-changing scene of acrobats, jugglers, dancers, and musicians. In Paris, even on the subway, the buskers hopped on and off the trains with perfectly timed routines of puppetry or soulful violin or song, performing and passing the hat as they walked the length of the car and got off at the next stop. One could stare out the window and ignore them or one could enjoy the entertaining ride. It seems like a vestige of a past time before television or radio. A time where music and art were quite simply one with the everyday commerce of life. A vague nostalgia comes over me whenever I stop to watch a dancer on the street or a musician performing. It is not a thing on my Ipod, on my radio or on my tv. It is something I find just walking along a street. And it seems so important to me that they are doing this. That they are embellishing me, an idle passer-by, with a larger sense of my self. A self that is social and creative. If you find yourself walking down some street as a tourist, tip the buskers. For they are the ones who add such charm to what, without them, would be just another day.
Barnakustika on the street. Perhaps in Spain...Barcelona or maybe Palma.
Barnakustika on the street. Perhaps in Spain...Barcelona or maybe Palma.
Thursday, September 18, 2008
Wednesday, September 17, 2008
The Perfect Human by Jorgen Leth
In 2003 Lars Von Trier and Jorgen Leth create a documentary of sorts entitled The Five Obstructions. In this film Von Trier asks Jorgen Leth to re-make his 1967 film "The Perfect Human". Leth re-makes the film five times. In each case Von Trier imposes limitations or obstructions that Leth must comply with. In The Five Obstructions we see Leth's efforts to re-make his film. This is the 1967 film that Leth re-creates again and again. ( minus approx. 2 minutes as formatted for Youtube)
The Perfect Human, Jorgen Leth.
The Perfect Human, Jorgen Leth.
Tuesday, September 16, 2008
Illusions of News
This video is ten minutes long and is Part I of a documentary by Bill Moyers on the subject of filtered news, news as entertainment, and news as a controlled delivery of images serving corporate and/or political interests. The documentary aired in 1990, almost 20 years ago and still speaks to the manipulation of news as we know it today. The film is about an hour long and is presented in 6 segments on my other blogsite: Mything Links. Scroll down to the end of my post archive and click on Mything Links if you find this good food for thought, and want to see the rest of this film. I am sorry that the audio on these clips is noisy, but hopefully you can cut through that) d.
Spanish Harlem
A classic from 1961 first performed by Ben E. King, formerly of the Drifters. Here it is played by Kinloch Nelson on "The Yellow Rose", a custom guitar built by Bruce Petros.
Frida Dance Company, rehearsal
Ana Karakasheva, Denitza Gerginikova, and Milena Dabova, rehearsing for a performance called Barnakustika. Barnakustika is the name of a trio of street musicians Ana met and danced with while in Palma, Spain. Street performers. or buskers as they are often called, frequently group and re-group spontaneously and various instruments may play in and out. I don't know if this is the case with Barnakustika or not, but I will try to find out and revise this description with additional information if possible. I also hope to be able to post the actual performance of this dance which I believe will take place soon in the old bath in Plovdiv, Bulgaria.
Monday, September 15, 2008
Barefoot in The Old Bath
Reading Between The Lines.
Sorry to start my blogsite up with such attitude, but I got interested in Westbrook Pegler after Sarah Palin quoted him directly in her acceptance speech. "We grow good people in our small towns, with honesty, sincerity and dignity". She did attribute the quote as being from "a writer". The writer was Westbrook Pegler. In all fairness to the things coming from Sarah Palin's mouth, her speech was written by Matthew Scully, a senior speech writer for George W. Bush. Post speech by Palin here are several reactions to her/his reading material:
Following the Palin acceptance speech New York Times columnist Frank Rich provided an analysis of the political significance of quoting Pegler. Mr. Rich noted that "Pegler was a rabid Joe McCarthyite who loathed F.D.R. and Ike and tirelessly advanced the theory that American Jewish immigrants from Eastern Europe (“geese,” he called them) were all likely Communists." He suggested that Palin's use of a quote from "once powerful right-wing Hearst columnist Westbrook Pegler" was intended to send a subtle but unmistakable signal to far right wing supporters.
About the same speech, Robert F. Kennedy Jr. wrote: "Fascist writer Westbrook Pegler, an avowed racist who Sarah Palin approvingly quoted in her acceptance speech for the moral superiority of small town values, expressed his fervent hope about my father, Robert F. Kennedy, as he contemplated his own run for the presidency in 1965, that 'some white patriot of the Southern tier will spatter his spoonful of brains in public premises before the snow flies.' It might be worth asking Governor Palin for a tally of the other favorites from her reading list." (This was RFK Jr's personally posted blog response today on The Huffington Post.)
Following the Palin acceptance speech New York Times columnist Frank Rich provided an analysis of the political significance of quoting Pegler. Mr. Rich noted that "Pegler was a rabid Joe McCarthyite who loathed F.D.R. and Ike and tirelessly advanced the theory that American Jewish immigrants from Eastern Europe (“geese,” he called them) were all likely Communists." He suggested that Palin's use of a quote from "once powerful right-wing Hearst columnist Westbrook Pegler" was intended to send a subtle but unmistakable signal to far right wing supporters.
About the same speech, Robert F. Kennedy Jr. wrote: "Fascist writer Westbrook Pegler, an avowed racist who Sarah Palin approvingly quoted in her acceptance speech for the moral superiority of small town values, expressed his fervent hope about my father, Robert F. Kennedy, as he contemplated his own run for the presidency in 1965, that 'some white patriot of the Southern tier will spatter his spoonful of brains in public premises before the snow flies.' It might be worth asking Governor Palin for a tally of the other favorites from her reading list." (This was RFK Jr's personally posted blog response today on The Huffington Post.)
Interlude
Since I began my intermission on August 30th, a lot has happened...most of which you know about - and most of which is not good, or at best, ridiculous. I would put Sarah Palin in the latter category. I am sure she is quite personable. If she was my next door neighbor I would find her entertaining conversation across the backyard fence. I might even try to hit on her if Todd was out dog-sledding. Just kidding, but I would actually love to spend an evening with Tina Fay role-playing Palin. But who would I be? I think if I role-played Phil Hartman role-playing Ernest Hemingway that might be good, but I'm not so good as to play such a part. So back to reality, if you are a man and have some viagra- driven interest in Sarah Palin, vote her down from the White House steps and onto the Penthouse pages. I know it is a little late to enter the race, but I do think I may be the better choice for the vice-presidential position. First of all, as self-appointed Mayor of the unincorporated town of Pottsville, (pop.44 or 45) I have brought numerous changes and improvements to this area. For one thing, I painted my house green with red shutters. A symbol of Christmas. As an advocate for the environment, I have introduced the plant exchange program with my neighbors. From it's humble beginnings of giving my next door neighbor some morning glory seeds in exchange for several Canna bulbs,
this program has nearly doubled in the past year to include the neighbor across the road who says he has some Salvia to throw into the mix. As a staunch supporter of animal rights, I have personally stood at the side of the highway waving at quarry truck drivers so they would slow down. As a result, only two neighborhood dogs have been run over this year as compared to the three that got flattened last year. As far as international relations and health care, I can only stand on my record as having been unequivocal in my support of improving the flow of medicinal herbs from Mexico to the USA. No, I am not a hockey mom, but I am a firm believer in the idea that moms should play
hockey. In conclusion, what is the difference between me and a pit bull? I have bigger balls. But putting such aside, I would feel that if necessary, in a National crisis I have much more experience should I need to pick up the red phone and talk turkey with Russia than Sarah Palin. And in the interest of Country First, yes, I can cross dress, if it saves innocent lives.
this program has nearly doubled in the past year to include the neighbor across the road who says he has some Salvia to throw into the mix. As a staunch supporter of animal rights, I have personally stood at the side of the highway waving at quarry truck drivers so they would slow down. As a result, only two neighborhood dogs have been run over this year as compared to the three that got flattened last year. As far as international relations and health care, I can only stand on my record as having been unequivocal in my support of improving the flow of medicinal herbs from Mexico to the USA. No, I am not a hockey mom, but I am a firm believer in the idea that moms should play
hockey. In conclusion, what is the difference between me and a pit bull? I have bigger balls. But putting such aside, I would feel that if necessary, in a National crisis I have much more experience should I need to pick up the red phone and talk turkey with Russia than Sarah Palin. And in the interest of Country First, yes, I can cross dress, if it saves innocent lives.
Hello Saferide, Annika Norlin - vocals
Hello Saferide is a Swedish indie pop band led by Annika Norlin. Annika Norlin also performs under the name Saekert! whose songs are delivered in Swedish. Two pieces by Saekert! are posted below.
"Get Sick Soon" by Hello Saferide, Annika Norlin - vocals.
"Get Sick Soon" by Hello Saferide, Annika Norlin - vocals.
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