Tuesday, 24 July 2012
We're having a heatwave... a tropical heatwave....
We've gone from the famine to the feast. Torrential rain has turned into scorchio temperatures. Took a stroll round the garden this afternoon and just looked for the strongest light. Lots of bees, dragonflies and butterflies around . After a barren summer so far, all of a sudden the air is full of Meadow Browns. Have been practicing making up collage templates in Photoshop for ages and then someone told me about PicMonkey. Go to 'create a collage' and five minutes later it's all done for you and all for free. If you don't want to become addicted don't follow the link...... go outside and enjoy the sunshine instead.
Monday, 23 July 2012
Let it bee
In the way that fate or chance often intervenes in things I had a phone call the day after my last post. It was from the man from the ministry. Well, it was from the bee inspector from DEFRA and he was checking all hives in the area for a disease called American Foul Brood (AFB). Sadly this horrendous affliction has now worked its way this far west but as we had no brood the likelihood of us being targeted was remote. When he heard our tale of woe however he said he'd come the next day to have a look at our hives for us. The swarm we'd picked up on Wednesday had no queen with it and we got the message that the remainder took off later so there was no point in returning to retrieve the rest of them. The bee inspector confirmed all of our hives were queenless and suggested we put all three into one. Now two hives put together will fight it out but apparently three or more thrust together are so shocked and confused they often pull together. It doesn't alter the fact that our bees will ultimately die but it might help stave off the inevitable for a while longer. So now there's only one hive left but the bee inspector is on the look out for another queen or some brood for us whilst he's on his travels but the main season is drawing to a close so we may have to draw a line under it for this year and think long and hard about next year.
We had another call about a swarm last night but this one is in the gutter of a house so my husband passed and gave them a number of someone else. I think he's had enough hassle for this season but he salvaged some of the comb made by the bees from my friend's mum's compost bin to pass back to her. The pristine pieces show the immaculate engineering these fabulous creatures are capable of. Look at those precision made hexagons. Just amazing. The dark spots in the lower piece shows the pollen that the bees had already started to collect and these pieces are bought by companies who want the raw materials to make candles. Somehow I doubt there's enough here to do much with but I could melt it and use it to wax paper or fuse with other materials. If I really had a good idea on how to use it, I just might.
Whilst we have had some sun at last we've managed to get on with a couple of jobs like clearing the garden and I found this small nest in a sheltered spot, blown down from a large conifer we have. It is dinky and fits all the descriptions of a goldfinches nest. As we had quite a number of fledgelings here this year I am sure this is where it all started for them. I cannot bear to part with these things and have added it to my little collection of garden finds.
Finally, the turn in the weather gave us an opportunity to put out a couple of moth traps this weekend. What a turnaround in numbers. Saturday night's trap yielded 23 different species and 69 moths. It might not sound a lot but it is a massive improvement in numbers for this year. I have recently given a few talks on trapping moths to groups and without fail the memory most people share is that of seeing the 'woolly bear' caterpillar in their youth. When I show them the slide of what it looks like as an adult in the form of the Garden Tiger they are surprised at its beauty, a beauty that has declined by 68% in the last 20 years. Whenever I've trapped them it has always been as single specimens. I have never seen two together so I really make sure I keep it safe and release it the following night to carry on the fight for survival. I am often enamoured of the intricate patterns and subtle colourings of moths and recently came across the blog of an artist who captures their forms quite beautifully. I found the blog via Fiona and it belongs to artist Sarah Gillespie. Do take a look.
Thanks for all the e mails and encouraging comments about the bees this year. It has been a rollercoaster ride and I shall let you know if we're going to do it all again in 2013!
We had another call about a swarm last night but this one is in the gutter of a house so my husband passed and gave them a number of someone else. I think he's had enough hassle for this season but he salvaged some of the comb made by the bees from my friend's mum's compost bin to pass back to her. The pristine pieces show the immaculate engineering these fabulous creatures are capable of. Look at those precision made hexagons. Just amazing. The dark spots in the lower piece shows the pollen that the bees had already started to collect and these pieces are bought by companies who want the raw materials to make candles. Somehow I doubt there's enough here to do much with but I could melt it and use it to wax paper or fuse with other materials. If I really had a good idea on how to use it, I just might.
Whilst we have had some sun at last we've managed to get on with a couple of jobs like clearing the garden and I found this small nest in a sheltered spot, blown down from a large conifer we have. It is dinky and fits all the descriptions of a goldfinches nest. As we had quite a number of fledgelings here this year I am sure this is where it all started for them. I cannot bear to part with these things and have added it to my little collection of garden finds.
Finally, the turn in the weather gave us an opportunity to put out a couple of moth traps this weekend. What a turnaround in numbers. Saturday night's trap yielded 23 different species and 69 moths. It might not sound a lot but it is a massive improvement in numbers for this year. I have recently given a few talks on trapping moths to groups and without fail the memory most people share is that of seeing the 'woolly bear' caterpillar in their youth. When I show them the slide of what it looks like as an adult in the form of the Garden Tiger they are surprised at its beauty, a beauty that has declined by 68% in the last 20 years. Whenever I've trapped them it has always been as single specimens. I have never seen two together so I really make sure I keep it safe and release it the following night to carry on the fight for survival. I am often enamoured of the intricate patterns and subtle colourings of moths and recently came across the blog of an artist who captures their forms quite beautifully. I found the blog via Fiona and it belongs to artist Sarah Gillespie. Do take a look.
Thanks for all the e mails and encouraging comments about the bees this year. It has been a rollercoaster ride and I shall let you know if we're going to do it all again in 2013!
Wednesday, 18 July 2012
Bee update
'Within that little hive such hints of honey lay as made reality a dream and dreams, reality'
Emily Dickinson
An inspection on Sunday in our little hives showed that the introduction of the new queens has not been successful. Whilst she eats herself out of her cage for a couple of days to get into the hive, received wisdon says this is breathing space for the occupying bees to get used to her smell thus giving time to make her accepted. If she is not, then the resident bees will undoubtedly kill her.It would seem that neither of our new queens had the essential 'je ne sais quoi' and neither did we capture the queen with the swarm we were blessed with. So, we now have three queenless hives and no new brood. All the bees in situ are bringing in pollen and making honey but all that can happen now is that they will follow their natural lifecycle of six to eight weeks of life and then die. There will be no bees to take their place and the hive will falter and come to an end. We will be left with honey but no bees. A sad state of affairs but we are not alone as this is being reported as a dire year for beekeepers because of the atrocious weather. My husband has never been interested in taking their honey. The average life of a honey bee is six weeks and it takes the lifetime activity of six bees to make one teaspoon of honey! He thinks that for that effort they should keep the rewards of their labour but we will have to extract it if we are left with a supply after the demise of the hive.
Monday, 16 July 2012
When the day breaks
I came across this ages ago and loved the animation, particularly the way the faces are drawn. See what you think.
Friday, 6 July 2012
Connections and Collections
I am always intrigued when random events come together and suddenly connect. I heard the fantastic news yesterday that my friend Sue received a distinction for her recently completed MA, her degree show being, coincidentally, the last creative exhibition I've been to in the past month or so. Her major working theme has been on collections housed in the Oxford Museum of Natural History and the same theme of collections has become the focus of new work by textile artist, Stephanie Redfern, whose blog is one of my favourite reads. Through Stephanie's blog,which I can thoroughly recommend, I was introduced last year to the work of Welsh artist, Clive Hicks Jenkins and I subsequently went to see his major retrospective exhibition at the National Library of Wales in Aberystwyth.
You're probably wondering when I'm going to come to the point here but bear with me.... because the connection is that after the exhibition I started to read Clive's Artlog on a regular basis and over recent months I've eagerly read the posts about the creation of two accordion books for a new exhibition, again at the National Library. Yesterday's post on the Artlog detailed the opening of it and, on the spur of the moment I decided to drive up to see it for myself. It was a joy as always to see art in a book form and the artists selected had all approached things in such a diverse way. Each had produced two books, Clive's being an alphabet primer and a book with pop-ups and flaps etc. Sadly the cases enclosing the books precluded trying them out... otherwise I would have tried, believe me! Pop over to the Artlog to see more photos and to read Clive's post about it. Whilst you're there trawl back through past posts to see how the books were thought out. It is another fascinating blog and rewards regular reading.
So, like buses, I went to one exhibition yesterday and then today found myself at two more! I went along to the private view this afternoon of an exhibition called 'The Memory Clothes' in Carmarthen, the first solo exhibition of my friend, Lynda Cash, another textile artist working with collections. Lynda's collections of treasured family photos, documents and memories that have figured throughout her life and career have been brought together with a mixture of printing and stitching skills and it was just lovely to see it all brought to fruition. Although I've known Lynda for about 8 years I never knew that her first job was as an apprentice at the couturier house of Norman Hartnell, a favourite of the Queen and the Queen Mum. One of the key images Lynda had used was her first weekly payslip from Hartnell's for £3 4s 5d. It made me wish that I had kept some of my paper memories like this but I'm enough of a hoarder as it is so it's probably good that I haven't.
Lynda's private viewing was getting busy so I popped across the road for a quick look around the latest exhibition at Oriel Myrrdin. At this point I had bumped into another friend who I offered a lift home to and I could see she was not inspired by what we saw so I shall have to go back again on my own because I certainly was! On display were selected works from the British Council Collection from a raft of contemporary artists all producing work to celebrate the achievements and lasting legacy of Charles Darwin. I quickly took this photo but cannot attribute an artist to it. It is a beautifully rendered pencil drawing of a book cover and brings me to the last coincidence and connection because I have been looking at book collections this week and looking at drawing the patterns made by the spines of rows of books. Don't you just wonder at how these common threads run through things and how blogging connects us all in invisible ways?
You're probably wondering when I'm going to come to the point here but bear with me.... because the connection is that after the exhibition I started to read Clive's Artlog on a regular basis and over recent months I've eagerly read the posts about the creation of two accordion books for a new exhibition, again at the National Library. Yesterday's post on the Artlog detailed the opening of it and, on the spur of the moment I decided to drive up to see it for myself. It was a joy as always to see art in a book form and the artists selected had all approached things in such a diverse way. Each had produced two books, Clive's being an alphabet primer and a book with pop-ups and flaps etc. Sadly the cases enclosing the books precluded trying them out... otherwise I would have tried, believe me! Pop over to the Artlog to see more photos and to read Clive's post about it. Whilst you're there trawl back through past posts to see how the books were thought out. It is another fascinating blog and rewards regular reading.
So, like buses, I went to one exhibition yesterday and then today found myself at two more! I went along to the private view this afternoon of an exhibition called 'The Memory Clothes' in Carmarthen, the first solo exhibition of my friend, Lynda Cash, another textile artist working with collections. Lynda's collections of treasured family photos, documents and memories that have figured throughout her life and career have been brought together with a mixture of printing and stitching skills and it was just lovely to see it all brought to fruition. Although I've known Lynda for about 8 years I never knew that her first job was as an apprentice at the couturier house of Norman Hartnell, a favourite of the Queen and the Queen Mum. One of the key images Lynda had used was her first weekly payslip from Hartnell's for £3 4s 5d. It made me wish that I had kept some of my paper memories like this but I'm enough of a hoarder as it is so it's probably good that I haven't.
Lynda's private viewing was getting busy so I popped across the road for a quick look around the latest exhibition at Oriel Myrrdin. At this point I had bumped into another friend who I offered a lift home to and I could see she was not inspired by what we saw so I shall have to go back again on my own because I certainly was! On display were selected works from the British Council Collection from a raft of contemporary artists all producing work to celebrate the achievements and lasting legacy of Charles Darwin. I quickly took this photo but cannot attribute an artist to it. It is a beautifully rendered pencil drawing of a book cover and brings me to the last coincidence and connection because I have been looking at book collections this week and looking at drawing the patterns made by the spines of rows of books. Don't you just wonder at how these common threads run through things and how blogging connects us all in invisible ways?
Tuesday, 3 July 2012
Wet... wet....wet
Lovely to read blogs this week showing glorious sunny gardens and hand picked flowers.... no really, I mean it... there's no envy in my voice just because it hasn't stopped raining here for days, weeks, months.... the bees won't go out so we're feeding them with sugar syrup. So far I've bought about 20lbs of sugar and have taken out shares in Tate and Lyle. I've been out giving some talks about trapping moths but the bad weather means I haven't actually put a trap out for ages. It was National Moth Night last week, the time for us all to get out and see what's happening.... but not here because it was just so wet. I thought I'd take some photos of my garden today but didn't get far past the back door before it started to hammer down. I'm thinking of moving somewhere drier..... any suggestions?
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