Cynthia's cover paper was laminated over a cartridge paper core and it was a lovely muted gold and magenta paper. After binding she decided to weave her long stitches together to capture the ribbon tie within the whole thing. This book has eight signatures of five pages each. It was chunky and wonderful to hold in the hand.
Maggie used handmade Khadi paper bound in a canvas cover that she had primed and painted with an Oak Beauty moth. Maggie is the 'Brown' of Indigo Brown and runs residential painting holidays down here in Pembrokeshire. She is a fabulous artist and I love the fact she comes to my courses. We have a shared fascination for moths so she's going to borrow the moth trap next month to see what species exist in her neck of the woods. I can see her painting all of them somehow!
'Other' Maggie brought some great wallpaper samples and collaged and cut this one to create another chunky book with an elastic strap closure. It has folded in flaps at each end and one will be secured to form a small pocket to slip notes etc into. This one is already earmarked as a present but if I know Maggie she'll have already made another to fix the process of stitching well and truly into her mind. Mind you, there's a grandchild due any day now so maybe she'll be otherwise occupied!
Eileen has not felt too well this week but came for the tonic of doing something different and she turned out to be the first to master the stitching and the first to finish. She used her own marbled paper and contrasted the orange with that sharp blue thread. The colour is a bit lost in my photo but the book really did sing out. Perfectly executed and stitched.
Anne's book was smaller and wider and beautifully made. She is a meticulous artist and created this cover with felt and an embossing machine. The 'how' was lost on me. I could only love the effect it all had. Anne will be demonstrating printing a Spring Journal locally next week so a few of us are planning to join the crowd and
Peter wanted to use some handmade paper for the signatures and picked up a couple of pieces of leather I'd taken along from an old book cover. On their own they were not big enough so he cut the two to size and linked them with some great cross stitches, making a gorgeous, tactile book. At one point I was cursing inwardly, wondering why I'd given the pieces away but he made better use of them than me and that's the end game I want for them. I want them to want to make books and use them.
My final participant was Nicole, someone I met recently via an old friend. She told me she was doing a textile degree and they have to put their work into a book format. So she joined us on Friday but it became apparent that trying to fit her work into the structure I was choosing to teach was not the way to go. She had made stunning devore samples that should not be stuck in a book. After all the effort to design, screen and devore them they need to be in a structure that shows their delicacy and allows people to touch them and hold them up to the light to understand the theme of her work. So, I am going to try and point her in a different direction (any ideas, anyone?) and she had to play catch up, therefore she was still stitching as we finished and I took the photos.
It was another great day and there's just one more to come in two weeks time. The plan is for tunnel books but I am wondering whether to revisit a couple of structures we missed earlier in the term that are more traditional and that would add to their sewing and folding skill sets. There will be no more workshops at this venue and I want to leave them with the building blocks to explore from here on. I need to ponder and act fast as this group keep me on my toes as I hope you can see!