Time to rev up for 2011

I’ll be posting a poll soon to ask your opinion about some ideas we have for enhancing our event this year.

January 10, 2011 at 5:01 pm

Meet Caroline Linden

Caroline Linden is visiting today to talk about her new book, For Your Arms Only, writing, military heroes and cookies. Her wit and charm are reason enough to welcome her, but she comes bearing gifts as well. We’ll choose a random commenter to receive a copy of  A View to a Kiss, plus  a hard copy of the bonus companion story “Deeper than Desire”.  (Winner to be chosen Friday, December 11). In addition, Caroline will be donating a copy of her book to the 2010 Unleash Your Story event. Thanks, Caroline and welcome!

TB: Please tell us something about For Your Arms Only.

CL: It’s the second book in my Regency spy series, although I don’t think you need to read the first book before this one. My hero, Alec Hayes, was a decorated army officer. He was severely wounded at Waterloo and went missing in the battle’s aftermath, and when he woke up from his wounds, being nursed by a local woman, he discovered he was suspected of treason and presumed dead. To clear his name, he elected to stay presumed dead, and ends up as a spy for the British Home Office. But after five years, his older brother dies; Alec is sent home with one last mission from the spymaster, to find a man who’s disappeared from his hometown. The heroine, Cressida Turner, isn’t sure she wants Alec’s help finding her missing father. Not only is everyone talking about the man come back from the dead, Alec definitely unsettles her world. As she reluctantly accepts his help, and they begin to work together to find her father, it becomes clear that her father has been keeping some dangerous secrets.

I think Alec and Cressida are well-matched characters, in that they both have a disaster in their past that they reacted very strongly to, and it’s marked them ever since. Only when they find each other are they able to get past those disasters and hurts.

AND as a special bonus for this book, I wrote a companion short story. It’s not independent, it’s meant to be read with the book, but it’s FREE. Everyone can read it here.

TB: One of the things I most enjoy about your books is the way you manage to bring settings to life. I feel as though I’m right there with your characters. How do you immerse yourself into this world?

CL: I’m so flattered whenever anyone says this. 🙂 I don’t know; my characters all have very real personalities in my mind, and often very strong ones. They often surprise me, but I don’t usually view that as a bad thing. To me a romance is really about the characters. If they seem alive and real, their world generally comes to life as well. I usually draw my scenes in pretty spare language, and trust the reader to fill in a lot of details, mostly because I personally skip over most descriptive scenes, no matter how beautifully they’re written. I can’t wait to get to the part where something actually happens.

TB: Alec is a great example of a tortured hero. It’s hard enough for a soldier to survive a bloody battle like Waterloo, knowing that many of his comrades lost their lives. To be accused of betraying those comrades to the enemy has to be the worst nightmare. How do you relate to a character who is going through such a horrible experience?

CL: Alec was hard to write. He’s my first military hero, and even though I’m from a family with plenty of military folks, I always shied away from them. Which is just wrong, for a writer whose books are set in the Regency era, when the British were fighting a war or two at all times for over a decade. I read quite a lot about the British army of the time, and it wasn’t what most people expect, given modern armies. Officers were in their posts usually because of money and/or influence, and they weren’t always very good tacticians (in fact, some were awful and would have been court-martialed by a modern army). Enlisted men had a rough time, and were regarded by superiors (like Wellington) as the scum of the earth. I was completely struck by how random things could be in battle, and used some anecdotes from Waterloo in my book. It was completely possible for a man to be injured in battle, picked clean of all identification by scavengers, and wind up able to start a new life, with everyone thinking he was dead.

I don’t think I could adequately feel what someone in the Regency army felt or experienced–just as I don’t think I could adequately feel what someone in today’s army would feel after a battle. As a writer, you just do your research and write it the best you can.

TB: What’s your favorite book? (And we are all readers here, so we understand if your answer to this question varies from day to day).

CL: I cannot begin to answer that question. I will say that I just finished reading Lord of the Fading Lands by C. L. Wilson (and can’t wait to go get the next book), and just started Eve Silver’s upcoming book Sins of the Heart (coming out next fall–oh, the perks of being friends with authors!)

TB: All of your published books are historical romances. Do you have any other types of books you’d like to write? Any secret passions yearning to be set free?

CL: I have some paranormal and contemporary ideas, but not many. Can you write just one paranormal romance? I would really really like to write an American historical, too. I could never give up historicals.

TB: What’s your favorite movie?

CL: Well, this also changes, but one of my favorites is Shakespeare in Love. Oh, that Joseph Fiennes… <sigh>

TB: Besides reading and writing, what do you enjoy doing in your free time?

CL:  What, there is time to do things in life aside from reading and writing? Do tell…

I always have plenty of things around the house to do after finishing a book (mostly because I completely ignore them while writing). I cook (decently), play tennis (very badly, but with spirit), and am constantly dreaming up ways to fix up our house (which my husband gently shoots down, until we win the Powerball lottery).

TB: Your first book, What a Woman Needs, came out in 2005. Do you still remember the first time you held that book in your hands? What was that moment like?

CL: Absolutely. It’s very exciting to hold your own book. It’s also very exciting to see it on the shelf in the bookstore, and to hear from people who read it and liked it. THAT is the best part of being an author: when someone tells you your work made her day better.

TB: If you were stuck on a desert island, what five items would you most want to have with you?

CL:  A comfy hammock; a thousand good books; a well-stocked minibar; my iPod; and a satellite phone with GPS so I could get off the island when hurricane season began.

TB: In the process of writing a book most authors must read the story over and over again. Once the book actually reaches store shelves, are you tired of it? Or do you crack it open and read it one more time?

CL: I do, sometimes! Sometimes I get to the end of the book and just feel drained, and have had enough of it. But there’s so much time between when you finish a book and when it actually comes out in stores, that I sometimes want to go see how it turned out, and if my feelings changed about it. I don’t read it all, just a few pages here and there. And sometimes I have to go back and see what I did in a previous book, if it’s part of a series.

TB: Do you listen to music when you write, or do you prefer silence?

CL: I like movie background music. If there are words, I start listening too much to the music and get no writing done. My top writing album right now is the soundtrack from the recent Pride & Prejudice movie.

TB: Authors are often asked where they find the inspiration for their books. I recently read a response to this question from Douglas Adams in The Salmon of Doubt. He said, “I tell myself I can’t have another cup of coffee until I’ve thought of an idea.” Is there anything special you reward yourself with when you complete a book (or chapter, page, paragraph or sentence)?

CL: Yeah, I get to read a book! Sometimes I reward myself too liberally, though. Mostly, the sheer joy of finishing is enough. I don’t feel any special relief in completing a page or a chapter, until there are no more pages and chapters left to write. THEN I break out the bubbly and chocolate.

TB: Do you get to know your characters as you write, or do you have a pretty good idea who they are before you start writing the novel? Do your characters ever surprise you as you’re writing?

CL: They always change, even if I think I know exactly who they are and what they’ll do. And usually they change without advance warning, the story just suddenly veers off in a new direction.

TB: You’ve been a big supporter of Unleash Your Story from the start. Most people don’t know it, but you designed our logo. Besides writing fiction and doing computer graphics, do you have any other secret talents you’d like to reveal to our readers?

CL: I make wicked awesome cookies. I lurve cookies. They are my can’t-resist dessert, the one thing I cannot pass by, not even just plain sugar cookies from the supermarket. My graphics skilz, such as they are, do not compare to my passion and talent with butter and sugar and chocolate.

TB: In your bio you make a pretty convincing case for how a woman with an interest in mathematics and science might end up writing romance novels. Do you ever find your knowledge of math and science help you in writing fiction?

CL: Higher level math (which I only got close to, by the way–someone called me a mathematician somewhere, and that is totally untrue) is not just about computation but is about proof, starting at one statement and logically proving, step by step, your way to the conclusion. I tend to think of my plots the same way: what must come next, to get where I want to go? Of course, you also have to throw in some human overreaction and the random wrong turn to keep it from being predictable, but I do think of my plots as solving a problem. The only difference (and the best part) is that I get to choose the solution as well as the problem. After lab reports and problem sets, getting to make up both question and answer is quite a thrill.

Questions–What’s your favorite kind of hero? And what’s your favorite kind of cookie?

Caroline Linden knew from an early age she was a reader, but not a writer. Despite an addiction to Trixie Belden and Nancy Drew, she studied physics and dreamed of being an astronaut. She earned a math degree from Harvard College and then wrote software for a financial services firm, all the while reading everything in sight, but especially romance. Only after she had children, and found herself with only picture books to read, did she begin to make up a story of her own. To her immense surprise, it turned out to be an entire novel—and it was much more fun than writing computer code. She lives with her family in New England.

December 8, 2009 at 6:15 am 6 comments

Watch for book give-aways

We will have a book give-away at least once a month, so be sure to stop by regularly. Our next scheduled event is next week, Tuesday December 8. Our guest will be Caroline Linden, author of , For Your Arms Only.

Caroline writes terrific Regency set, sensual romances. For Your Arms Only is a RT Book Reviews Top Pick!

Read an excerpt at Caroline’s website, here.

Come back in on the 12th of January when I’ll be giving away a Trade Paperback copy of the anthology, My Heroes Have Always Been Cowboys. The anthology will be released in mass market paperback in February 2010.

In March 2010 we’ll be featuring Paula Reed, author of Hester. Paula’s novel follows the life of Hester Prynne following the end of Nathanial Hawthorne’s The Scarlet Letter.

Read an excerpt of Hester.

We’re looking forward to more great book talk and book give-aways throughout 2010 as we gear up for our next Read/Write-a-thon in September. Best of all, each guest author is giving away 2 copies of her book. One copy will go to a random commenter. The second copy will be added to our $100 books for the 2010 event.

December 2, 2009 at 7:56 pm

We have a winner

The winner of Jackie Ivie‘s book–Once Upon a Knight is . . . .drum roll please . . . .

Julie!

Once Upon A Knight

November 7, 2009 at 2:52 am

Heroes: All alike?

Please join me in welcoming Jackie Ivie, author of  romance novels featuring hunky Highland heroes as bold and rugged as the Scottish highlands. Her books include: Tender is the Knight, The Knight Before Christmas and Heat of the Knight.

Jackie’s here today to talk about her preferences in a hero and to challenge readers to defend their favorite type of hero. Jackie is giving away two copies of her latest book, Once Upon a Knight. One copy will be donated as a prize for our 2010 UYS event and the other copy will go to one lucky reader of this post. To enter, simply leave a comment. Let us know if you agree with Jackie about Highland heroes and what you think of the other hero types she mentions. (Are Regency heroes really a bunch of wusses?)

JackieHi.  Jackie Ivie here.  Talking about my favorite topic:  heroes.  (Sigh).  I just love a brawny, stirring, achingly gorgeous man – wearing as little as possible of course –  going up against all odds and somehow winning, because his heart is as big as the rest of him.

My editor has one request of me:  Keep those Highland heroes coming.  And there is nothing better… even if I have to face the fact that they all look alike.  I hear that all the time and…it’s true.  They have the same physical traits.  They’re all big men.  Brawny.  Hulky.  Hunky.  Hot.  Weapon-brandishing, kilt-wearing Highlanders.  It’s in the mind.  I have this 6-foot-3-inch to 6-foot-6-inch hunk firmly set in my mind.  He’ll weigh about 235 to 265 lbs. depending on his height.  He’s got a full head of shoulder-length hair (or longer), feminine-looking lips, firm jaw, high cheekbones, jaw-dropping handsomeness that gets him more embarrassment than anything else.  Women literally fawn on him.  Sometimes he takes their offers.  Sometimes he barely avoids it.

That’s my hero.  I can’t escape it, either.  He’s on every cover.  My heroes are not stout men.  Oh no.  They’re rippling with muscle.  Easily capable of taking a 9 lb. claymore in each hand and working them against the enemy.  Capable of winning a battle against tremendous odds, crossing leagues of country in little more than a hank of cloth, surviving any weather condition, any trauma…winning the heroine’s heart.

And all on an empty stomach.

Take my newest hero, Vincent Danzel from ONCE UPON A KNIGHT.  Vincent’s of Viking descent, has shoulder-length blond hair, dark eyes, jaw-dropping looks, wench-stealing ways, and a frame to make certain of it.  He also has a very dark life-defining secret in his past.  It’s so bad that he’s set his lack of worth on it.  He’s a lying low-life wretch and lives down to that.  There isn’t a task too low for him.  He figures he’s already destined for Hell, so what does anything matter?  He’s got the size, looks and intelligence to make every wench’s heart beat faster just before he takes it, and that’s just what he’s tasked with.  Unfortunately, his cousin knows exactly what Vincent needs to alter everything and bring out the hero in him:  the perfect lass.  Sybil’s quick-tongued, manipulative, self-assured and stunningly smart.  Capable of taking down any man with a well-chosen word, or gesture, or potion.  Vincent is like child’s play to her…until her heart tells her different.

That Vincent.  Here’s a small excerpt from ONCE UPON A KNIGHT showing just one description of him:

***

The blond fellow from the marsh was moving from an indolent position leaning against a bit of rock Once Upon A Knightwall to ask it.  He was more massive than she remembered.  With hands upon his hips and his legs apart, he was effectively spanning the width of her tower hall.  He’d also found a way to a bath and laundry, if what she smelled and observed was accurate, since he was splendidly attired in little more than a kilt of blue and black, while the open sides of his doublet were leaving none of his brawn disguised.  He probably should have donned a shirt as well, she decided, eyeing him with what she hoped was disinterest.

“Well…what?” she replied, since he did nothing more than block her hall while he waited.

“I’ve bathed,” he replied.  And then he grinned.

Sybil had to look down as the strangest shiver ran over her frame the moment she glimpsed teeth and what promised to be actual dimples as well.  Her own body’s response was unfamiliar, unwarranted, and not going unnoticed.  At least by her.  She could only hope her voice had the same disinterested, modulated tone as always when she needed to use it.

She looked back up.  One of his eyebrows was cocked up now and his head was slanted slightly.  There was a visual array of rope-like tendons pounding from the belly he was displaying as well.  It was very practiced, very posed, and very unnecessary.  It was also stupid.

“So?” she replied, finally.

His eyebrow fell, as did his smile.  He had wickedly dark eyes, and with them dark lashes, both of which were incongruous and superficial-looking with his coloring.  He knew it and was used to wielding it, which made the reaction her body was giving even worse.  He’d lowered his chin, made a knot bulge out on side of his jaw, and favored her with a stern look, but since it was being shadowed by his lashes, it didn’t do much.  It was just as theatrical as the rest of him.

Sybil’s lips quirked despite her effort.

***

Sound familiar?  (another sigh)  I’m going to guess I write a typical alpha-male Highland hero – but I’m just going on covers and reading some of them.  Let’s face it, brawn and lots of it define a Highlander.

What about a Regency hero?  These are rather effeminate guys in my book (and if I put one in, he’s going to look plenty silly).  They look fantastic in evening wear, including champagne-shined Hessian boots, they have an arrogance few can crack, they deliver perfect lines with stunning wit.  Most are tallish, slender, and look like they spend hours in the saddle.  These fellows are born to speak the innuendo and rarely if ever get embarrassed.

What about a Gothic hero?  He’ll probably be pale slender, secretive, ultra-intelligent.  Western hero?  Reticent, slender.  Modest.  There are more.  I’m certain of it.  I’m guessing a hero can be pegged to his genre by a description of him.  Any dissenters out there?

For a chance to win a copy of Jackie Ivie’s book, Once Upon a Knight, leave a comment to this post by Friday November 6 at 5 p.m. Eastern. We will pick a winner Friday Knight, er night!

November 4, 2009 at 4:01 pm 20 comments

Final total

The money has been rolling and in and we are finished counting. Our grand total for the 2009 UYS event is $7,535. It’s a bit disappointing that we weren’t able to top last year’s numbers, but we gave it a good effort. Thanks so much to everyone who participated and donated prizes.

In our first two years we’ve raised close to $19,000. That’s a lot of money for a great cause. We’ll be back next year with a bigger and better event.

We’re in the process of awarding our final prizes. Watch here for an announcement soon.

October 12, 2009 at 8:02 pm

Racing for the finish line

Tomorrow is the last official day of the event. As of yesterday we were at $6451. There’s still time to add to that total!

Just click here to donate.

September 29, 2009 at 5:09 pm

The Happy Ending

by Rebecca York

rebeccayorkWhen I talk about books in public, I try to stick to the ones I like.  But I’ve just finished a “guy book” that upset me a lot.  So I want to discuss it a little.  I won’t tell you the name of the book.  But it was about a woman lawyer whose husband was accused of murder.  She loved him and defended him at his trial.  During the course of the book, I got to know and like the heroine.  Several times during the story, she questioned whether her husband was really innocent.  But each time, she regained her faith in him.  She won an acquittal, and they joyfully went home again.  Then the author had the brilliant idea of having her find out that the guy was really guilty. Not just guilty, but a psychopath.  When she confronted him, he tried to kill her.  And she ended up shooting him in self-defense.

What fun! Not.

I’d gone through a deeply emotional experience with the heroine.  I rooted for her to win the court case–in the face of a hostile judge and a lot of dirty tricks from the prosecution.  Not only that, during the trial, she almost gets fired from her job.  But she triumphed over all of that.

What was her reward?  Her life was destroyed.  Why?  Because it was a neat twist for the end of the book?

As I read, I started suspecting that the author was going to pull a zinger at the end.  But I kept hoping for the best and I kept going because I liked the heroine and wanted her to win–and walk away happy.  I was involved with the story, but now I’m really upset with investing so much time and emotional energy in the plot–and the characters.

There is no way I’d ever write a story like that.  I put my hero and heroine through terrible trials.  I test their resolve and their character and their love for each other.  But I end the story with them happy together.  Because that’s what I want to read.  And write.  There’s enough bad stuff going on in the world without inventing more.

That’s why I love writing romantic suspense. My latest is DRAGON MOON, out from Berkley on October 6.MM cover.indd

The heroine is Kenna, a slave from my alternate universe, sent here to help her ruthless dragon-shifter master invade our world.  She meets werewolf Talon Marshall and desperately wants to tell him her frightening secret.  But every time she tries to reveal her plight, excruciating pains stab into her head.  Even as Kenna and Talon fall in love, he can’t trust her.  And she struggles to break through the barriers that control her mind.  It’s classic romantic suspense, with the paranormal twists I love.

It’s a very emotional story.  I put my hero and heroine through a lot of grief.  But there’s one thing you can count on in every book I write. The hero and heroine are going to live happily ever after.

So what do you think about endings?  Do you hate being jerked around by an author who gets you hooked, then pulls the rug out from under you?  Or do you love those nasty twists that only a guy would think of?

New York Times, USA Today best-selling novelist, Ruth Glick (aka Rebecca York) is the author of 125 books. She writes paranormal romantic thrillers for Berkley and romantic thrillers for Harlequin Intrigue.  Her many awards include a PRISM Award for “Second Chance” in MIDNIGHT MAGIC (Tor, May 2006).  She has received two Career Achievement Awards from RT BOOK REVIEWS magazine.  Her KILLING MOON was a launch book for Berkley’s Sensation Imprint.  Her Berkley Moon series continues with DRAGON MOON (October 2009)   Her latest Harlequin Intrigue, MORE THAN A MAN, was out in August.  Also the author of 15 cookbooks, Ruth loves cooking, craft projects and watching defunct TV series on DVD.  Her garden contains rocks she’s collected from around the world.

September 28, 2009 at 4:28 am 6 comments

Time-out

Please help me welcome multi-published, award-winning author Jo Ann Ferguson with some words of wisdom to help us as we come to the end of our month-long writing marathon.

by Jo Ann Ferguson

joannefergusonDanielle Steel’s next release will probably be accompanied by a story and/or a photo of Ms Steel sitting in her laundry room and writing.  Impressed?  Not me.  I’ve been writing in the laundry room since this obsession took hold of me.  And I do it without a typewriter because my characters chat me up while I fold clothes!

Or perhaps you’ve read about the writer who does her best work while in a bubble bath.  I believe the article even included a picture of said author – either a brave or crazy woman!  I read it and shrugged.  Bathtub?  Big deal!  I do my some of my best writing in the shower!

Not only do I find myself working in odd places, but an in-depth, scientific survey of 2 or 3 friends revealed that many writers write in eccentric places.  Before you go rushing out to prove that we’re all wet for writing in a damp environment, look at the facts.

It’s easy to write all the time, and that’s not necessarily a good thing, especially for us workaholic, Type A personalities.  Burn-out is a big hole that’s hard to crawl back out of, but it’s easy to slip into.

Writing may be a solitary occupation, but it’s not a lonely one.  Those with families – especially with children – have discovered how many interruptions a single day can hold.  So we grasp for every second we can and write.  Even on the perfect day, when the kids are in school, the hubby at work, and the inbox empty, we’ve got characters and plots pulling at us from every direction.  Should this scene be in Chapter Two or Three?  Should it be in the book at all?  When is the heroine going to stop being a dolt and realize this man is perfect for her?  And where did that subplot go?  Or the first draft is done…now what?

Staring at the screen does no good.  The answers aren’t there.  Some writers keep going and struggle down a bunch of dead end paths before chancing on the correct road.  Not me.  I like to pretend I’m too efficient – I dislike the word lazy – to do all that useless work.

So what do I do?  I push the keys to save the document on the screen, get up, and do something totally radical.

I give myself a time-out from writing.

Not the time-out I used to give my kids.  A real time-out that helps refill the creative well.  It’s okay.  Really.  It’s okay to take some time off.  If a writer spends all her time on the fast-track, she – and her imagination – are going to get exhausted.  Other people take vacations.  I don’t mean working vacations where you do research at the same time.  I mean a real vacation.  My favorite place to go for a real vacation is Disney World.  That’s because, as one Imagineer put it, Disney provides all the imagination needed.  I can give my creative neurons time off while I ride rides, look at a zillion different versions of a mouse on sweatshirts, and just relax.

I like to let a manuscript sit for a couple of weeks to age.  Sort of like fine cheese.  After a couple of weeks, I scrape off the mold and craft a final draft.  During those two weeks, I read other people’s work.  No, I devour it.  Sometimes two or more books a day.  I need to get my characters’ voices out of my head and enjoy someone else’s efforts.  I watch movies – and try not to pick them apart for plot and character development.  I indulge my hobbies.  When was the last time I picked up my knitting or kneaded bread (although kneading bread is something I do in the midst of writing because it’s a good way to work different muscles and deal with writer’s frustration!)?

When I start getting testy with everything and everyone, I know it’s time to get back to writing, which centers me.  But if the two weeks (or whatever my scheduled time-out is) hasn’t passed, I deny myself the pleasure of returning to my characters.  I’m soon salivating to get back to work with ideas bursting from my skull like cerebral fireworks.  My subconscious has been working even as I’ve been watching Galaxy Quest for the zillionth time.  By the time I do sit down, the words flow again…and I’m energized with the excitement that brought me to writing in the first place – the need to tell a story.

That’s what works for me.  Whatever you do, learn to recognize the signals you need to give yourself time out away from your writing.  That’s the best way to avoid burn-out, and it may be the most important thing you can do as a writer.

Award-winning author Jo Ann Ferguson has a split writing personality. Jo Ann Ferguson launched the new Regency line at ImaJinn (where her traditional Regency Gentleman’s Master will be the next book in her popular Regency mysteries) and is also the author of best-selling historicals.  J.A. Ferguson writes paranormals for ImaJinn. Jocelyn Kelley’s next book is Sea Wraith, coming late this fall.  Jo Ann Brown novelized Thomas Kinkade’s The Christmas Cottage, a movie starring Peter O’Toole that was recently released on DVD, and now writes for Guideposts Books. Her 80+ titles are also published by Tudor, Ballantine, Zebra, Harper, Warner, and Thorndike. The books have been translated into almost a dozen languages and sold on every continent except Antarctica.

September 24, 2009 at 6:47 am 1 comment

Kick to the end

We’re entering the last week of Unleash Your Storywith a total raised to date of $4,268. Let’s see if we can’t hit $10,000. You can help by making a donation in honor of your favorite participant or team. Click on the list of teams, participating authors, readers and bloggers.

Congratulations to these winners from Week Two:

Top Writer—words written week 2 Maisy Yates 11573

Top Reader—words written week 2 Suzanne Gochenouer  4005

Donation leader week 2 ($25 Starbucks card and $25 BN Card)  PJ Ausdenmore $245

Wk 2 donation leader (not cumulative) $25 BN card  Mary O’Malley with $100 new dollars

Highest #  donors wk 2 BN Gift card

$100 Books—Mary O’Malley

$25 books  We’ve given out several. If you or one of your donors has made a donation of $25 or more, please let us know so that we can send you a book.

September 23, 2009 at 12:08 am

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