I have two brooms that I use for sweeping the floor in my house. One of
them, I probably bought from Wal-Mart (I know, the shame!), and it was made I know-not-where-but-most-likely-China. The other
is from a little company named Broomhilde, made by hand, by a man and woman I look forward to visiting every year
in Muskogee at the Oklahoma Renaissance Festival.
My China-Mart broom is serviceable. It will get the job done, and it was cheap. I don't remember buying it at all, since purchasing a boring broom isn't something one writes of in the old journal, is it? It is not a thing of beauty or sentiment, but just an object that exists to perform a service. I have no qualms about sending the kids out with it to sweep the front porch or to play witch in the field.
This broom has the generic look of all things made in factories: round pale cylindrical handle, broken and dirty straws clamped flat by a slightly rusty metal bar. It is like every other basic cleaning utensil you picture in your head. I hang it up in the hallway with the other cleaning supplies for which I don't have closet space in this old farmhouse. I try not to think of who made this broom, because it would make me sad for so many reasons.
My Broomhilde broom is a different animal. It has a mottled pattern of dark red and lighter yellow wood on the knobby handle. Instead of blunt straws that don't pick up all the little bits on the floor, it has actual broom-corn for the business end. Flat, shapely canes are fastened to the handle with brass nails, and the bristles are natural golden-brown with some interesting splashes of a dark red to match the handle. It is a thing of supreme functional beauty, and I am proud to hang it on the Dining Room wall for all to admire.
Here's the best part: when I hold it in my hands, I always think of my friends who made it. Selling corsets, we have made some dear friends that we only see
a few times a year. There is something that bonds people together when
they've shared dramatic experiences, and working at a Renaissance
Festival must surely count as dramatic.
How lovely is that? I have a useful household tool that I use, ahem, "every day." Whenever I use it, I marvel at how nice it looks, how wonderful it feels in my hands, and I think of the folks who made it. I take special care with this broom, not because I am unwilling to buy another, but because it is special to me. You know the saying about how you should have nothing in you house that you do not know to be useful or believe to be beautiful? My handmade broom is both.
There are so many things in life that are not useful or beautiful. I don't like to think of things as having feelings, but handmade things are ineffably different than mass-produced ones. For lack of a better term, I feel that they have more "soul" to them. I want to appreciate having fewer meaningless possessions and focus on having the ones that we really need, that are fearfully and wonderfully made by loving hands.
I love selling corsets on the internet, and I am so grateful that my husband and I can work from home and take care of our children. Sometimes, though, I wonder if we're losing out on making a deeper human connection with our customers? I would love to think of women all across the world lacing a corset and fondly remembering the people who made it with love and care and skill. That would make me very happy.
Art History Sunday: The Blind Girl
8 years ago




















