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50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

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WIL WHEATON dot NET
WIL WHEATON dot NET

50,000 Monkeys at 50,000 Typewriters Can't Be Wrong

so, i am having a little bit of a stand by me moment

Posted on 25 March, 2026 By Wil

There’s a lot happening in my world right now, joy and sorrow, and I don’t have the spoons to write about it. But I’m having a Stand By Me moment that I wanted to share before it passes.

Yesterday, my narration of The Body by Stephen King (the novella that was adapted into Stand By Me) was released. I have wanted to do this for years, and I can’t believe I never wrote about it here. I’ll address that in the future, because it’s a cool story. Simon and Schuster, the publisher, has been super supportive and enthusiastic about this release. They gave me a whole chapter to share, and it’s at the end of this week’s1 It’s Storytime With Wil Wheaton, available now wherever you get your podcasts.

Today, I am the subject of a truly wonderful column in the New York Times that includes interactive clips from my narration, scenes from Stand By Me, and the text of the novella. It’s a beautiful piece that genuinely surprised and delighted me. And it comes just a few days after we were the subject of this incredible essay, also in the New York Times, about our Stand By Me Live tour2.

Tonight, Jerry and Corey and I are together on Entertainment Tonight3 to talk about the movie’s theatrical re-release, which starts on Friday.

I’m glad you’re here. If you’d like to get my posts delivered to your inbox, here’s the thingy:

  1. I had to take last week off, so we are replaying one of my favorite performances, End of Play. ↩︎
  2. This weekend, we are in Anaheim Friday, Seattle on Saturday (see you at No Kings, Seattle), and Portland on Sunday. Tickets are still available for all three shows. ↩︎
  3. In Los Angeles, that’s 7:30pm on CBS, check your local listing to be sure. ↩︎
blog

in which i take a deliberate moment to appreciate art

Posted on 10 March, 202610 March, 2026 By Wil

I am making a deliberate effort to leave my phone as far away from my attention as I can, whenever I am able. I’m not looking at the news, I’m not scrolling the feeds, I’m not posting. I’m leaving it in my pocket, my car, in the kitchen, just … not in my face.

This fits into my efforts to slow down and be more present. It’s creating space I desperately need to decompress, get bored, let my mind wander and come back with a fun and creative idea.

Today, I was out for a minute and saw this little art installation on a telephone pole. It was weathered quite a bit; it’s been here for awhile. And it was beautiful to me. It was a few moments better spent than they would have been looking at anything on my phone, or anything I could have been listening to. It wasn’t dysregulating, it didn’t increase my internal DEFCON level.

I chose to experience and appreciate this thing that someone made when they were very much not thinking about me, because it was exactly where I needed it to be, exactly when I needed it.

I took some pictures (using only the camera and nothing else on the phone) so I could remember the moment, and share the art. They’re pretty big, so I’m gonna put them behind a jump.

(more…)

seven mary three come back

Posted on 25 February, 202626 February, 2026 By Wil

This last weekend, I was in Pensacola, Florida. When I told my friend that, he said “what are you doing in Florida?” I said, “Trying to get out.” But I was actually there for Pensacon. It’s a convention that has invited me year after year, but hasn’t ever fit into my schedule until this year, so it was my first time.

Florida deserves the jokes we make about it, but my experience when I was there was quite lovely. Every person I interacted with was kind, friendly, helpful. I had an incredible piece of blackened gulf red snapper for dinner one night, my bed was comfy, and I did not have a single awkward or uncomfortable encounter with anyone at the show.

None of that is why this will be one of the most memorable conventions of my life, and I will now tell you why.

Holy. Shit.

I turned to my friend, Leah, who works with me at conventions to keep things running smoothly. “Dude, I have to come do this tomorrow.”

“Okay, we’ll take care of it,” she said.

So Saturday comes around, and I’m signing autographs at my table. Leah taps me on the shoulder and says, “it’s time to go downstairs.”

The excitement that surged inside of me threatened to explode out of my chest like Alien. I told the people who were in the line that I would be right back, I was going to fulfill a childhood dream.

We went downstairs to the photo-op area, and I apologized to the line I was cutting. They seemed to understand, my fellow fans of CHiPs, who also could not believe this was actually happening.

I bounced on the balls of my feet while I waited, and oh shit here comes Larry Wilcox. And he’s wearing a CHP uniform shirt with a name tag that says JOHN! I tried so hard to control my bouncing, but I’m pretty sure I failed.

We made eye contact and I said, “Hi, I’m Wil. I’m a huge fan and I am so excited to take a picture with you.”

“It’s so nice to meet you, I’m Larry.” We shook hands, and I didn’t keep shaking it like I did when I met Henry Rollins thank god.

There was a commotion around the corner, which could only mean one thing. Here comes Erik Estrada, much taller than I expected, and he is wearing a uniform shirt with a name tag that says PONCH.

Dude, it’s totally Ponch. Like, right there, right in front of me, are Ponch and John and I’m so excited I can’t tell if I’m going to burst into tears or throw up or what.

They take their positions on their marks, which are the same marks I had been using just a little bit earlier, and the photographer tells me that they are ready.

This is my chance. This is the one time I get to say this. I take a deep breath, and I say, “I don’t want to take up a ton of your time, so I’ll say this quickly. I grew up in Sunland-Tujunga, and you guys used to film in my neighborhood all the time.”

They looked at each other. “Sunland-Tujunga!” Larry Wilcox said. “We love Sunland-Tujunga!”

“Yeah, it was a great place to grow up. So I loved watching CHiPs, and I loved that I could see streets I recognized when I watched it.

“One day when you were filming, in like 1979, I think, my babysitter went to the set and came back with your autographs for me. I cherished them, until they were lost in a move probably 40 years ago.”

Erik Estrada’s eyes lit up and he flashed me that classic Ponch smile. I took a steadying breath.

“But this is really what I wanted to tell you: I had a rough childhood, with a lot of abuse an exploitation. I was sad and scared most of the time. But whenever you were on my TV, I was happy and I was safe. I loved CHiPs so much. You were the adults I wished I’d had in my life. You guys protected people, you stood up to bullies, and the whole cast felt like a group of people who were always there for each other. I desperately wanted that in my life, and watching CHiPs got me as close to it as I could get. So I really just want to say thank you for your work and for the joyful memories you gave me.”

“Oh, buddy,” Erick Estrada said, “thank you. Come here,” and he pulled me into a warm and loving hug.

“Thank you,” I said, “you have no idea.”

“I think maybe we do,” Larry Wilcox said, very kindly, with a warm smile. Maybe I’m not the first person to share a story like mine with them.

“Let’s take a great picture,” Erik Estrada said.

“Thank you. I’d love that,” I said.

I stood between them, they put their arms around me, and a dream came true for 9 year-old Wil.

img_20260221_1542178918006876817148513

They were such kind men. I felt seen and I felt special. All these years later, Ponch and John can still make this weird, sad, scared, little kid feel safe.

I will cherish this memory for the rest of my life.

I’m glad you’re here, and I hope you’ll come back to read more. If you’d like to get my posts in your inbox, you know what to do.

blog

i think i leveled up

Posted on 4 February, 20264 February, 2026 By Wil

I turned in a story on Friday. It was over a year late. It needed eyes that aren’t mine, it needed another pass from me, it needed a polish. So it isn’t done done, but it’s close enough to done that I feel safe writing about what may turn out to be one of the most important things I’ve written in my creative and professional journey as a writer, maybe a close second to Still Just A Geek.

I worked on this story for about eighteen months, even though I “only” spent about 12 hours actually writing it. It was a year late, even though it “only” took me three days to write the draft that I turned in. I have never worked harder or longer with fewer words to show for it at the end. But they are good words. I am so glad that I did this, that I put this at the top of my queue and left it there, even when I felt like I couldn’t put two words together, because when I accepted it, I made a promise to myself that I would do the thing,1 and it was really important to me that I didn’t break that promise, even if it meant that the queue did not move at all, for a year.

(more…)
Books

It’s Storytime – Magnificent Maurice, or the Flowers of Immortality

Posted on 28 January, 2026 By Wil

It is Wednesday, my dudes, and that means a new Storytime is waiting for you, wherever you get your podcasts.

This week’s story, Magnificent Maurice, or the Flowers of Immortality, was SO MUCH FUN to narrate. Here’s my intro:

About ten thousand years ago, some cats in Mesopotamia looked at a bunch of humans and thought, “I bet we could trick them into giving us food and shelter,” so they domesticated themselves. As a dog owner who is a member of my cat, Watson’s, staff, I’d say that it worked out pretty well for them.

This week, it is a privilege to tell you a story about one of the greatest cats who has ever lived (just ask him, he’ll tell you), a very special cat, with a very special job. I’m going to straighten my collar and make sure my hair is just so, as I tell you the tale of Magnificent Maurice, or the Flowers of Immortality.

You’re going to love this, especially if you are on staff for one or more housecats. In Patreon, we are celebrating our feline bosses, sharing their full names (Watson’s True and Full Name is His Royal Majesty, Sir Waddington Pottybottoms III, Esq.,The First of His Name, Head of The Complaint Department) and the titles of the songs we sing to them, featuring their names. It’s a lot of fun, and I encourage all of my fellow pet owners to jump in, here, if not there, and share.

“I’m not in your way, am I?”

Also, before I hit publish and get ready for work, I want to take a minute to thank all of you who listen to the podcast, who have subscribed to our Patreon, who have taken the time and effort to rate, review, and recommend us so we can grow. You are making it possible for me to do this, week after week, and I am intensely grateful to you. It is such a privilege to entertain you, to tell you these wonderful stories, and introduce you to authors you may not know, but I think you will love. And speaking of that, if you missed this, I wanted you to know that Senaa Ahmad, whose The Skin of a Teenage Boy is not Alive was on the pod a couple weeks ago, has a brand new short story collection out called The Age of Calamities (“Written by an inimitable new voice, The Age of Calamities is a genre-defying, mind-bending collection of absurdist, funny, and speculative short stories.“), that is available wherever you get your books.

It is such a gift to do this, y’all. If I can do this as my regular job for the rest of my career, if I never have to go work on camera again, if all I do is tell you stories and promote the Arts, I will be so happy. It feels like that has a very real chance of happening, and that fills me with such joy, I feel like I’m going to burst.

Okay. NOW I am going to go get ready for work. Stay safe, friends.

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