DUST

2020-2025

Core Bodies of Work (2005 – 2025)

View all Series
Enrique Zabala What World Is This? 2024, New York street scenes showing subtle ruptures near Chelsea and Zaha Hadid’s 520 West 28th Street.

What World Is This?

2024

Never So Close (2007-2014) roams Nevada’s casinos and deserts on extra-wide 324 × 81 cm canvases; we have never been so close to what once felt remote.

Never So Close

2013

Enrique Zabala Chelsea 2010, raw streets and gallery facades before the luxury shift, city holding its breath.

Chelsea

2010

Las Vegas Series (2005-2008): the Strip rendered in oil and unapologetic kitsch reveals the loneliness pulsing behind neon and its frontier promises.

Las Vegas

2007

Micro-portrait, oil on panel, black and white, 10×15 cm, Enrique Zabala.

ID

Hand-scale oil portraits on panel, 10 × 15 cm.
Painted from a single photograph as a finished work.

Released in short studio windows across the year.
Unique, signed, registered.

JOIN THE LIST

SEE EXAMPLES

THE UNSTABLE ATLAS

The Unstable Atlas gathers every half-finished thought, stray drawing and palm-sized canvas into a map that refuses to stabilise. A perpetual rough draft, a living ledger where new entries push the coordinates out of focus the moment they are pinned down.

**Alt (The Unstable Atlas):**
Enrique Zabala The Unstable Atlas, a living ledger of stray drawings and small canvases, a perpetual rough draft in flux.

MADILIA

He saw John Wayne wearing a buffalo coat.
President Bush in a baseball cap, with a tie on.
Bombs falling on Baghdad. Bombs seen from high above as though he were looking straight down through the hatch.
The fat, self-satisfied face of General Schwarzkopf.
A boy swinging a sledgehammer at the Berlin Wall and not making a dent.
Pictures of news. Pictures of faces making news.
Pictures of crows and hawks. A dead rabbit’s head.
Then Madilia. Her eyes. Her violent, magnificent eyes.

7/91 (Belvidere, South Dakota)
"Cruising Paradise", Sam Shepard