Daydream Vision

Prone.

In a hammock, my field of vision marred by crocheted diamonds of white, blue and green twine, only the uniform movements of black ants — busily running errands — kept my mind from fully giving over to despair. Their whole operation in the business of seeking, gathering, transporting, and delivering goods, leveled me emotionally. And the apparent indifference with which they performed their deterministic actions left me thankfully doleful.

Sleeping Near RADA

 

Forming a city block, the Bonham-Carter House has a narrow, pensive

main entrance that, although inviting, blends with the rest of the street.

 

These buildings on Gower are people: sedate and old, with noisy pipes.

Their walls occasionally bleed, especially under the orifice windows.

 

We enter her; check in at a melancholy brown and black front desk

where two cartoon-eyed girls extend mirthless greetings, stamp our books.

 

Glancing about, decades of décor mingling, interbreeding with scuffles

drawing and redrawing Arabesque boundaries between conflicting styles.

 

You have a nervous excitement rising. It always shows itself as static

electricity in your pale yellow hair, caught in your eyelashes and brows.

 

Our black duffles rest more lightly on our shoulders as we climb the stairs.

Four weeks tramping France and the U.K. to settle now in Bonham-Carter

it’s the delight of weary limbs nearing rest, craving nourishment and warmth.

 

We emerge on the fifth floor huffing air, muscles done for now; dim hallway

a straight line moving away in seemingly endless space toward room number 524.

 

This is a quiet, timeless vortex—slightly buzzing with ghosts from busier times.

You dance-walk ahead, sliding fingers over silent doors trying each handle.

 

Halfway along we find a large open arch; this floor’s bathroom and toilets.

It’s an expansive, high ceilinged room with rows of magnificently sculpted

porcelain shower and toilet stalls, sturdy as if built for Roman gods.

 

At the opposite end there’s a tall window and a rectangle of sunlight mirrored

on the wide, tiled floor; we drop our duffle bags and strip down to bare bones.

 

Cranking large, chromed faucet handles full on, hot water spray steams our

cold skin as we jump from one stall to the next, drenching hair with warmth.

 

I’m tall, like 6’3” on a good day, and the jutting nozzle is above my head,

slick pale tiles extending higher than that; steam magnifies all lines infinitely.

You appear as a white wisp of lithe flesh, with blond hair straight and long.

 

Those hard nights sleeping in parks and doorways vanish, lifted away in vapor

as our bodies meet again in the middle, under a stream of charged, stinging

hot hot hot water; fingers now sliding along naked familiar spaces, rediscovered.

 

This is the perfection of travel to foreign places, known but fantastically new.

London is like a cousin’s kinship one remembers from photos or crisp paper

letters, handwritten as a child in a voice projected to capture a future positive.

 

Facing the door to room 524, we’re still damp under our half fastened clothing.

You slip the large old key awkwardly into the peekaboo style lock and turn.

 

We’re here, toppled onto the unmade bed, like fallen flowers; our eyes at rest,

duffles tossed toward the only window—showing a sunbaked courtyard below.

Untitled

Armineh Photography
And I believed in you
which made me whole;

once I was whole.

I believed in your voice
and the promise of spring,
the way you pulled me

right to the sun.

The vowels
of our summer
where we hung into sleep

tilted under the same moon.

The moon loved us then;
cloaked us in her silver
and nurtured our swelling sea

of blue and of green.

My own core cracked open
and held safe by
your autumn rain.

I was your paper and ink.

Sewn into your heart’s pocket
folded and unfolded
light leaking and spilling

coating your fingers with each crease caress.

But, it’s the winter
that is the hardest
for I must put my

back to the sea.

And ask the moon
to command her
to wash the the silver
from my skin and my
organs and my eyes

so I can forget
all the tomorrows
still lodged in my throat

and become my own spring.

This gorgeous photo is the creation of the talented and lovely Armineh. Please visit her site at www.armineh-photography.com to be stirred by her fantastic artwork and you’ll see why I’m so honored an grateful to collaborate with her.

Secret in Corvallis

• 

That ceiling light

mainstay of a cheap

apartment

stares at me from across

the street

It’s the bedroom light

and it’s been on straight

for two weeks

like a memorial flame

burning forever more

A symbol of those first

few months we shared

it calls up such memories

glaring through glass

beams hitting my eyes

and I salivate

You lived there

years ago

in the rundown

building on Western

across from M’s house

I’m here now

staring up at a stranger’s window

Seeing us from a new perspective

reflected in the empty window

Only now I’m preferring the bygone

view

Me, you, a dresser

roughly pushed

against the windowsill

Your back against the

window glass

curtains open

Three floors up

it’s a tumble worth the fall

These lines jolt and bounce

like the actions of love

raw, spirited making

the making of deed into word

Word

That ceiling light

it’s always on

curtains half open

revealing nothing

but stark possibility

Who lives there now

Is she you

Is she your second

coming

But maybe that’s

the wrong

question

Maybe it’s a

they

coupling there

under the never ending

bare light of modern

love

He’s there

on the floor

under ceiling glare

She’s on a screen

bits coming together

in a glassy lust

They feed on

the power of

electricity

until the light

goes out

it’s

hours, days of slow

pounding, pacing

text, audio, and images

Now I’m projecting

a part of me

in the past of Secret’s

apartment

where we laughed

laid plans, lived

Run amok on coffee

we bounced furniture

against walls and windows

The rest of me is here

now

jumping through time

our past future places

Ashland, Oregon

Portland, Oregon

That town in Japan

riding bicycles

to the cinema

for the familiar taste of

Hollywood movies

Crashing into each other

on the way there

because we were giddy

drunk

magnetically charged

an accident happening

in real time

a tumble worth the

fall

Jo Co Do

20111102-204927.jpg

Go
I too live
life in bone
no marrow it
Steely grit yes
hollowed out now
tender from the pins

Po
Yellow couch turning
on on the the roof roof
fire took it from homeless
we stoked it with junk noise

Mo
Filters fooled the onë
true-speaking in ageless
ideal bubbles, reflecting nil
Time ran along by giga leaps
tearing all to troubled thoughts

held together

Hello Kitty duct tape and a pair of gangly arms
chewing gum and overcrowding Wisdom teeth
pressing me into metamorphic rock
the heat and pressure
doing me in
though i’m terrified of the impending
change for the better
i am held together
melting and molding
not a molecule of me
escapes

London Too

In London,
Too,
Awhile back.

Traveling,
On the cheap,
Sleeping in Hostels,
Or at train stations,
Some nights outside.

Walking,
In circles,
All around those
Aged layers of city
Within
Aged layers of town.

Reading, watching, recording.
Sitting in cafes and parks.
Drinking espresso with foamy cream.
Eating only plates of peas,
Loaves of crusty baguette.
Only,
But more than some.

Raw humanity bustling around me,
Fast.
Impersonal?
Or personal with distractions?
Individualistically motivated.

Few seemed to notice those others,
Sitting in cold, recessed doorways,
Holding beggars’ cups.

Brushing shoulders,
Colliding smiles,
And I had a clear sense of not being at home,
But feeling a sense of home
Because so much was similar,
Familiar,
And constant.