@SuperEffectiveWriting

Super Effective Website

[Opinion] Rest in Pieces: Decolonial Remedies for Fractured Histories by Irini Khenkin and Marina Ashioti

[Opinion] Art, Cyprus and the Spirits of Our Time

[Review] Seeking Roots in Cyprus by Rony Junior El Daccache

[Feature] What is queer fear? Queering fear in uncertain times by Dominic Sylvia Lauren

[Opinion] Speculative Pillars: Online art viewing and the white cube curse by Brunno Silva

[Opinion] Instagram can be a dangerous minefield for artists by Marco Marcelline

[Feature] An Astronomer Without Stars: An Art Critic Takes the Measure of Those We’ve Lost by Christian Viveros-Fauné

[Review] Floating through gardens: WADS and its states of potentiality by Eria Dapola

[Review] A snail’s pace as paradigm: Eduardo Navarro’s “Breathspace” at Gasworks by Claudia Contu

[Review] Goldsmiths MFA Degree Show 2020: Technology and the Body by Natasia Patel

[Review] Goldsmiths MFA Degree Show 2020: Notes on physical degree shows, exhibitions and carrot smells by José García Oliva

[Feature] Death as Alternative in Alice Morey's work by Sonja Teszler

[Review] The Botanical Mind Online at Camden Art Centre by Natasia Patel

[Feature] And oh those eyes that were data-saturated (D-S): A fortnight digital conversation initiated by Chloe Stavrou with participating artists of D-S