@cindyziyunhuang
she writes
reviews
ArtReview: Steph Huang’s Other Way of Life
ArtReview: Steph Huang’s Other Way of Life
In ‘See, See, Sea’ at Tate Britain, Huang questions the processes of production, trade and consumption underlying the industries of both art and food
ArtReview: The ‘Ecomythticism’ of Qian Qian
ArtReview: The ‘Ecomythticism’ of Qian Qian
‘Portals to the Past’ at Lychee One, London pairs meticulously-organised laboratory equipment and nebulous oil paintings
Queer East: At the Intersection of Day and Night
Queer East: At the Intersection of Day and Night
By Cindy Ziyun Huang For you, perhaps, this is an exciting secret chamber. A cave of wild fun, hidden behind construction site hoardings. For me, however, it’s one of the many shops I would walk by on my way to weekend math courses, to my grandparents’, to a favourite barbeque stall, or to my dentist. […]
FETCH Magazine: Mathew Wayne Parkin's 'I can fit a fist in my mouth'
FETCH Magazine: Mathew Wayne Parkin's 'I can fit a fist in my mouth'
To describe, to record, to make a film about intimacy, to insert one’s fist into a lover’s mouth; the maze Parkin’s exhibition invites us into is precisely one made of these acts of entangled violence and tenderness. writes Cindy Ziyun Huang.Installation images courtesy of Cubitt Gallery/Kadeem Oak and Benjamin DeakinThree pairs of green plastic chairs puzzle those who attempt to take a seat in Mathew Wayne Parkin’s solo exhibition at Cubitt Gallery, I can fit a fist in my mouth. Fastened tightl
LSFF: Daydream House
LSFF: Daydream House
Founded in 2003, London Short Film Festival (LSFF) is a BAFTA and BIFA qualifying, internationally regarded independent short film festival.
recessed space: Ranjani Shettar in the Barbican Conservatory
recessed space: Ranjani Shettar in the Barbican Conservatory
A repository for writing about art and architecture
BitterSweet Reviews: ‘If splash as your whistle’
BitterSweet Reviews: ‘If splash as your whistle’
short stories and other writings
Dancing Street
Dancing Street
By Cindy Ziyun Huang I met her at Club Lai Lai in the late summer of 1986, just two or three months after Priscilla Chan’s Dancing Street became a disco hit that all of us went crazy about. No need to lower the volume, Priscilla reassured us. Billowing out, her joyful silk scarf brushed aside […]
Journey to the West
Journey to the West
Sound of Waves
Sound of Waves
in chinese
与叶无忌的访谈 | 感觉有点怪
与叶无忌的访谈 | 感觉有点怪
乍一看,叶无忌近年的作品大部分都被某一片土地牵动。有时这片土地叫“中亚”,有时它的名字我们不能提起。在他的影像和艺术家书中,这片土地的过去和当下、现实与幻象交缠着。我被拉入关于历史、民族建构和地缘政治的讨论,却又恍然觉得叶无忌只是在和观众开玩笑。
荒野公園:楊沛鏗的Soft Ground
荒野公園:楊沛鏗的Soft Ground
這簇蘑菇雖然看起來屬於楊沛鏗Night Mushroom Colon系列,卻未被展覽平面圖標示。它們成為了黑夜裡一小團無名的奇異熒燭,無聲寬慰著跨越物種的同類。然而,也許這簇孤單蘑菇同時也昭示了「Soft ground」這一跨國委任的展覽項目所面臨的挑戰。(作者:黃梓耘)
言语怎么会没有那么好呢——读玛吉·尼尔森的《阿尔戈》
言语怎么会没有那么好呢——读玛吉·尼尔森的《阿尔戈》
钟云舒:一个正在移动的人晚上会在哪里睡觉
钟云舒:一个正在移动的人晚上会在哪里睡觉
PreviewedPreviews by ArtReview Asia & ArtReview Chinese EditionHiroshi Sugimoto, Interview by Lance HendersteinPoints of View by Kristina Foster, Lin Canwen and Max Crosbie-JonesArt FeaturedHan Mengyun, Interview by Lai FeiRirkrit Tiravanija by Jessica LanayHorikawa Michio by Tyler CoburnWang Yin by Ren YueKim Beom
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