Dora Leu

Tatsuya Fuji - Journal - Metrograph

Ryûsuke Hamaguchi in Conversation with Dora Leu - Journal - Metrograph

As I Was Maniacally Charging Ahead, I Saw Brief Glimpses of the City — photogénie

Kiyoshi Kurosawa: “I’m always jealous of how free and luxurious sound is compared to the image. Images are weak” - Films in Frame

Theater of Truth: On "Anatomy of a Fall" - MUBI Notebook

An Enfant Terrible in Terrible Times: Radu Jude Discusses "Do Not Expect Too Much From the End of the World"

Ken Loach and Paul Laverty, men of the people: ‘Hope is political’

Bas Devos: “The more a filmmaker looks with generosity to the world, the more I will likely appreciate their work” - Films in Frame

Eye For Film: Barry Ward on his career, prestige and working on the big and small screen

Variety - Locarno Emerging Director Winner Katharina Huber Breaks Down ‘A Good Place’: ‘Progress Can Sometimes Be Reactionary’

Celine Song: “It’s not the kind of marriage that is good because everything is fine, it’s a great marriage because it’s real” - Films in Frame

"Johnnie To's downstairs, having a cigar” - Interview with Johnnie To at FEFF

Paradise Europe: Berlin Is Just Trying To Fuck You — Talking Shorts

Fourth Rule: Only Two Gals To A Fight — Talking Shorts

Interview: Jean-Gabriel Périot – Facing Darkness: Video as document vs. truth vs. oblivion - Acoperișul de Sticlă

Dora Leu - Films in Frame

Hard Truths: Human Horrors and Hardened Hearths - Films in Frame

A Style Means an Attitude - European Film Academy

La Chimera – So wept Orpheus upon leaving the Underworld - Films in Frame

Spirit of the Public Square — Talking Shorts - IDFA Avalanche Review

I’ve found(footage) myself: I am another

Locarno Emerging Director Winner Katharina Huber Breaks Down ‘A Good Place’: ‘Progress Can Sometimes Be Reactionary’

Past Lives - Review

Film Director Hirobumi Watanabe: A New Genius in the Making

Something Old, Nothing New, Everything Borrowed — / Can dialectics break bricks? — photogénie

What Is Worth Filming, Anyway? - Letters to Hong Sang-soo and Dean Kavanagh - Berlinale Talents Press

Remembering Every Night (Yui Kiyohara, 2022) Review - Berlinale Talents Press

Movie review: Hidden Blade | easternkicks.com

Un beau matin — Review — photogénie

Corsage — Review — photogénie

[RO] The Banshees of Inisherin - Review

Are You Lonesome Tonight? — Young Critics Workshop — photogénie

Jude Uncovered! An almost complete A to Z to Bad Luck Banging Or Loony Porn

Broker (Hirokazu Kore-eda) Review

KVIFF 2022 - Men Review

KVIFF 2022 - Godland Review

Back to Oz et al. - KVIFF 2022 - Festival Focus

[RO] Berlinale 2022 - Les pasagers de la nuit Review

Berlinale 2022 - Rimini Review

Berlinale 2022 - Small, Slow But Steady Review

Berlinale 2022 Festival Focus

Interview with Tadhg O'Sullivan - To The Moon

Chekov's Car - Drive My Car Review

Eternals: Marvel, Question Mark

[ENG] When Does a Film Expire? Wong Kar-Wai. Or The author in the age of his technical versions

[ENG] Anatomy - 2021 Warsaw IFF Film Review

[ENG] Online Humanism Belle Review

[RO] Introducing Sparks… again

[RO] KVIFF – The Green Knight – Horror-ul de serie A

[RO] Babardeală. Viața care bate filmul

[RO] Girls on Film – Lulu Wang & faces of The Farewell

[RO] KVIFF – Zbornica – Morile de vânt ale învățământului

[RO] Interviu cu Naomi Kawase

[ENG] Meeting Point - 2021 Warsaw IFF Film Review

[ENG] Fashion film transparency and status. Interview with Mădălina Cozmeanu and Ioana Diaconu