@isaacfeldberg

In the Name of Friendship: Matthew Rankin on "Universal Language" | Interviews | Roger Ebert

Matters of the Heart: What Minari Means to Me

Love Is Political: Payal Kapadia on "All We Imagine as Light" | Interviews | Roger Ebert

The Trauma of Inevitability: Brady Corbet and Mona Fastvold on "The Brutalist" | Interviews | Roger Ebert

Extremely Grotesque: Park Chan-wook on Oldboy | Interviews | Roger Ebert

Daisy Ridley’s New Hope

For Ethan Hawke, Making Wildcat Was an “Act of Faith”

“The Devil Is Delicious.” How Oz Perkins Found Satan

Aaron Pierre Got Mentally and Physically Locked in for ‘Rebel Ridge'

An Interview with Callina Liang, the star of Presence

FANGORIA Magazine Vol. 2 Issue #25

Netflix’s Cinematic, Blood-Soaked Fear Street Experiment

What Scares David Dastmalchian

Crazy, Stupid, Love Found the Perfect Combination of Sexy and Cute Ten Years Ago

Sing Sing review – Domingo and Maclin deliver powerhouse performances

The Teachers’ Lounge review – a chain-reaction melodrama

Limonov: The Ballad – first-look review

Horizon: An American Saga – Chapter 1 review – Kevin Costner’s blood, sweat and tears

Golden Gods: Tarsem's Sublime Immortals at 10

The Mesmerizing Ciphers of Riley Keough

Neo-Giallo: A Beginner's Guide

Bad Moon Rising: How Werewolf Horror Clawed Back

Film Review: “I’m Thinking of Ending Things” -- Charlie Kaufman’s Hall of Existential Mirrors Glimmers Darkly - The Arts Fuse

In From Ground Zero, 22 Palestinian Filmmakers Tell Stories of Life and Death in Gaza

Parthenope movie review & film summary (2025) | Roger Ebert

Dream of Death: Robert Eggers on "Nosferatu" | Interviews | Roger Ebert

True To Yourself: James Gray on James Gray's New York | Interviews | Roger Ebert

Cinema Is Freedom: Mohammad Rasoulof on "The Seed of the Sacred Fig" | Interviews | Roger Ebert

Time Moves On: Jesse Eisenberg on "A Real Pain" | Interviews | Roger Ebert

Coming of Consciousness: Tyler Taormina on Christmas Eve in Miller's Point | Interviews | Roger Ebert

Our Film Has A Power: Basel Adra and Yuval Abraham on No Other Land | Interviews | Roger Ebert

Every Zack Snyder Movie, Ranked

NYFF 2024: Little, Big, and Far, Lázaro at Night, 7 Walks with Mark Brown  | Festivals & Awards | Roger Ebert

Union movie review & film summary (2024) | Roger Ebert

The Universal Theory movie review (2024) | Roger Ebert

In the Summers movie review & film summary (2024) | Roger Ebert

The Paragon movie review & film summary (2024) | Roger Ebert

Fight or Flight: Jeremy Saulnier on Rebel Ridge | Interviews | Roger Ebert

Between the Temples movie review (2024) | Roger Ebert

17 Years Later, David Fincher's Crime Thriller Masterpiece Just Got Huge Upgrade

22 Years Later, a Criminally Overlooked Sci-Fi Thriller Just Got a Huge Upgrade

How 'Maxxxine' Brings Ti West and Mia Goth’s X Universe Full Circle

How David Cronenberg's Daughter Made the Year's Most Disturbing Dystopian Thriller

A Legendary Director Is Funding the Future of Experimental Sci-Fi

2023's Wildest Thriller Reveals the Infuriating Limits of Video Game Movies

Martin Scorsese's Epic First Western Is a Hollywood Blockbuster Like No Other

'My Animal' Review: An Intoxicating Werewolf Romance With a Queer Bite

'Infinity Pool' Director Brandon Cronenberg on His Sadistic Sci-Fi Satire: “People Can Be Incredibly Brutal”

'Infinity Pool' review: Brandon Cronenberg serves up a hedonistic head-trip

'The Pod Generation' review: Emilia Clarke and Chiwetel Ejiofor can't bring this soft sci-fi satire to life

Meet Marvel’s next dynamic duo: Justin Benson and Aaron Moorhead might just break your brain

Here's why 'Wakanda Forever' looks so much worse than 'Black Panther'

'Bones and All' review: Timothée Chalamet’s cannibal romance gets under your skin

'Coherence's James Ward Byrkit plots his next sci-fi sensation

SFX makeup veteran calls 'Morbius' the "most stressful" film he's worked on

How Viking epic 'The Northman' brings “real authenticity” to Valhalla and Valkyries

'The Northman' review: Robert Eggers levels up with a primal, poetic Viking epic

How 'Apollo 10 1/2's Richard Linklater and Glen Powell recaptured the space age

You need to watch the best spy thriller of the century before it leaves HBO Max

You need to watch the best steampunk sci-fi classic on Amazon Prime ASAP

How George MacKay turned himself into a wolf to make 2021's wildest movie

‘The Feast’ director reveals the eco-horror’s original ending [Exclusive]

You need to watch the most gonzo sci-fi movie on Amazon Prime ASAP

You need to watch the most mind-bending sci-fi movie on Amazon Prime ASAP

Thandiwe Newton speaks out on her Star Wars death: "A big mistake" [Exclusive]

'Westworld' creator Lisa Joy is breaking the loop with 'Reminiscence'

You need to watch the most overlooked sci-fi cult thriller on HBO Max ASAP

How 'Monster Hunter' director Paul W.S. Anderson mastered the video game movie

Star Wars stop-motion maestro Phil Tippett’s wild ride to hell and back

How Mattson Tomlin turned his own origin story into 2021's most riveting sci-fi movie

'After Yang' review: A24 just made the first great sci-fi film of 2022

You need to watch Guillermo del Toro’s most evocative thriller on HBO Max ASAP

From Tyrion to 'Cyrano': Why Peter Dinklage is always “the smartest person in the room”

Shell yeah! A brief history of TMNT games

🎮 The blueprint

When movies take on video games

Classics of the New Millennium: "No Country For Old Men" (2007) with Isaac Feldberg

Ep. 49 - Clean, Shaven / Keane feat. Isaac Feldberg

A Grand, Unifying Theory of Saw's America

'Fremont': Director Babak Jalali & Star Anaita Wali Zada On Their Charming, Wry, Low-Key Comedy [Interview]

'The Eight Mountains' Directors On Their Acclaimed Cannes Friendship Drama, Filming in The Italian Alps & More [Interview]

'The Five Devils': Léa Mysius On The Material Magic Of 35mm Film & More [Interview]

'Fremont': Babak Jalali & Anaita Wali Zada On Their Delightful & Comically Offbeat Sundance Gem [Interview]

'Broker': Kore-eda Hirokazu on Found Families, Time's Passage, & Working With Songwriter IU [Interview]

The Pale Blue Eye’: Scott Cooper & Harry Melling Discuss Crafting A Mystery Worthy of Edgar Allan Poe [Interview]

History Made Concrete: Production Designer Judy Becker on The Brutalist - Filmmaker Magazine

Behind Closed Doors: Production Designer Kevin Thompson on Maestro - Filmmaker Magazine

Tone and Rhythm: Editor Hilda Rasula on American Fiction - Filmmaker Magazine

“On Any Road of Vieques, There’s Beauty Around”: Glorimar Marrero Sánchez on La Pecera - Filmmaker Magazine

“I Wanted To Take a Closer Look at How People Shut Down”: Veerle Baetens on When It Melts - Filmmaker Magazine

A Collective Voice: Composer Hildur Guðnadóttir on Women Talking - Filmmaker Magazine

“A World That’s Fraying at the Edges”: Braden King on The Evening Hour, Appalachia, and Collective Memory - Filmmaker Magazine

You Absolutely Must Watch This Moving Jim Henson Documentary

Robert De Niro and an A-List Cast Can’t Save This Sappy Film

Merry Christmas: Ncuti Gatwa Is a Dazzling New ‘Doctor Who’

Christmas Came Early for ‘13 Going on 30’ Fans

Teenage Mutant Ninja Turtles: Mutant Mayhem Review: A Stylistically Radical Reimagining That Raises Some Shell | Above the Line

Oppenheimer Review: Christopher Nolan’s Atomic Biopic Is a Formal and Narrative Masterpiece | Above the Line

Mission: Impossible – Dead Reckoning Part One Review: Tom Cruise Takes on the Algorithm in This Exhilarating Action Spectacle | Above the Line

No Hard Feelings Review: Jennifer Lawrence Brings Her A-Game But This Raunchy Comedy Is Simply Too Soft | Above the Line

The Flash Review: Ezra Miller’s Solo DC Movie Is About Letting Go and Moving On, But It’s Stuck Running in Place | Above the Line

Asteroid City Review: Wes Anderson Offers a Profound Exploration of the Distance Between Reality and Performance | Above the Line

Past Lives Review: Exquisite and Profound, Celine Song’s A24 Drama Is One of the Year’s Best Films | Above the Line

Guardians of the Galaxy Vol. 3 Review: James Gunn Delivers an Emotional and Energetic Finale for His Misfit Heroes | Above the Line

Beau Is Afraid Review: Ari Aster Delivers an Off-Putting, Immature, and Shallow Simulation of a Magnum Opus | Above the Line

Renfield Review: Nicolas Cage Vamps It Up as Dracula But This Silly, Sexless Horror-Comedy Lacks Bite | Above the Line

Air Review: Ben Affleck Delivers a Solid Exercise in Brand Mythology That Is “Commercial” in More Ways Than One | Above the Line

John Wick: Chapter 4 Review: Keanu Reeves’ Baba Yaga Is Back and Better Than Ever | Above the Line

Scream 6 Review: Same Old Ghostface Despite New Hunting Ground as Franchise Fatigue Takes Manhattan | Above the Line

Magic Mike’s Last Dance Review: Channing Tatum Takes His Stripper Act Across the Pond in Sequel That Examines Link Between Sex & Money | Above the Line

Knock at the Cabin Review: M. Night Shyamalan’s Anxiety-Riddled Thriller Is Directed With Great Care & Confidence | Above the Line

Plane Review: Gerard Butler Can’t Elevate His Latest Action Movie, Nor Can Its Generic Villains | Above the Line

Isaac Feldberg’s Top 10 Films of 2022 | Above the Line

Babylon Review: Damien Chazelle’s Hollywood Epic Is an Empty, Laborious Spectacle | Above the Line

Avatar: The Way of Water Review: The Sequel’s Story Disappoints, Even as Its Visuals Overwhelm | Above the Line

The Whale Review: Brendan Fraser Is the Saving Grace of A24’s Thematically Incoherent Movie, Which Is a Punishing Watch | Above the Line

Black Panther: Wakanda Forever Review: Ryan Coogler’s Turgid Marvel Sequel Has No Time for Joy and Buckles Under Its Own Weight | Above the Line

Armageddon Time Review: James Gray Confronts His Own End of Innocence in Fraught Cine-Memoir | Above the Line

Halloween Ends Review: David Gordon Green’s Tender Finale Throws a Welcome Curveball | Above the Line

​Subjective Reality: Larry Fessenden on Crumb Catcher, Blackout, and Glass Eye Pix | Interviews | Roger Ebert

Rule of Two Walls movie review (2024) | Roger Ebert

On the Trail: India Donaldson on Good One | Interviews | Roger Ebert

All About Suspense: Damian Mc Carthy on Oddity | Interviews | Roger Ebert

Leaving A Mark Behind: Kevin Costner on Horizon: An American Saga - Chapter 1 | Interviews | Roger Ebert

​Time to Bloom: KiKi Layne on Dandelion | Interviews | Roger Ebert

Create For Yourself: Mamoudou Athie on Kinds of Kindness | Interviews | Roger Ebert

Beautiful and Haunted: Jeff Nichols on The Bikeriders | Interviews | Roger Ebert

Cannes 2024: Ghost Trail, Block Pass | Festivals & Awards | Roger Ebert

Cannes 2024: Christmas Eve in Miller's Point, Eephus, To A Land Unknown | Festivals & Awards | Roger Ebert

Cannes 2024: It's Not Me, Filmlovers!, Misericordia | Festivals & Awards | Roger Ebert

Cannes 2024: Armand, The Kingdom, September Says | Festivals & Awards | Roger Ebert

​Nocturnal Suburban Teen Angst Fantasia: Jane Schoenbrun on I Saw the TV Glow | Interviews | Roger Ebert

Death Feels Very Close: Ryûsuke Hamaguchi on Evil Does Not Exist | Interviews | Roger Ebert

Until It’s Too Late: Bertrand Bonello on The Beast | Interviews | Roger Ebert

​Take Time To Savor It: Trần Anh Hùng on The Taste of Things | Interviews | Roger Ebert

Upon Reflection: Andrew Haigh on All of Us Strangers | Interviews | Roger Ebert

Triage Is a Huge Part of Filmmaking: Laura Moss on Birth/Rebirth | Interviews | Roger Ebert

Empathy Comes With Maturity: Ira Sachs on Passages | Interviews | Roger Ebert

Rite of Passage: Danny and Michael Philippou on Talk to Me | Interviews | Roger Ebert

To Return to Innocence From the Other Side: Christian Petzold on Afire | Interviews | Roger Ebert

It Cuts So Close to the Bone: Lee Cronin on Evil Dead Rise | Interviews | Roger Ebert

Elemental movie review & film summary (2023) | Roger Ebert

Cannes 2023: The Sweet East, The Book of Solutions, The Feeling That the Time for Doing Something Has Passed | Festivals & Awards | Roger Ebert

Cannes 2023: How to Have Sex, Los Delincuentes, The New Boy | Festivals & Awards | Roger Ebert

Point of No Return: Laurel Parmet, Eliza Scanlen, and Lewis Pullman on The Starling Girl | Interviews | Roger Ebert

You Can Live Forever movie review (2023) | Roger Ebert

Impulsive, Youthful, Necessary: Daniel Goldhaber on How to Blow Up a Pipeline | Interviews | Roger Ebert

Luther: The Fallen Sun movie review (2023) | Roger Ebert

Our Bodies Carry the History of Our Worlds: Lemohang Jeremiah Mosese on This Is Not A Burial, It’s A Resurrection | Interviews | Roger Ebert

The Internet Has Been My Co-Director: Kyle Edward Ball on Skinamarink | Interviews | Roger Ebert

Tragedy Actually Brings Hope: Bill Nighy on Living | Interviews | Roger Ebert

'EO' Director Jerzy Skolimowski (Interview)

'RRR' Director S. S. Rajamouli (Interview)

'Bones and All': Taylor Russell and Luca Guadagnino (Interview Feature)

‘Causeway’ Director Lila Neugebauer (Interview)

'Decision to Leave' Director Park Chan-wook (Interview)

'The Northman': Robert Eggers (Interview Feature)

'After Yang': Kogonada (Interview Feature)

'Bones and All' (Review)

'Aftersun' Director Charlotte Wells (Interview)

'Stars at Noon': Claire Denis and Margaret Qualley (Interview)

Justin Benson and Aaron Moorhead on 'Something in the Dirt' (Feature)

'Petite Maman': Céline Sciamma (Interview)

Isaac Feldberg's Overlooked Films of 2022 (Feature)

'The Last Movie Stars': Ethan Hawke (Interview Feature)

God's Country (Review)

'Nitram': Justin Kurzel (Interview)

'Murina': Antoneta Alamat Kusijanović (Interview)

'Pearl': Ti West and Mia Goth (Interview)

'Funny Pages': Owen Kline (Interview)

'The Worst Person in the World': Joachim Trier and Renate Reinsve (Interview)

'Everything Everywhere All At Once' (Review)

'Strawberry Mansion': Albert Birney & Kentucker Audley (Interview)

'Cyrano': Peter Dinklage (Interview Feature)

'The Hand of God': Paolo Sorrentino (Interview)

'Apollo 10 1/2': Richard Linklater and Glen Powell (Interview)

'Resurrection': Andrew Semans and Rebecca Hall (Interview)

'Cyrano': Joe Wright (Interview)

'Hatching': Hanna Bergholm (Interview)

'Keane' 4K Restoration: Lodge Kerrigan (Interview)

'Coherence's James Ward Byrkit plots his next sci-fi sensation

'Speak No Evil' Director Christian Tafdrup (Interview)

Armageddon Time (Review)

'God's Creatures' Co-Directors Anna Rose Holmer and Saela Davis (Interview)

'Wakanda Forever' sacrifices what made 'Black Panther' great (Feature)