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November Rose Music performs regularly in Seattle's experimental cabaret and circus arts venues, collaborating with established companies like Lavish Mischief Co. and The Grand International. Their work integrates burlesque, drag, magic, and aerial performance elements into cohesive theatrical productions alongside fellow Seattle artists Leonie McSorley, Sasha von Bling, and Jinxie Periwinkle. These productions often take the form of immersive masquerade events staged in unconventional spaces throughout the Pacific Northwest. The artist's practice extends beyond live performance through published writings on performance theory, spatial dynamics, and audience engagement in experimental theater. Their essays examine the intersection of physical performance spaces with artistic intention, focusing on how venue architecture and environmental design shape creative possibilities. This analytical work draws from direct experience producing shows in Seattle's network of alternative performance venues. November Rose Music's current projects focus on developing new formats for cabaret and circus arts presentation that challenge traditional audience relationships. Their productions incorporate elements from Seattle's drag, burlesque, and circus communities while exploring innovative staging concepts. The work aims to expand definitions of cabaret performance through cross-disciplinary collaboration with local artists and venues.