Poster Room
get the paint out. get messy with us.
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RSVP to peepeepoopoo
RSVP to peepeepoopoo
PEEPEEPOOPOO! PEEPEEPOOPOO! PEEPEEPOOPOO! 🚽💦🚽💦🚽 Join us on 28th March, at Golden Mile Tower (inside indie darling Filmhouse) for a night that’s the 💩. Featuring… • a lineup of toilet-related short films 📽️ • live music by the inimitable deførmed 🎸 • spoken word by Dan Koh 🎤 • an installation (and freebies!) by Cranberie, showcasing their nifty disposable funnels (when you gotta go, you gotta go!) 💦 • merch and art installation booths by Luna Chang and Natalie Sin 💩 Come one, come all. It’s gonna be number one AND number two. 🚻✨ 💰*this event is pay-as-you-wish; min. donation $10 at the door 🫶🏼
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2025 Wrapped with Poster Room!!! °🥂⋆.ೃ🍾࿔*:・
2025 Wrapped with Poster Room!!! °🥂⋆.ೃ🍾࿔*:・
Editors: Tammie Lim and Stephanie Jaina Chia Contributors: Tammie Lim, Stephanie Jaina Chia, Glenn Koh, Yu Ke Dong, Nigel Goh, Randall Go
Poster Room 2025 Wrapped (Top Songs) - Spotify Playlist
Poster Room 2025 Wrapped (Top Songs) - Spotify Playlist
Playlist · thestephaniechia · 41 items · 3 saves
[Film Review] Sequins and the Sounds of Home: A Love Letter to Baby Queen (2022) — Poster Room
[Film Review] Sequins and the Sounds of Home: A Love Letter to Baby Queen (2022) — Poster Room
Opera, as in Chinese Opera. Tang, as in 唐人 (Tángrén, the Chinese term for Han Chinese)—or, in her grandmother’s Teochew dialect, Deng⁵nang⁵. From the very first moments of the 62-minute documentary Baby Queen, the artist makes her mission clear: “Drag through ethnicity.”
[Exhibition Review] Where is the Labourer?: Invisible Labour in ‘Construction in Every Corner’ (2025) — Poster Room
[Exhibition Review] Where is the Labourer?: Invisible Labour in ‘Construction in Every Corner’ (2025) — Poster Room
The show, as hinted at by its rather catchy name, investigates the type of building most commonly found in Singapore’s cityscape: the one being built. The exhibition is small in scale, presenting three works produced by four returning NTU alumni. Unfortunately, it is even smaller in its curatoria
[Film Review] Feeling Death in Kiarostami’s ‘Taste of Cherry’ (1997) – Stephanie Jaina Chia
[Film Review] Feeling Death in Kiarostami’s ‘Taste of Cherry’ (1997) – Stephanie Jaina Chia
In its 96-minute golden-brown haze, Taste of Cherry is an exploration of primal and socio-ethical responses to suicide – from fear, bewilderment, and disdain, to empathy and peace. For a film fuelled by its protagonist’s desire to die, it is remarkably quiet and almost meditative.
[Poetry] The Boy from Sisaket (Vol. A) – Zach Liang
[Poetry] The Boy from Sisaket (Vol. A) – Zach Liang
“Dear, the butter is too salty.” Hope is when you have enough time to lie around waiting for your life to change.
[Film Review] Tic-Tac-Toe in Perfect Days – Tammie Lim
[Film Review] Tic-Tac-Toe in Perfect Days – Tammie Lim
Tic-tac-toe. Noughts and crosses. Xs and Os. These are the names different people use to describe the same pencil-and-paper game. A lot, yet very little happens in Wim Wenders’ Perfect Days, an affecting portrait of a public toilet janitor in Tokyo. Hirayama’s daily routine is almost perfectly
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Poster Room is an independent, multidisciplinary arts collective platforming traditionally untold Southeast Asian stories through films, writing, curatorial projects, and more.
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