This was published in 1900 – it’s remarkably difficult to find books set in Tyrol, other than the obvious – and I wondered if it was going to be a flowery/Gothic romance, but it wasn’t. In fact, the Anglo-Canadian author poked a bit of gentle fun at British and American tourists who went off to Tyrol expecting to find nothing but simple-faced, traditionally-dressed peasants who’d never ventured beyond their own villages, and had more than a few remarks to make about commercialisation (some things never change). Plenty of romance, though, and some lovely descriptions of Tyrol, of London theatres, and of various other places visited by our characters. It was a really good read. Recommended!
Our two well-to-do British chaps, Will and Florian, went off on holiday to Tyrol, where they met a “cow girl” (as in girl who looks after cows in a picturesque Heidi-ish kind of way, not as in Oklahoma!), called Lina (short for Carolina), known as Linnet, who had a beautiful singing voice. Will and Linnet fell in love; but it would not do, partly because of the class difference and partly because she, as a Catholic, had reservations about the idea of marrying a Protestant heretic. Due to a series of coincidences which somehow managed not to seem as unlikely as they actually were, they kept meeting up again. Will and Florian also met a rich American widow called Rue (short for Jerusha). Rue liked Will, but Florian was after her for her money.
Linnet was bullied into marrying a “wirth” (which seems to mean a man who owned his own home and had some status in society) who wanted to promote her as a singer … and the author, who evidently had a major issue with the Catholic Church, blamed this all on the influence of the Church! Will was very put out, and so was an admirer of Linnet’s from her home village.
The years went on, and Will became a famous poet and playwright, Rue became a fixture on the London social scene, and Florian didn’t appear to do very much. Then, who should turn up in London but both Linnet, now a successful singer, and her old admirer from home, now some sort of music hall turn. Linnet’s husband was cruel and violent, and everyone urged her to leave him, but she couldn’t, because She Was A Catholic. The author really didn’t like the Catholic Church! Eventually, she did run away to Will. But she went back to her husband, because … you get the idea. And he took her back to the Austro-Hungarian Empire, where there was no divorce because of, natch, the Catholic Church. The author seemed to think that divorce was completely socially acceptable in London in 1900. Er, it wasn’t.
Linnet’s old admirer then decided that he could persuade her to leave her husband by winning a lot of money at Monte Carlo. Not quite following his logic, but never mind. But he got in a fight and stabbed someone to death. As you do. Then he decided that, as he was going to hang for murder anyway, he might as well murder Linnet’s husband as well. So he did.
This left Linnet and Will free to live happily ever after. Once they’d got a Papal dispensation, of course, seeing as Will was Not A Catholic. Poor old Rue, who’d been incredibly kind to Linnet, was left heartbroken. And Florian was presumably left still searching for a rich wife, because Rue wasn’t interested in him. The book then ended with a stern reminder that poor Linnet’s unhappiness was all due to the malign influence of the Catholic Church.
If you can ignore all the anti-Catholic stuff – honestly, it was nearly as bad as the Elsie books! – then this is a very good book. I know I’ve been a bit sarky about it, but it was a lovely book really!