Let Me Lie Easy

The first version of the lyric vanished during the breakup with an ex-girlfriend. The second vanished during my first marriage. (My wife hated it, so I don’t suppose she stole it.) This is number three – the lyric, that is. I have an ex-rated musical career.”

(Note to anyone looking at this post in the Reader or on a phone you may need to visit the actual site to be able to view and listen to the music track)

Lyrics

Let Me Lie Easy

I don’t want to hear that the show must go on
I know that the world keeps on turning
But how can you ask me to rise with the lark
With this pain in my heart still burning?

(ch) Let me lie easy, let me lie late/Let me lie low, let the world wait
Let me lie easy, let me lie late/Please let me sleep till it’s over

The sheep’s in the meadow, the cow’s in the corn
The dogs call in vain for their master
Just give me a while to untangle my threads
And Little Boy Blue will come after

The summer’s near gone and the year’s on the wane
The harvest stands ripened and wasting
Just give me an hour to unscramble my head
And I promise I’ll not keep you waiting

credits

from Kitsch and Canoodle, released August 22, 2021
Words & music by David A. Harley.
Vocals, guitar and synth by David A. Harley.
© all rights reserved

David A. Harley 1949 – 2025

Before I Fall

One for all of us who’ve been hampered by nervousness, clumsiness and much else in the race for success, whatever that is.”

(Note to anyone looking at this post in the Reader or on a phone you may need to visit the actual site to be able to view and listen to the music track)

Lyrics

Before I Fall

I know I can be clumsy / I’m hamfisted as they come
I’m blessed with two left feet / And my fingers are all thumbs
But I can tie my own bootlaces / I can use a knife and fork
I get there in my own time / And if I can’t run I’ll walk

I don’t need a nanny or a minder and if I can’t cope, I’ll call
But please don’t pick me up (x3) before I fall

I know I tend to stammer / And my tongue gets tied in knots
I get confused and nervous / Tripping over my own thoughts
But I’ll make up my own mind / If I’m wrong I’ll take the blame
And I can finish my own sentences / Thank you all the same

I don’t need an interpreter and if I ever do, I’ll call
Only please don’t pick me up (x3) Before I fall

I’m defensive and I’m obstinate / When things I say and do
Turn out upside down and in reverse / I may get mad at you
As well as me, but I’m sorry / And I hope you understand
I appreciate your putting up / With me the way I am

I’m trying to do better, for you, most of all
Only please don’t pick me up (x3) before I fall

credits

from The Old Man Laughs, released February 7, 2022
Words & music, guitar and vocal by David A. Harley.
© all rights reserved

David A. Harley 1949 – 2025

How to Say Goodbye

The first verse is a recollection of the second time I took my daughter to nursery, and the first time I left her there on her own. I felt like a criminal! Previously released as a single.”

(Note to anyone looking at this post in the Reader or on a phone you may need to visit the actual site to be able to view and listen to the music track)

Lyrics

How to Say Goodbye

Took you down to the High Road
Where I’d taken you once before
Kissed you and left you crying
There behind the nursery door

From the day our children are born
Until the day we die
We keep on learning to let go
And how to say goodbye

Took you down to the station
Waited with you for a train
A kiss and a wave from the platform
Saw you homeward bound again

Took you in from the car
Walked you down the aisle
Kissed you goodbye at the reception
Once more you left me, with a smile

Walk me down to the station
Time that I went home again
Blow me a kiss from the platform to warm
An old man’s heart on the train

credits

from Strictly Off The Record, released October 10, 2021
Words & music by David A. Harley. Acoustic guitar and vocal by David A. Harley.
© all rights reserved

David A. Harley 1949 – 2025

Ten Percent Blues

“A farewell of sorts to my brief career as a full-time musician in the 1970s, which was even less glamorous than this song might suggest. Originally recorded in London in the 1980s, but this is a revisit from 2023. The lyric is slightly bowdlerized by request of Ian Semple, so that he could play it on Coast FM, so you could say this is the radio version. It doesn’t change the meaning at all, so I’ll try to remember to sing it this way in future.”

(Note to anyone looking at this post in the Reader or on a phone you may need to visit the actual site to be able to view and listen to the music track)

Lyrics

Ten Percent Blues

Got a seat facing the engine
So I don’t have to face where I’ve been
Luggage on the rack, no reason to look back
At all my wrecked and reckless vagrant dreams
No more bright lights, no more white lines
Or crashing in the back of the van
No more hustling small-time gigs
I guess time has beaten the band

No more deadlines, no more breadlines
Mr 10%, you’re on your own
No more fine print, no more backstage blues
This rolling stone is rolling home

Got a ticket to take me to tomorrow
It can’t be worse than today
So driver, take me home and don’t spare the horsepower
I’m on a ten year holiday
No more missed chances and chickenfeed advances
Cold chips in the back of the van
No more blown tires and fuses, no more broken promises
Time has beaten the band

No more deadlines, no more breadlines
Mr 10%, you’re on your own
No more fine print, no more backstage blues
This rolling stone is rolling home

No more spotlights, no more ups and downers
Absolutely no stage fright
No more superstar fantasies
From today I’m strictly 9-5
No more infighting, no more moonlighting
No more one-night stands
All along while the band was beating time
I guess time was beating the band

No more deadlines, no more breadlines
Mr 10%, you’re on your own
No more fine print, no more backstage blues
This rolling stone is rolling home

credits

from Swan Songs, released June 28, 2023
Words, music, guitar, resonator guitar and vocal by David A. Harley.
© all rights reserved

David A. Harley 1949 – 2025

Paper City

I originally recorded this in the 80s. This version uses a significantly different rhythm guitar, a less in-yer-face slide guitar, and vocal harmonies that aren’t too different from the original recording. A cheerful rock ‘n’ roll-ish ditty about the breakdown of the global economy, written in the very early 80s. These days I wonder which will go first: the economy, or the globe.

This was the one song of mine that I got to sing lead on with the legendary Flying Piglets, being otherwise relegated to harmonies, lead and acoustic guitar duties.”

(Note to anyone looking at this post in the Reader or on a phone you may need to visit the actual site to be able to view and listen to the music track)

Lyrics

Paper City

I woke up with my mind’s eye facing your direction:
I looked hard and I saw you needed help.
You’re choking on paper and tape and legislation,
But you can’t produce one thing to help yourself.

(Ch.) Paper city at the heart of a paper empire:
You’ve got strings to pull, you’ve got wires all over the earth.
Sky-climbing parasite, concrete and paper jungle,
You’ve got money to burn, but I know you’d rather freeze to death.

You’ve got stacks of stocks and shares and bonds:
You’ve got telephone and telex, databank and dateline too.
But you can’t produce as much as one lead pencil,
Or a bar of soap, or a rubber band to pull you through.

The media twitch at the flash of a freemason’s handshake:
Speeches are made and the punters gather round;
Paper politicians and faceless company men,
Taking the pulse of an ailing paper pound.

I bet you know just what you’re worth on paper:
When the market crumbles, what will that do to you?
So many cold people don’t own the earth they lie in:
Will you be all right in your green-lined paper tomb?

Paper city at the heart of a bankrupt empire:
Your towers get higher as your assets hit new lows.
Nose-diving parasite, I wouldn’t mind you dying,
But you’ll take so many with you when you go.

credits

from Swan Songs, released June 28, 2023
Guitar, slide guitar, vocals, words and music by David A. Harley.
© all rights reserved

David A. Harley 1949 – 2025