Showing posts with label occult. Show all posts
Showing posts with label occult. Show all posts

Thursday, 27 December 2012

The state of ceremonial magic in the twentyfirst century

A few years ago I went to a magical conference having heard about this fantastic event populated by proper magicians in a spectacular location. I say proper magicians because I'm drawing the difference between magicians and the sort of people you get at many other 'pagan' events where the goddess phenomenon seems to have taken over completely.

This is a post that I wrote for their forum after my second visit. That visit left me a bit disappointed. I've published it here because I found the notes for the post while I was cleaning out some old files from my PC. I've tried to remove any direct references to the event (no names, no pack drill) as I want this to be a more general comment on the state of ceremonial magick today but the experience leaves me with some good examples of how things might be going wrong. After I posted this on their forum some members posted some valid reasons for using that temple as a lounge and I sort of understood, but other responses were less constructive and more unwelcoming of criticism; still, each to their own. The organisers may have resolved some of these issues as I've not spoken to them since but my point is about the way magick is going generally and that point still remains.

When I first went to the conference I hoped to find serious magick practised by people with experience and a care for the outcome. For years I've attended rituals where there seems to be little thought about structure with some consideration of symbolism but not applied in a way to have any real impact. Further, since the advent of magick that is less hidebound than it was 50 or 100 years ago there seems to be lots of rituals where magick is treated so lightly that it simply isn't magick any more. Simply put, the magick seems to have been thrown out with the holy water.

spiders

So in 2009 my girlfriend and I went to this conference with high expectations. When we arrived we were not put off by the cold castle (as it was promoted) that was really a fortified house built for the shooting parties of the landed gentry converted into a school/prison camp/whatever, because it was still a really cool place even if the castle bit was slightly over sold. We were not put off by the uncomfortable beds and scruffy, draughty interiors. We were not put off by the spiders falling on the two of us while we were trying to have a shag. We were not even put off by the 600 mile round trip. We were certainly not put off by the ticket price with excellent, all inclusive food and great fellowship.

At the end of that first weekend someone asked us what was our high point. My girlfriend had to stop me half way through my response when I was about to say it was our trip to Steel Rigg on Hadrian's Wall. (Honestly, if you have never been to Steel Rigg, you have to go some time, even in the rain. In fact the wind and rain might actually make it better so long as you are dressed for it.) Her concern was that my high point was something that was nothing to do with the conference, but that was true. So I smiled nicely and gave a diplomatic response and said something polite about the venue, or the food, or the effort the organisers make to get it all together. However, I couldn't bring myself to praise the rituals so I said nothing about them.

I made the 600 mile round trip for the rituals; I went for the magick; I went for the magicians; I went for the people. However, I was disappointed, not by the people, but by the way the people treated the magick that is the very reason for my being.

expectations

In 2011 I went again, actually because of the castle/food/spiders on the ceiling/600 mile drive/great food at Tebay motorway services/getting lost in the corridors/spending time around the wonderful open fire. I went for all that. However, on that visit I didn't go for the magick. My expectations of quality magick have diminished over the years and I've become a bit cynical about it.

You see I'm a bit tired of so called rituals where we make a noise that somebody just thought up and wave vaguely in the direction of north/south/your spirit/your genitals /etc. That's not a ritual, that's something that is the same as music and movement from when I was in primary school. Why is that not a ritual? It's not a ritual because it has no gnosis.

The state of mind that the term gnosis describes, as I understand it as someone who hasn't read Liber YXZ, is an altered state that breaks (or thins) the barrier between the conscious and the unconscious mind. It may break other barriers too but if it does that much I'm happy enough.

ceremony

Since the seventies there have been movements in magick to move away from the hidebound ceremonial approach. The ceremonial approach generates gnosis by its very nature with repetition and the comfort of familiarity, formality and reverence. That's why the Gnostic Mass is such a great ritual, as is a royal wedding, like it or not. It's what the big structured religions are so good at and probably why they have so many followers. Simply put, grand ceremony has impact and impact means that the event touches the observer in some way. Other traditional approaches use emotional tension, apprehension, fear, sex, etc. Modern forms of magick now embrace other forms of gnosis. Rule breaking or experimental magick has come into existence, once described as running barefoot in the head. So now we have gnosis from humour (difficult to manage but powerful so long as it's not forced), and other forms that would have been sacrilegious 100 years ago.

They tried to use humour at the conference. Now to use humour you don't have to be Stephen Fry, but it certainly helps. To make a situation funny on the spur of the moment is very difficult. To use humour with no structure and a vague hope for comedy is just not going to cut it. Using humour just by dressing up is more likely to make people cringe. They might laugh at such antics but that's more likely to be laughter in embarrassment and if that emotion is not directed it won't count for anything.

On one particular evening we sat down to dinner and another visitor asked about the pre-dinner ritual that had been listed in the schedule. When I pointed out that we had just seen the ritual her reply was, "That was a ritual?!" All I could do in response was to shrug. Later I couldn't even remember what took place before dinner in that so called ritual. Now let me point out the implications of that. The pre-dinner ritual had no impact whatsoever, in fact my memory has dumped it. Of course some might like to argue, in vain hope, that it had such impact that my conscious mind has erased it and its gone completely into my unconscious but I'd say that's hopeful bollocks?

gnosis

Rituals that are silly all the time are just plain silly. They have no impact and are nothing more than street theatre. In fact street theatre has more impact because the participants are likely to be trained in drama and the audience often talks about it for ages after. A proper ritual is a special moment, not just drunkenness. A proper ritual has structure and gnosis. The structure contains the symbolism and directs the gnosis to where it will have its effect. (Please don't take me to task if my use of the word gnosis differs from your normal accepted use as I live in the magickal wilderness and don't mix much with hierarchical orders that have systems and accepted terminologies.) Gnosis is the oomph that drives the symbolism to where it is intended to work. Without the two there is no point. A ritual where we make vague air or water sounds to evoke air or water doesn't really do anything. Does making a vague gurgling sound make you feel emotional as water symbolism should? Does making a swooshing sound perk up your intellect and make you pay attention as air symbolism should? Both of these are examples from one of the rituals that weekend. Of course a given symbol operates at an unconscious level but made up sounds don't really do that.

Now of course not every symbolic act, noise or smell has an immediate effect. But if you read Crowley's diaries (or somewhere I read it) he says if you want to create Tiphareth you paint (or drape) the temple yellow, adorn it with the relevant plants, fill the air with the correct incenses, eat the food of the correct correspondences and do all those other things ingrained by centuries of repeated use. The point is, he says, that everywhere you look, every image you see, every sense of your mind/body/spirit is filled with the corresponding reference. If the symbolism for your intention is related to looning around then loon around, but if it's not then don't do it!

temple

In the conference venue that I'm referring to they had a particular room that was used for the major rituals. The room was decked out with the trappings of a ceremonial temple, altars, steps, pillars, etc., all painted in the correct Masonic colours, black and white chequers, all the right details down to the Nth degree. (Again forgive me if my terminology is incorrect.) The effort these people put into building their temple is second to none and they are to be praised for that effort. However, the room was also used as a lounge and workshop venue and somewhere to chase through in something that I recollect as akin to hide and seek. (There's nothing wrong with hide and seek per-se, especially when everybody is a bit wasted in a venue that is a natural maze, but there are limits.)

There is a point to setting out some rules for keeping a temple as a sacred space, for having it consecrated from start to finish, for only entering past the sacred seal by those permitted in the correct manner with reverence and suitable justification to be there, for not partying in there, for not using the temple for workshops that are not sacred rituals, for creating the most high and respected position of temple warden who is the first to enter, so that person will enforce this discipline on pain of shame for those who break the rules. There is a point to all this. That point is that as soon as you cross the threshold of The Temple (not the room that is used as the alternative lounge) you will be able to taste the gnosis before you even start.

The room I am thinking of in this venue is a wonderful space. It has some history, an appearance of majesty that implies gnosis from the start. It has two magnificent entrances that could be allocated to priesthood and participants. It has everything that makes it special. To use it for other things cheapens it. To have a Temple in the way that I describe would begin to add gnosis to the whole weekend and start to do away with the music and movement aspect that the event is apparently cursed with. If you want to party in your temple then I don't want to practice magick with you and I certainly wouldn't invite you into my temple. If that is the case you need to look up the meaning of the word temple.

party

If the only people that return each year are the members of your order, plus a few mates, then you don't have a magickal retreat (or whatever you'd like it to be). You have a party to which you allow other people to buy tickets. People who come to magickal conferences, symposia, retreats and the like, expect some things; they expect magick and not just a load of messing about; they expect rituals that are properly thought out and not pasted together from a few vague ideas. In this case less is most definitely more. A policy of never mind the quality, feel the width doesn't work.

The long standing magical orders that have names going back generations carry the torch of those that have gone before; fucking about with the flame will only blow it out. From what I can see there is but a glimmer remaining. Establishing a proper sacred space would start the process of rekindling that flame. Or you could party in your temple; continue pissing in the holy water, and wonder why nobody turns up any more.

Wednesday, 10 October 2012

The Next Big Thing

This is a Wednesday thing, I've no idea why, Wednesday's don't have any intrinsic value, they just are. (If you want to get into the philosophy of Wednesdays then please do so in the comments.)

Last Wednesday the very sexy, and equally blonde, Debbie Viggiano posted a blog in The Next Big Thing series. Like viral marketing and chain letters The Next Big Thing is a clever way of bringing fertile new ideas to people like you. I don't know how fertile Debbie is but I'm not going to go there because she has an Italian husband. Nuff said?

(Interestingly I talked about chain letters as information viruses in the first edition of Satanic Viruses in 1989, before anybody had ever thought of viral marketing.)

Anyway, the idea is to answer ten questions about writing and the writing life, then pass the baton on to five more authors the next week. Now, I suppose, reading this blog you are into writers and the writing life; so here's the good stuff.


What is the working title of your book?
I'm currently working on the second novel in the Hidden Masters series, tentatively called The Hidden Masters and the Techno Knights. However, that might change as the story has shifted a bit under me as I've been writing it and it seems to have a bit more techno and a somewhat fewer knights.


Where did the idea come from for the book?
The book is the second in a projected series of four about The Three Hidden Masters, two from Hemel Hempstead and one from Bricket Wood. They save the universe at the weekends. In the first one they went north to Blackpool after which I hit on the idea of doing one for each of the compass points. I'd like to make the adventures relate to the correspondences for the directions as used in ceremonial magic. In the first book, in the north, they dealt with money so it was earth. I'm sure there is some system that places earth in the north. (Those who are not familiar with cabalistic correspondences may know about the Tarot or Astrology and understand that Earth is often related to money, and so on with the other elements.) In the second it's going to be Hay on Wye in Wales, so west, therefore the plan is to make it water. There will be a love interest in this book; a young girl in unsuitable shoes who starts off climbing a mountain on a dark and stormy night. So really the ideas for the books are beginning to be dictated by things like cabalistic correspondence and the like. I'm not sure who is pulling my strings here.


What genre does your book fall under?
The Hidden Masters and the Unspeakable Evil is an occult adventure with trouser issues so I'm not sure there really is a genre for that; I certainly find it hard to categorise on web sites. Amazon seem to think that occult is part of horror but they clearly don't know shit! It's not horror because almost nobody dies and there is no blood. What's horrific about candle lit rituals with clouds of incense, guttural incantations and blokes in robes getting tangled up in exercise bikes? Otherwise it gets lumped in with fantasy but the books are set in Britain in the modern era and there are no non human races, perhaps apart from cats. Does that make it fantasy?


What is the one-sentence synopsis of your book?
Which book? It'll have to be a sentence about the first book, The Hidden Masters and the Unspeakable Evil, as I don't have enough idea about the second one yet.

Three apparently ordinary blokes, who are secretly master magicians, discover a plot to build casinos in Blackpool, so turning the resort into a seedy, tacky and depraved town; so they head north on Friday night to put an end to the plot, but they have to save the universe by Sunday evening as they have to be back at work on Monday morning.


Will your book be self-published or represented by an agency?
 I'm pleased to say that I'm now published by a small press based in Oxford called Twin Serpents.


How long did it take you to write the first draft of your manuscript?
The first book took about three years to write and another year or so to get it ready for publication. Even then it wasn't really finished until I found a new editor a couple of years ago which led me to do a crisper, sharper new edition with a glorious monochrome cover and a whole new joke. The second in the series is slow going but I have a career writing other, more profitable but less entertaining, stuff for people that takes up most of my time and all of my energy.


What other books would you compare this story to within your genre?
Again with the genres! Okay well I'm writing comedy, or at least I hope I am. Robert Rankin writes comedy about similar subjects drawing on sources from religion, myth and the like. They describe him as 'a mix of fantasy, occult, urban legends, etc.' That sounds like me. People have made comparisons to Douglas Adams which I'm really chuffed about. There is quite a lot of drink and drugs in the first book so it's been described as 'Fear and Loathing in Blackpool meets the Illuminatus trilogy'. The word gonzo has been used. Some US reviewers have made comparisons to other Brit comedy such as Monty Python, and Red Dwarf being absurd and silly, and again I'm dead chuffed to have that said about my writing. Hold on most of those are not books. Am I allowed to say that? Sod it, I'm not changing it now.


Which actors would you choose to play your characters in a movie rendition?
I really haven't thought about this. I'm making a viral marketing video/graphic novel type animation (see my photos on Facebook) and I'm using images of actors to draw the faces from. I'm not sure that I'm prepared to say who I'm using as models as I don't want them asking for money but I will say that both actors have guested on Have I got News for You over the years. I won't enter into any public correspondence about who they are but privately I may be persuaded to say.

There's a review on Amazon.com that suggest Peter Sellers should play the part of every character in a filmed version similar to sixties British comedy films. (I'm beginning to see a theme here about how Americans view my work and I like it.) I suppose we could dig him up.

(By the way, If you read any of the Amazon.com reviews beware. There should be a spoiler alert against giving away some of the hidden gags.)


Who or What inspired you to write this book?
I was getting drunk with these three stoner magicians one night and I decided to tell their story. Oh, did I not say, these guys really exist and they really do go to places like Blackpool and Hay on Wye for the weekends.


What else about your book might pique the reader’s interest?
There's already sex and drugs and apparently satanic rituals with jokes, what more could you want? (It's not really satanic but some people might mistakenly imagine that.) Oh, hang on I know what else might interest you, Debbie Viggiano… Well no she's not in it but I could, but then again her husband would probably kill me.


Thanks to the following authors for allowing me to tag them. Do go read their blogs and their books.

Jaq D Hawkins: http://indiewritenet.com/jaqdhawkins/
Rebecca Emin: http://ramblingsofarustywriter.blogspot.co.uk/
Dave Evans: http://hiddenbooks.livejournal.com/
M T McGuire: http://mtmcguire.co.uk/
Marilyn Chapman http://guernseygirlie.blogspot.co.uk/


You can find The Hidden Masters and the Unspeakable Evil here.

Thursday, 2 August 2012

Who are the Hidden Masters and where do they come from?

I had my first media interview on Tuesday evening with Bill Thompson of the thebookcast.com to talk about the recent global release of The Hidden Masters and the Unspeakable Evil. The experience was a little nerve-wracking but not as bad as I might have imagined. (As the experience recedes I suspect I'm forgetting the worst of it.) Naturally I feel I answered some of the questions better than others but one question sticks in my mind.

The concerning question was how the main characters, the very Hidden Masters described in the title, got to be the people they were. For those of you not in the know, the heroes of our adventure are apparently perfectly ordinary individuals whom you might meet in the pub. Their only difference being that they are practiced in the arts of the occult to the point that they save the universe at weekends before going back to work on Monday mornings. They are extraordinary individuals who do not look like the people they actually are.

uncanny

However, when asked how they came about I was stumped. I do have some back story for them, Clint was in the Royal Navy and now drives a road sweeper, Wayne sells beer for a living and might have cheated his school entrance exams and Nigel, well I still can't remember his back story but I'm sure I put one in. I also had ideas about where they get their extensive knowledge about everything under the sun with one constantly hanging out in museums of all kinds across the world, one having an uncanny ability to find any information on the internet no matter how obscure and the other addicted to Open University courses but he never bothers to take the exams.

But how did they get to be these guys? I simply hadn't thought about that. When asked the question I blabbered on a bit about people coming to paganism from all sorts of paths until I realised I was talking generally about paganism rather than the characters in the book. Since then, while I was painting the windowsill in the room upstairs the answer occurred to me.

pianist

Each of us has no idea about the bloke who sits across the isle from us on the train every morning. He might be a mechanic in a bus garage or an administrator in a dog food company. However, more difficult to detect is the thing he does at the weekend. How often have you discovered that the person you meet in your first day at a new job has an extraordinary skill, perhaps being a wonderful pianist or a talented salsa dancer? They don't make any money at their skill because there is no way to do so but they have done the 10,000 hours practice that are said to be required to master a skill completely.

There are extraordinary people walking amongst us every moment of the day but we never know it. They're not gods or immortals; they're just ordinary people who are quietly getting on with life. They don't brag about it, they just do it. Aleister Crowley once said that every man and every woman is a star. The Three Hidden Masters, two from Hemel Hempstead and one from Bricket Wood, are extraordinary in that very way but it didn't take some miraculous back story for them to get there because, basically, they are just like you and me.

Find out more about The Hidden Masters and the Unspeakable Evil here.

See the You Tube video here

Monday, 25 June 2012

Satanic Viruses heads for fourth edition

Further news is that I've been working on an update of my first book Satanic Viruses: the fall of the Roman Empire and how to bring it about. This was published in 1989 and has been released in various formats since. It's an examination of the way the world is changing and has been said to predict the structural changes in society we are witnessing now. The final part of the book which sought to suggest a way for people to circulate their ideas through information viruses has now been rupersceded by viral communication on the Internet. It's this part that I'm currently working on. I have also found that there are other recent commentators, such as Alain de Botton, who have been expressing similar ideas to mine about the whole left in society by people's move away from religious perspectives. All this and more is to be found in the future release of the book.

One important change will be that I'm retitling the book. It's been suggested that the term Satanic Viruses suppresses sales in the US. This may be the case. The title was originally a play on the title of Salman Rushdie's infamous Satanic Verses although the two books have nothing to do with each other. The reference to Satanic is related to the book's reference to occultism which some people might mistakenly see as Satanism, though Satanism is a spinoff from Christianity so it's not really about that. The viruses references is about the information viruses to which I've referred earlier. Anyway, the plan now, is to title the book Age of Aquarius and use the old title in full as the subtitle. The book does make reference to the idea of the Age of Aquarius and, really, that's what it's all about so that's going to be the new title.

Friday, 22 June 2012

Hidden Masters on the move again

After a move away from self publishing early last year my books haven't been available in print for nearly a year and a half. The Hidden Masters and the Unspeakable Evil came out in eBook form at the end of 2011 but I've realised since that readers really do still prefer paper books.

So I'm now happy to say that my first novel The Hidden Masters and the Unspeakable Evil has just gone to the publisher this week. It bounced back once for some changes but hopefully that should be it for any more changes. For those of you who have read the first edition the new paperback edition is taken from the eBook that had tighter editing but this new version includes an extra joke. That's a brand new joke that wasn't in the first or second editions. Let me know if you can spot it but don't get too excited now.

In the mean time I've done some work on the second Hidden Masters novel (tentatively titled The Hidden Masters and the Techno Knights, set on the south Wales borders) and I'm really keen to get back to it. It's currently on chapter four or six depending on how I chop it up. It features a mad religious cult, a geek with a grudge and bad hair and hopefully some Morris Men with violent tendencies. As soon as I clear the other projects it's full steam ahead.

In the mean time here's the link to the eBook:

Here's the You Tube promo video

Monday, 2 January 2012

A personal appeal from Jack Barrow

Okay so New Year, new marketing push.

It's always been my plan to spread the word about the Hidden Masters and the Unspeakable Evil via the pagan network. This is my core readership but the book is clearly attractive to non pagan readers as they see it as contemporary fantasy, it is pretty fantastical in places after all.

So I'd really like you guys to help me out. If you are a pagan who has read and enjoyed The Hidden Masters and the Unspeakable Evil I'd like to invite you to spread the word amongst your pagan friends. There are a number of ways you can do that. You can simply tell people about the book, and I know that has been going on, but there are now numerous pages where people can subscribe or click to indicate their support.





And of course you can click subscribe on the link further down this blog.

However, what would be really, really great would be for you all to start writing reviews on the pages where the book is for sale. Most of the significant links to the sales outlets are shown on the sidebar at the top of this blog. If you bought the book (no matter how long ago) it would be great for you to go to the web page where you bought it and write an honest review of the book. If you bought it from a shop of from a web site that doesn't sell it any more because they don't do eBooks then find somewhere else to write a review. If it's already been reviewed then add your opinion to those of other readers. (Please only give it five stars if you feel it deserves five stars. Pure five star reviews can look a bit unbelievable so just be honest.)

Finally, and this is probably where you will have the greatest impact, if you know of pagan web sites that do reviews of pagan books then try to get them to publish a review. If you've never written a review for a web site why not try it yourself and get your own name in print (well electrons at least). If you come across a pagan web site that hasn't covered The Hidden Masters and the Unspeakable Evil, then ask them why they haven't covered it. It'll probably be because they haven't heard of it. If they say they don't do eBooks tell them that it should be back in paperback soon as I'm working on that too (as well as working on the animation promo and all that jazz).

Please also try to ask your friends whom you know have read the book to do the same as many people won't see this blog. Please don't leave it to chance and please don't leave all the success to Dan Brown as you know I can write a better pagan story then he can. I know I have lots of fans out there. (I hate that word but it's the way this works). If you want to see the next book in the series (there's four books planned, one for each element and the next one is water) then I need you to get the ball rolling. Reading the book is one thing, saying that you've read it is the next, getting other people to read it and say that they've read it is what will ensure that I can keep this going, and keep you guys laughing out loud at the bus stop or in the office or any of the other places I've heard you tell me about.

Thanks.

Jack

Friday, 25 November 2011

The hunt for The Hidden Masters and the Unspeakable Evil

Okay, so a week on from Smashwords premium catalogue approval I've discovered that there is a delay between the Smashwords catalogue being shipped and the book appearing on the web sites.

So here's the thing.

The book is slowly due to appear on retailer web sites in the coming weeks. I've been checking the sites recently to see if the book appears but there are a few sites to check and the process is a bit repetitive. Therefore I'm offering a prize for each site.

For the first person to post a link to a retailer site where The Hidden Masters and the Unspeakable Evil is on sale I will give a free download of the book from Smashwords.

Post the links in the comment section below. The download will be in the format of your choice (see the list of formats in my post from last week). I will email you a voucher code to download a copy direct from Smashwords.

If you want to know what you stand to win you can read about it here.

Here's the promotional video on You Tube

Tuesday, 22 November 2011

The Hidden Masters and The Unspeakable Evil available worldwide

This just a quick update that The Hidden Masters and the Unspeakable Evil has now gone into the Smashwords premium catalogue which means that it will be available on the major retailers' web sites worldwide. The Smashwords web site says this:

Kindle (.mobi for Kindle devices and Kindle apps)Download
Epub (Apple iPad/iBooks, Nook, Sony Reader, Kobo, and most e-reading apps including Stanza, Aldiko, Adobe Digital Editions, others)Download
LRF (Use only for older model Sony Readers that don't support .epub)Download

They say the catalogue ships at the end of the week but I don't know how long it takes for the files to appear on the relevant web sites. If anybody sees the book on any of these sites I'd be interested to hear about it.

One final note although Smashwords sell books formatted for the Kindle they don't actually distribute to Amazon yet. Apparently that may be on the way soon. I'm told it's something to do with them having an ability to upload the files to Amazon so it's a technical matter. Until that is sorted out Kindle readers can buy the Kindle version of the Hidden Masters from other sellers and direct from Smashwords themselves.

Wednesday, 2 November 2011

The Hidden Masters and The Unspeakable Evil out in eBook format

Today I am available to read as an ebook.

The Hidden Masters and the Unspeakable Evil is now on Smashwords.com


It's just a first step as the book needs to be approved for formatting before it gets into the Premium Catalogue and then onto the various retailer's web sites. That process might take a couple of weeks.

Keep watching.

Tuesday, 17 May 2011

The Hidden Masters' (not quite) Pocket Book of Tarot

I'm in the process of moving my books over to a new publisher. We're starting with the Pocket Book of Tarot. The new printer can't do the tiny format (90 x 140mm) the old printer was able to do so the new version is known as the Hidden Masters' not quite Pocket Book of Tarot.

Here's the cover art for the new edition.



Possibly the World's only Tarot book with jokes.

You can expect to see this available on Amazon some time in the next few weeks, in the mean time the original (soon to be collectible version) is still available.

More about the book here

You can still buy the first edition here - buy it while it's still small enough for your pocket! Just £3.99

Friday, 22 April 2011

More cover designs for the second edition of the Hidden Masters

After the series of very dark covers for the second edition posted in March, a reader commented that it looked like Stalag Coronation Street or something, a friend has been enthusiastically working on some ideas. Let us know what you think. They are only rough at the moment so they'll have to be developed properly if one is chosen.

1. First of all he was just playing with ideas from the classic Las Vegas design

2. Then he adjusted it after a bit of feedback about the plane and the text

3. Then a yellow one just to see how it looked with a brighter cover

4. Then trying to combine the elements with the earlier designs

5. This was an attempt at the classic blockbuster novel front cover with the author's name writ large

6. And again combining some of the Vegas elements

7. Finally a combination of the Vegas elements, the image from the 3D model and blockbuster text


Do tell us what you think.

-----------------


If you want to know more about the Hidden Masters and the Unspeakable Evil here are some extracts:

Chapter two on astral travel

Chapter three on breaking down on the M6

Until the second edition comes out you can still get the first edition, complete with the original typos, from Blackwells

Thursday, 14 April 2011

First paragraph from the Hidden Masters and the Unspeakable Evil

In sheer terror Geoff bit down hard on his meerschaum pipe carved in the shape of the god Pan. He would have closed his eyes as the enormous double-decker bus bore down on him, but he couldn’t because his eyes were painted on. Meanwhile, the engine of the twelfth-scale biplane screamed as it carried him toward an almost certain and horrible death. It was at this very point that just one thought dominated Geoff’s mind: "Why does this sort of thing only ever happen to me when I get involved with these guys?"


Chapter two on astral travel

Chapter three on breaking down on the M6

Until the second edition comes out you can still get the first edition, complete with the original typos, from Blackwells

Thursday, 24 March 2011

Megadeath singer might prefer The Old Rugged Cross

There's currently a story on the web about Dave Mustaine, of the bands Megadeth and Metallica. I'm not a particular fan of metal so I don't really know their music but apparently he used to do a song called The Conjuring. He's now refusing to perform the song because it contains instruction for hexes. Word is he's now found religion and doesn't want to sing a song about what, we can only assume, he sees as the opposition. Or some bollox like that.

To be honest there are more complete instructions for a magickal ritual in Chapter 23 of The Hidden Masters and the Unspeakable Evil if you are feeling so inclined. A bit of vague guidance on placing the parchment and lighting candles with a reminder to use the eyelash from a black cat and a straw from a broom isn't really going to get you banned from heaven. But that would be because heaven is as fictitious as my novel. (Oops, sorry, did I lead some people to believe that Nigel, Clint and Wayne are real?) I don't fancy fighting anyone's cat for one of its eyelashes, I know who'd come off worse, and I've never seen a broom made of straw!

In a complete reversal of the situation, in my early days of hanging out with occultists (as we used to call ourselves) a friend of mine had been a singer in the folk clubs during the sixties and seventies. He had a massive repertoire because he had to be prepared to perform almost any request from the audience. He used to do a fantastic rendition of The Old Rugged Cross that he hammed up in such a schmultzy style that is was a real pleasure to hear. It's not about the song, it's about the singer.

Then we would go in the back room and conjure Lucifer. ;o)

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If you want to know more about the Hidden Masters and the Unspeakable Evil here are some extracts:

Chapter two on astral travel

Chapter three on breaking down on the M6

Until the second edition comes out you can still get the first edition, complete with the original typos, from Blackwells

Friday, 18 March 2011

Cover designs for the second edition of the Hidden Masters

Here are some visuals for the cover design of the Hidden Masters and the Unspeakable Evil (second edition). I'd welcome your input. I've knocked these up in Photoshop, these are to give the designer a brief. The final art will include spine details and all the bumph about price and ISBN etc.

Remember, this is still the first book in the series that many of you guys have already read in the old green cover. This is for the move to my new publisher. The second book in the series will follow when the transfer to the new publisher is complete.

Cover A

Cover B

Cover C

Cover D

Cover E

Cover F

Cover G

The images are taken from the 3D model that was adapted from the set for the animation. (The animation has been shelved until all the books are moved over to the new publisher.) Because the model was only ever meant to be seen from the alley side of the buildings the windows on the front of the houses haven't been painted in. Once we know which image we'll be using the image will be tidied up and finished off. The model as used in these images has streets going off into the distance but most of these are close into the houses so not much of the background shows.

The blurb is just a draft at the moment. If you've got any thoughts then please feel free to comment on this post or my post discussing future marketing.

And finally if you want to know what all the fuss is about here are some extracts:

Chapter two on astral travel

Chapter three on breaking down on the M6

Until the second edition comes out you can still get the first edition, complete with the original typos, from Blackwells

Saturday, 5 March 2011

Building virtual Blackpool

Click on the image to see the (lack of) detail
Using the 3D model of the Victorian alleyway, created for the animation, I'm trying to create some art for the book cover for the second edition of The Hidden Masters and the Unspeakable Evil. Unfortunately copying and pasting something like 1000 houses, each individually defined right down to the window frames and chimneys is proving a bit of a stretch for the PC. (See the previous post on viral marketing for how it should render including the brickwork texture.) Even with a spanky fast machine it's proving too much. It's not rendered any of the textures or the small details such as the red chimney pots. It hasn't even bothered with the houses in the distance, showing whole terraces as wire frames. Notice the top of the image shows Google SketchUp as 'Not Responding'. At the time of writing it's been like that for over an hour, every few minutes becoming active then locking up again for a similar time.

The grey windows of the further streets are deliberate as the model was never intended to be seen from this angle. (All the action in the viral animation takes place within a single alleyway so the houses are only seen from the rear. Read chapter 7 for the details.) For the book cover these windows will have to be painted in individually. Also the wide screen format of modern monitors doesn't suit the portrait format of a book jacket so chunks of the landscape image will probably be chopped away. The distant houses, if SketchUp can ever be persuaded to render the middle distance, will probably have to be painted in later.

Sunday, 13 February 2011

Should I move on from Men Behaving Badly?

Okay, so I need your help. If you've read The Hidden Masters and the Unspeakable Evil you will have your own opinions of it, hopefully positive. You may even be able to make comparisons between my style and that of other writers. However, those who have not read it won't know what to expect, and this is my problem.

In the past I've tried to give readers an idea what to expect by sharing the comparisons that other people made about the book. At book signings and readings people have pointed out similarities to Robert Rankin and Douglas Adams. I'm a huge fan of both these writers and I'm very flattered by the association. Other people have said it's a bit like Terry Pratchett which, to be honest, is probably a bit too much as he sets the bar so high. Some people have even said that it sounds like the English comic absurdity of Tom Sharpe but I think this is from people who have read about it but not actually read the book. I'm very flattered by that possibility.

Those comparisons are on the comic fiction aspect but other parallels are with fantasy and sorcery writers. I'm now using the term urban fantasy as there is magic in my stories, admittedly much of it implied, but the stories are set in the contemporary world of England in the 21st Century. So the genres here are likened to Harry Potter and Dan Brown, although I don't write children's books and I don't write about the supernatural in the way that Dan Brown does.

Based on this feedback I've pitched my marketing material at fans of these authors mentioning them, hopefully subtly enough, to give a hint of what readers will find. Sometimes I worry that readers won't believe me though, as some of these comparisons are pretty staggering. I would tend not to believe a bloke down the pub who said that his small press published books are a bit like these luminaries.

So the phrase that grew up was that The Hidden Masters and the Unspeakable Evil is a bit like Harry Potter meets Men Behaving Badly. Men Behaving Badly because the characters in the book drink far too much dark rum, smoke too many cigarettes and indulge in the occasional Moroccan woodbine, actually more than occasional.

Now I'm in the process of moving all my books to a new publisher, a small press similar to my current publisher but in a position to allow me to concentrate on writing. So it's an opportunity to make some changes in the marketing blurb.

I'm concerned that some of these comparisons are a little too strong, almost unbelievable. Others are a bit out of date or just not very well known. The Harry Potter connection was interesting because that series is now finished and readers might be looking for something new. But there are no broomsticks in my stories and no sparks flying from the ends of wands. In fact the Hidden Masters only contains a couple of events that are clearly supernatural so Harry Potter may not be that appropriate. Also some people don't like Harry Potter because they say it's derivative and unoriginal and stuff like that. However, my point is that Potter is popular and I'm only interested in comparisons that I can use to get my message across to new readers. So if you hate Harry Potter and can't put down your vitriol then I probably don't need your input. At the same time I'm wondering if the Men Behaving Badly connection is now a bit dated so should I stop using that?

So my request is this. If you have read The Hidden Masters and the Unspeakable Evil, and you enjoyed it, please tell me how I should be marketing it. What comparisons with other authors can I use to tell new readers what to expect? This naturally has to be from successful, popular, published authors but I can't help that. Of course if you can think of a way to describe the book without comparing it to published works then that would be great. My new publisher is waiting for the marketing text and I can't write it without your help.

If you want to know what all the fuss is about read the publisher's blurb here

If you don't want to wait for the new edition don't bother with Amazon, they are listing it as out of print. It's never out of print as it's print on demand. It's best to buy it from Blackwells here or order it via your local book shop on the ISBN 978-0-9515329-1-1


Tuesday, 8 February 2011

Hidden Masters' Pocket Book of Tarot


The first edition before resizing
I've just reformatted the Hidden Masters' Pocket Book of Tarot. I'm in the process of moving my books over to a new small press which will allow me to be much more hands off and concentrate on just writing. The current format of the Pocket Book of Tarot is 90 x 140mm.

The blurb describes it thus: "Everything you ever wanted to know about Tarot but couldn't be bothered to ask. Well bother no more as this book gives it to you straight and simple in handy reference form, ideal for the beginner of the forgetful expert alike. Keep it with you when you are impressing your friends, so that when ignorance strikes you can just nip off to the loo or sneak under the table for that elusive definition." I suspect it's the world's only Tarot book with jokes.

However, the new publisher can't do books as small as that so it's going to be 127 x 203mm, about half again as wide and tall and almost twice the area. It was about 80 pages with all the front and back blurb but now it'll be about 50 pages.

So the question is can I still legitimately call it the Hidden Masters' Pocket Book of Tarot? It'll certainly be thin enough to go in a pocket but it'll have to be a bigger pocket than on the back of my jeans. I'm wondering if I should call it the Hidden Masters Little Pamphlet of Tarot and Joke Book. Not so snappy eh?

More about the book here

You can still buy the first edition here - buy it while it's still small enough for your pocket! Just £3.99

Tuesday, 1 February 2011

Chapter Titles from the Hidden Masters and the Unspeakable Evil

1      The Esbat
2      Elastic
3      Ritual Mechanicians
4      It’s a Beer Thing
5      More Beer
6      The Devil’s Legs
7      Illuminating Experiences
8      Dodgy Characters
9      Chocks Away!
10    The Taste of Dragons
11    Elementals My Dear Wayne
12    Creatures of the Night
13    Vortex
14    Board of Enquiry
15    The Return of The Devil’s Legs
16    Just The One Then
17    Mission Improbable
18    Dubious Infidelity
19    Death By Sword
20    Black
21    Escape to New York
22    How Many Magicians Does It Take?
23    My Number Which is 300
24    Stake
25    Trouser Negotiations
26    Round Table
27    Hit it!
28    Enheavyment
        Epilogue

If you want more click here for an extract from Chapter 2: Jack Barrow on astral travel

And click here for the whole of Chapter 3.

Publisher's blurb here

Don't forget Amazon aren't selling this and list it out of print. It's never out of print as it's print on demand. It's best to buy it from Blackwells here or order it via your local book shop on the ISBN 978-0-9515329-1-1

Monday, 22 November 2010

Extract from the Hidden Masters and the Unspeakable Evil

From Chapter 2 - The Hidden Masters on Astral Travel

The Hidden Masters and the Unspeakable Evil contains many mysteries, mostly relating to how three middle aged pauncy blokes can drink that much and still manage to save the universe. However, occasionally the book contains insights into the world of paganism and the occult. One such pearl of wisdom, from Chapter 2, covers the subject of Astral Travel.

* * *

For some years now The Three Hidden Masters, two from Hemel Hempstead and one from Bricket Wood, had cherished a theory about astral travel which goes a bit like this.

Many people say that it is possible to leave one’s body and travel on the astral plane to visit other places while the practitioner’s body stays put. There is also an idea that there is a silver astral cord which connects the astrally projected presence back to their body. However, there are differing ideas of how this works, and about whether it is possible to visit places that exist in reality. The question is always one of verification.

If you choose to examine the issue, the point is this. Let’s say you travel, or project, onto the astral plane and go around to the chip shop in Queen’s Square, which is a short hop from where two of our heroes live. There you see your friend Pete buying a chicken and mushroom pie and a portion of chips with a can of Coke. Quickly you return to your body and phone Pete up (assuming they haven’t yet invented mobile phones that work on the astral plane). Would it turn out that he had really been at the chip shop buying pie and chips once with a side order of Coke? In other words, do the things you witness while travelling on the astral plane really correspond with what, for the sake of argument, we have to call the real world? Furthermore, if this is the case, can horny single male magicians visit the bedrooms of women they fancy and… well, let’s not get into all that just now. (Try to stop shivering, girls, it’s never worked so far.)

This is a philosophical debate, which is a bit odd in itself because the old pie and chips experiment is probably quite easy to set up, so it ought to have been resolved by now. However, none of our heroes had ever met anyone who had successfully identified someone buying pie and chips once, with or without a side order of Coke. On the few occasions when they had heard of someone who had tried this sort of experiment the results had been less than clear. For example it turned out that the character Pete, who I have just made up for the purposes of this illustration, was in the habit of buying pie and chips on most nights. Thus it would have been a good guess that he was going to be in the chip shop anyway.

Of course, a specialist in the philosophy of science such as the Grumpy Wizard of the West might suggest that this is all nonsense. You see, his perspective would suggest that the fictitious character, Pete, is likely to be so fat, having undoubtedly eaten all the pies, that he is the first person anyone would see when approaching the chip shop from either the astral plane or anywhere else. Actually he wouldn’t say that, but what he might say is far less likely to be amusing.

What is really needed is something so unlikely and easily verifiable that there can be no mistake. So imagine you astrally projected around to Queen’s Square—apparently so named because she opened it in her coronation year of 1952, though I don’t suppose she remembers—and found Fat Pete being arrested for having broken into the Post Office to get some money to buy pie and chips. During your astral vision, there was a reporter photographing the event for the local paper which came out the following Thursday, with Fat Pete the Post Office burglar all over the front page. Then you might say that this was all so unlikely that it had to be verifiable. In this case, you could go up to the Grumpy Wizard of the West and say “Ahhhaaaaaaaa!” But then again, he’s not known as the Grumpy Wizard of the West for nothing, and even then he might try to wriggle out of it. You see, the Grumpy Wizard of the West is one of those magicians who does not actually believe in magic.

Anyway, that’s the sort of argument you will hear in the debate on astral travel when you talk to many magicians, witches, scholars of the mysteries and the like. On the other hand, there will be those who will resist all attempts at debate on such matters, and will never examine an issue in case they discover something they don’t like.

However, our heroes saw the old astral travel debate in a completely different way, for they had come up with another explanation. They had noticed that amongst their magician friends there was often an unbreakable bond to the place where they lived. Usually this bond would go deeper, attaching them to a particular location in their home, namely a favourite chair—often with a good view of the TV—known as the ‘god spot’.

The concept of the god spot, or more pointedly the concept of godhood, comes from the idea that magicians are considered to be the centre of their universe, surrounded by an ever-shifting sea of possibilities. The magus commands the universe and those who inhabit it, in a similar way to that in which the Christian God is said to command us. (Of course, all this talk of magic is okay but I’m sorry, I just can’t bring myself to believe in God!)

Now, The Three Hidden Masters, two from Hemel Hempstead and one from Bricket Wood, had this theory that the bond attaching the magician to his god spot was where the idea of the astral cord had come from, and any idea of astral travel was just a development of that concept. On the occasions when they had observed magicians abroad in the world, such as visiting friends far away, they had noticed that there seemed to be some sort of pull on the magician which tugged him back towards home at the earliest possible opportunity.

After all this philosophising, and the odd bottle of dark rum, our heroes had concluded that the much-debated practice of astral travel, along with the idea of the silver cord, had come from this truth that they had observed. The travelling magician is attached by a length of silver elastic, which connects him to his god spot and, inevitably, returns him there before too much time has passed.

Taken from The Hidden Masters and the Unspeakable Evil

Read another extract