John Wright Art

Here, at last, are the results of the March 'Win an original painting' competition.

It's the 1st of March so it's time to begin the second monthly competition to win one of my original paintings. This month I am offering a snowy painting.

In addition five other lucky people will win one of five signed limited edition prints of the painting.

This time, there are only a couple of things you need to do to qualify:

1. Subscribe to my email posts.
2. Comment on this posting, mentioning your intention to enter the competition.
******Also please tell me your subscription email address (you may email it to me if you don't want it to appear in the comments), but no need to do this if you entered the February competition.******

......and that's it!

This is a great opportunity to own an original artwork.

Please note:
One entry per person
The painting and prints will be unframed and unmounted.
The prints of the artwork will be printed on A4 paper and will have a small white border on all edges.

The competition will run from the first of the month to the last day of the month.
The winner and runner-up prizes will be determined by a draw from all qualifying names and will be announced during the first week of April.

Please don't hesitate to get in touch if you have any inquiries about the competition and Good Luck!!

**The results of February's competition will be announced on Tuesday 3rd March**

I painted this scene from a photograph I'd taken during a walk after a snowfall near where I live in Nottingham. It is near the top of a steep rise called Corporation Oaks. There are some rather grand Victorian houses along this tree-lined (oaks, of course) path and is actually a conservation area within the city of Nottingham. Near the top is this bench, which I was very tempted to sit on as I'd had a long walk, but it was just too cold!
If you're interested in purchasing this work, please have look in my Etsy shop.

The latest painting for my exhibition.

As the exhibition is taking place during the theatre's production of A Christmas Carol, I thought it would be appropriate to include at least one snow scene. I always find snow in lanscapes tricky to handle. I want to avoid the too obvious Christmas card snow scene cliche, but at the same time achieve that attractive softness that we associate with snow (at least when we are looking at out of the window of a warm and snug room).

Hopefully I have acheived that with this work.

Here is the development of the painting.