"Some books are to be tasted, others to be swallowed, and some few to be chewed and digested." (Francis Bacon)
Showing posts with label literary fiction. Show all posts
Showing posts with label literary fiction. Show all posts

Monday, June 19, 2023

Shrines of Gaiety

TITLE: Shrines of Gaiety
AUTHOR: Kate Atkinson

Kate Atkinson is one of my favorite authors and she has yet to disappoint me. As always, her prose sucks me into whatever realm she's created. This time, it's 1926 and London's notorious nightclub owner, Nellie Coker, has just been released from prison. With police Chief Inspector Frobisher determined to put Nellie back in prison and enemies just as determined to steal her night clubs from her, along with trying to secure the future of her six mostly grown children, Nellie has a lot on her plate and few people she can trust. There's a nice Dickensian feel to the narration, with darkness underlying the gaiety of the clubs. Bodies of girls are being pulled out of the Thames, and other girls go missing. Gwendolen Kelling, a librarian from York, shows up at Frobisher's office, hoping the police can help her find two girls who have runaway to find fame and fortune on the London stage.  Atkinson pulls all the plot threads together in a satisfying way. As with all my favorite authors, the characters linger with me after I read the last page.

Monday, January 23, 2023

King of Infinite Space

 TITLE: The King of Infinite Space

AUTHOR: Lyndsay Faye

This is a modern, queer, well-crafted take on Shakespeare's Hamlet, with some magic realism tossed into the mix. As it's been 55 years or so sine I read Hamlet, I'm sure I missed many nods to the original. I decided against reading a summary of the play before starting the book, though I did so after I finished. People with more recent experience with Hamlet, or a better memory of it, might enjoy this more than I did, though I did enjoy it.

There are three alternating POV characters: Lia Brahams, Horatio Patel, and Ben Dane (Hamlet. It took me a while to warm up to Ben and Horatio, but Lia was interesting enough to keep me reading. The plot is familiar. Ben's father, a rich theater owner, has died under suspicious circumstances. Though his death is ruled a suicide, Ben refuses to believe his father killed himself. Learning his mother just married her late husband's brother, sends the emotionally fragile Ben into a tailspin. With the return of his closest friend Horatio, he insists on investigating his mother and uncle/stepfather. Meanwhile, Ben's ex, Lia, is learning about the power of flowers at a florist shop where the owners -- three sisters -- have some mysteries of their own.

Faye is an excellent writer and once I got into the book -- after hitting pause for a couple of weeks -- it was a fast, spell-binding read. I'm glad I stuck with it.

Sunday, May 15, 2022

Emotionally Weird

TITLE:  Emotionally Weird
AUTHOR: Kate Atkinson

This is a book of stories: The stories we tell ourselves. The stories we tell each other. The stories we create to entertain. I think this is the last of Atkinson's novels, so far, that I hadn't yet read, and I wonder what I would've thought about it had I read it before her more recent efforts. She has a way with words, especially metaphors and similes, both on full display here. And it feels, to me, like a precursor for her more complex storytelling of Life After Life (which for some reason I didn't review here -- at least, I can't find a review for it here), which explored alternate versions of reality.

The stories here are the ones Effie and her mother, Nora (who isn't her mother), tell while holed up in a creaky old house on a remote island off the coast of Scotland in the 1970s. Effie is telling the story of her recent college exploits, while Nora reluctantly tells of their family history. There are other stories, too, including the mystery novel Effie is writing, as well as excerpts from books being written by other characters, both professors and fellow students. 

Effie's story provides the backbone of the book, and the chance to rewrite reality when Nora doesn't like some detail, or when Effie feels like embellishing something. But at its essence, the truth of Effie's story is only what Effie can provide via her limited perspective, the richer story revealed as Nora's story, and more, are woven into Effie's. Thankfully, the use of multiple fonts makes this sufficiently easy to follow. I hope I don't have a long wait for Atkinson's next novel.