When writing a story, it is useful to have an outline of your character on paper. Here's an example of one that I've used before.
Name: Age:
Height: Weight:
Fitness level:
Eye color: Hair color:
Distinguishing Features:
Schooling: Background:
Family/Friends:
Talents:
Quirks: Bad Habits:
Pet peeves:
Attributes:
Beliefs: Fears:
Things embarrassed by:
Hobbies/Interests:
Likes: Dislikes:
The list can actually go on and on, but these are the ones I usually answer right away and use to start my writing process.
For a more comprehensive list, pinterest has some good examples or check out books like Marc McCutcheon's Building Believable Characters which includes many useful ways to develop characters.
Showing posts with label characterization. Show all posts
Showing posts with label characterization. Show all posts
Monday, May 29, 2017
Monday, May 1, 2017
How Reading Outside Your Genre Can Help Your Writing
I try to always be reading a middle grade or young adult book (since these are the two age groups for which I write). Reading widely in your chosen age group and genre is essential for anyone who wants to be a published author. This way, you can see how successful (published) writers tackle subjects and get examples of writing that resonates with the target audience.
As I mentioned in my last post, though, my family just completed a cross-country move. During the weeks of disruption, I really needed some comfort reading—something I didn't have to think about or analyze—so I turned to several of my favorite dog-eared women's fiction novels.
It was surprisingly enlightening. Even though these books were obviously written for adults, with plenty of bad language, violence, and even a sex scene or two, they shared many elements with my kidlit favorites. The writing is spare, without any unnecessary words or overly flowery descriptions. Witty asides are just as funny for kids as for adults. And my favorite characters were fully developed, with believable motivations and understandable reactions.
I'm going back to my writing with a renewed sense of what's important. Although I'm going to be switching back to MG/YA for a while, I'll try to read outside my usual age groups more often. Good writing is good writing, no matter where it's shelved in the bookstore.
As I mentioned in my last post, though, my family just completed a cross-country move. During the weeks of disruption, I really needed some comfort reading—something I didn't have to think about or analyze—so I turned to several of my favorite dog-eared women's fiction novels.
It was surprisingly enlightening. Even though these books were obviously written for adults, with plenty of bad language, violence, and even a sex scene or two, they shared many elements with my kidlit favorites. The writing is spare, without any unnecessary words or overly flowery descriptions. Witty asides are just as funny for kids as for adults. And my favorite characters were fully developed, with believable motivations and understandable reactions.
I'm going back to my writing with a renewed sense of what's important. Although I'm going to be switching back to MG/YA for a while, I'll try to read outside my usual age groups more often. Good writing is good writing, no matter where it's shelved in the bookstore.
Monday, December 12, 2016
YA Book Pick: THE ADVENTURER'S GUIDE TO SUCCESSFUL ESCAPES
Note from Triona: Since my current WIP is upper MG rather than my usual YA, I've been immersing myself in the world of MG lately. So I'm cheating a little with this month's YA Book Pick and making it an almost-YA book pick instead!
Once a month, we choose an outstanding YA book to review. We want to spotlight books of interest to aspiring writers, as well as highlight some of our favorite books and authors!
Once a month, we choose an outstanding YA book to review. We want to spotlight books of interest to aspiring writers, as well as highlight some of our favorite books and authors!
This month's book pick is THE ADVENTURER'S GUIDE TO SUCCESSFUL ESCAPES by Wade Albert White.
Synopsis (from Goodreads): A thrilling debut novel where fantasy and science fiction meet, dragons aren't as innocent as they look, and nothing is quite what it seems.
Anne has spent most of her thirteen years dreaming of the day she and her best friend Penelope will finally leave Saint Lupin's Institute for Perpetually Wicked and Hideously Unattractive Children. When the big day arrives, a series of very curious happenings lead to Anne being charged with an epic quest. Anne, Penelope, and new questing partner Hiro have only days to travel to strange new locales, solve myriad riddles, and triumph over monstrous foes—or face the horrible consequences.
Packed with action, humor, and endless heart, this debut novel marks the first volume in an irresistible and original fantasy series.
First Line: "At Saint Lupin's Institute for Perpetually Wicked and Hideously Unattractive Children, every orphan is treated with the same amount of disdain and neglect."
This is a great first line because it clearly telegraphs what type of book you're about to read—funny and irreverent.
Highlights: The book featured several things I absolutely love: interesting fantasy elements, humor, action/adventure that kept me turning the pages quickly to find out what was going to happen, and a really cool twist at the end that turned it all on its head.
One of my other favorite things about the book was that it features a diverse protagonist—but the story isn't about her diversity. That doesn't seem like it should be such an unusual thing, but I haven't encountered it much in my reading.
Notes for Writers: The reader is rooting for the main character of this book, Anne (short for Anvil), from page one. If you're looking for an example of how to create a likable protagonist, this is a great one.
Wednesday, April 6, 2016
Morning Routines
So you want to write a book, eh?!
Well, you know all about characterization by now, but here is some more fun ways to add a little more layers. At some point in your novel, your character may wake up and need a morning routine and I have three fun sites that will reveal some interesting personality traits. (Not sure how accurate they are, but they are entertaining).
I'll start with my favorite site - How you cook your toast says a lot about you - and give a summary.
Burnt toast = patient people
Perfect pack = motivated by appearances and high standards
Light = spontaneous.
You get the idea and it makes some sense, but for more detail check out
www.then.co.uk/sol/homepage/news/how-you-cook-your-toast-says-a-lot-about-you
Next, dress it up baby. I could have a lot of fun with this topic, but I think I'd bore my readers. Thus, here's a sample run down.
You are what you wear - Dr. Baumgartner
Always in work clothes - you value yourself in terms of work
Logos and labels - broadcast your wealth to be treated well
Neutral colors - stuck in a rut or not want to draw attention to self
Baggy clothes - not realistic perception of self
For more check out:
www.forbes.com/sits/learnvest/2012/04/05/what-your-clothes-say-about-you
Okay this last one came up on facebook and I thought it was funny, inappropriate, but funny.
What body part do you wash first in the shower? What it says about your personality?
Chest = practical
Face = money
Armpits = dependable
Hair = artistic
There's more and I don't agree with it all, but it was worth a laugh and could make for some interesting YA characters.
Check out more at your own risk at:
http://1003thepeak.iheart.com/onair/ryan-800/what-body-part-do-you-wash
I think with some more research and maybe just plain observations, you can find some pretty entertaining morning routines to make your characters extra special. Happy creating!
Well, you know all about characterization by now, but here is some more fun ways to add a little more layers. At some point in your novel, your character may wake up and need a morning routine and I have three fun sites that will reveal some interesting personality traits. (Not sure how accurate they are, but they are entertaining).
I'll start with my favorite site - How you cook your toast says a lot about you - and give a summary.
Burnt toast = patient people
Perfect pack = motivated by appearances and high standards
Light = spontaneous.
You get the idea and it makes some sense, but for more detail check out
www.then.co.uk/sol/homepage/news/how-you-cook-your-toast-says-a-lot-about-you
Next, dress it up baby. I could have a lot of fun with this topic, but I think I'd bore my readers. Thus, here's a sample run down.
You are what you wear - Dr. Baumgartner
Always in work clothes - you value yourself in terms of work
Logos and labels - broadcast your wealth to be treated well
Neutral colors - stuck in a rut or not want to draw attention to self
Baggy clothes - not realistic perception of self
For more check out:
www.forbes.com/sits/learnvest/2012/04/05/what-your-clothes-say-about-you
Okay this last one came up on facebook and I thought it was funny, inappropriate, but funny.
What body part do you wash first in the shower? What it says about your personality?
Chest = practical
Face = money
Armpits = dependable
Hair = artistic
There's more and I don't agree with it all, but it was worth a laugh and could make for some interesting YA characters.
Check out more at your own risk at:
http://1003thepeak.iheart.com/onair/ryan-800/what-body-part-do-you-wash
I think with some more research and maybe just plain observations, you can find some pretty entertaining morning routines to make your characters extra special. Happy creating!
Monday, April 20, 2015
Writing Characters With Appropriate Body Language and Micro-expressions
When something big (or small) happens in a scene, a writer may use interiority to allow a protagonist to process the event. Other characters' reactions are often limited to dialogue (very unreliable) and action. While some actions may be overt and necessary, if a writer wants to create a more nuanced reaction, it might be fun to try using research into body language and micro-expressions. I've compiled a list of some fun sites to learn about how we use subtle actions to convey our heart's true desires. I believe that this intel has potential to be good for both writing and first dates :). Enjoy reading and happy Monday!
- Article on How to Read Eye Movement:
- Basic Article on Body Language:
- Intel on Microexpressions:
Other fun links:
Wednesday, March 12, 2014
Characterization Questionnaire Template: Bachelor/ Bachelorette Edition
Confession: I may (or may not) have filled out a Bachelor application for one of my friends in the past...possibly without his permission. In doing so, I might have learned that through answering the questions a strong sense of who a person is romantically comes across in the answers.
Soooo....if you're feeling a bit of post-Bachelor depression and missing all the Juan-puns of the past few months (Juanuary, anyone???), and are looking to up the romance in your novel, feel free to run your characters through one of these little applications (the first few pages you'll need to skip or shrink down to YA, though, as they probably have not been married with children yet :) ).
Here is a link to the actual application
And here are a some additional questions I'm going to add for you to answer from the perspective of your character:
1. Do you like Pina Coladas (virgin or not)?
2. Thoughts on getting lost in the rain?
3. When you daydream about a perfect first kiss where is it?
4. During said kiss, what would you be thinking about?
5. Have you ever lied and told someone you loved him/her when you didn't?
6. Most romantic movie of all time?
7. Describe your parents' relationship. Do you want to be with someone like your mom/dad?
8. That secret thing you're sure he/she will dump you for if he/she finds out?
9. When was the first time you realized you liked someone? Grade? Why?
10. Thing a guy/girl could do to lose your love faster than you can say you "love pina coladas and getting lost in the rain"?
Monday, February 10, 2014
YA Book Pick: The 5th Wave
On the second Monday of every month, we choose an outstanding YA book to review. We want to spotlight books of interest to aspiring writers, as well as highlight some of our favorite books and authors!
This month's Book Pick is THE 5TH WAVE by Rick Yancey.
Synopsis (from Goodreads):
The Passage meets Ender's Game in an epic new series from award-winning author Rick Yancey.
After the 1st wave, only darkness remains. After the 2nd, only the lucky escape. And after the 3rd, only the unlucky survive. After the 4th wave, only one rule applies: trust no one.
Now, it's the dawn of the 5th wave, and on a lonely stretch of highway, Cassie runs from Them. The beings who only look human, who roam the countryside killing anyone they see. Who have scattered Earth's last survivors. To stay alone is to stay alive, Cassie believes, until she meets Evan Walker. Beguiling and mysterious, Evan Walker may be Cassie's only hope for rescuing her brother--or even saving herself. But Cassie must choose: between hope and despair, between defiance and surrender, between life and death. To give up or to get up.
First Line: "There will be no awakening." This is the first line of the prologue. Although many agents and editors advise against beginning your novel with a prologue these days, this one really works. The author keeps it to half a page, and what occurs in that half page is chilling enough to hook the reader instantly.
The first line of Chapter One: "Aliens are stupid." This does a good job of establishing the young adult voice immediately (not many adults would put it quite like that) and setting up that the aliens are, in fact, already here.
Highlights:
I'm a big fan of well-written sci-fi, and this book delivers. As the description says, it definitely has a similar feel to Ender's Game (reviewed by fellow blogger Jenn here), in that the kids and teenagers in the book are dealing with situations and events that would make most adults curl up in a ball on the floor.
Although it's not mentioned in the Goodreads summary above, the book also includes kids and teenagers going through military training and then deploying on missions to fight the aliens as a major plot point. I loved this section, as it was very reminiscent of one of my favorite classic sci-fi novels, Starship Troopers by Robert Heinlein (insider tip: read the book, but skip the movie!).
Notes for Writers:
Correct pacing is important for all types of books, but it's vital for sci-fi. If things unfold too slowly or there's too much time without much action, the reader gets bored. If the pace is too fast (what the movie trailer guy likes to call "Nonstop Action!"), the reader can feel like the characters aren't well-developed or that they'd like to put the book down to get a break. The 5th Wave has perfect pacing: not too fast, not too slow. I couldn't put the book down.
The characterization is also excellent. The main characters have been changed and hardened by their environment, but there are still flashes of the people they were before the invasion. It's this humanity that ends up propelling the plot forward.
A Good Read For:
Fans of sci-fi. If you're working on pacing or characterization in your own writing, this would be an excellent book to study.
Monday, March 18, 2013
Writer's Resource: Character Templates
Think about some of your favorite novels. Chances are, the really good ones, the ones that stay with you, feature very complex characters. They have reasons they act the way they do, and their emotional reactions change according to the situations the writer throws them into.
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| Katniss Everdeen: a great example of a complex character! |
A great way to keep track of all this stuff is with character templates.
If you use Scrivener (my writing software of choice), they're built right into the novel template (and it even lets you drag in image files!):
If you're not a Scrivener convert, you can also find lots of printable/save-able character templates on the web. Here are a few to try:
Character Template Sheet by Rin Chupeco (especially good if you prefer tons of detail!)
Obviously you don't have to fill out every blank, but templates can be a good way to get you thinking about the little details that will flesh out your characters.
Wednesday, November 21, 2012
Why First Drafts Suck and Why That's Okay
"The first draft of anything is sh*t."
-Ernest Hemingway I'm working on a new first draft. For the first time in over a year, I'm sitting down in front of my computer and staring at a blank page. Sometimes the words appear in my mind and flow seamlessly through my fingers to the screen. Sometimes I feel like I'm wrestling them into place. But either way, I'm pretty happy with my progress at the moment.
A few years ago, I wouldn't have called myself a writer by any stretch of the imagination. I had written a few short stories, but I was a perfectionist. This meant every sentence got dissected right after it was written—and more often than not, it got deleted because it sounded stupid, or I freaked out about it not having the right lyrical flow, or I thought of a better idea for the beginning ten pages in and deleted the whole thing to start over.
The idea of writing a novel crossed my mind and was immediately dismissed. I made up stories in my head all the time, but I knew writing them down would mean years of arduous deleting and rewriting.
Then came the turning point. My husband suggested something that had never occurred to me: why not just write the draft, without any changes? When I protested that I couldn't let the words sit there like that, he said I could use a separate document to note changes to go back and do later--but in the meantime, I could carry on with the draft.
I tried out this process, and it really, really works for me. I outline the novel, and then I just write. Notes for what isn't working or what needs to be changed later or great new ideas go in a separate "Things to Change" document.
Now, here's the thing. My first drafts are hideous. Some people like to refer to first drafts as "vomit drafts," and this is most definitely accurate for mine. Locations change mid-stream. People who died in the last chapter magically jump back in because I thought of something else for them to do. Someone who starts out as mousy and shy in the first few chapters becomes a confident hussy in the last few.
But that's okay.
The magic happens in the revisions. I go straight down my Things to Change list and mold characterizations, plot, and setting into something that makes sense. Then I go over it again, and again (and about seven more times, but you don't really need to hear about all of those).
The point is, writing this way lets me actually finish drafts. I've met an awful lot of people who tell me, "Oh, I'm writing a novel too. I started a few years ago and I have fifty pages done." They never got past the first draft. Now I tell them about my method.
I've become a vomit draft evangelist! And I must be doing something right, because I've completed three novels and am working on my fourth.
What's your first draft process? Do you agonize over every word, or vomit it out?
What's your first draft process? Do you agonize over every word, or vomit it out?
Monday, September 17, 2012
YA Book Pick: UNRAVELING
On the second Monday of every month, we choose an outstanding YA book to review. We want to spotlight books of interest to aspiring writers, as well as highlight some of our favorite books and authors!
Synopsis (from Goodreads): Two days before the start of her junior year, seventeen-year-old Janelle Tenner is hit by a pickup truck and killed—as in blinding light, scenes of her life flashing before her, and then nothing. Except the next thing she knows, she's opening her eyes to find Ben Michaels, a loner from her high school whom Janelle has never talked to, leaning over her. And even though it isn't possible, she knows—with every fiber of her being—that Ben has somehow brought her back to life.
But her revival, and Ben's possible role in it, is only the first of the puzzles that Janelle must solve. While snooping in her FBI agent father's files for clues about her accident, she uncovers a clock that seems to be counting down to something—but to what? And when someone close to Janelle is killed, she can no longer deny what's right in front of her: Everything that's happened—the accident, the murder, the countdown clock, Ben's sudden appearance in her life—points to the end of life as she knows it. And as the clock ticks down, she realizes that if she wants to put a stop to the end of the world, she's going to need to uncover Ben's secrets—and keep from falling in love with him in the process.
From debut author Elizabeth Norris comes this shattering novel of one girl's fight to save herself, her world, and the boy she never saw coming.
I'm a big fan of sci-fi (and am currently working on a sci-fi thriller of my own!), so the twist in the middle of the book was right up my alley.
And finally: I'm a huge X-Files nerd, so all the references to the show kept putting a grin on my face.
Notes for Writers: If you're writing action, suspense, or thriller, you've probably heard the "ticking clock" advice. Having a deadline or a kill date helps heighten tension and drive the reader forward.
Elizabeth Norris takes this advice literally in UNRAVELING. The book's tagline is "Stop the countdown. Save the world." Each chapter begins with a number that shows exactly how much time is left before… well, you'll have to read the book to find out. But trust me, the stakes are really high.
A Good Read For: Anyone interested in sci-fi and action-packed thrillers, or anyone who wants to see an example of breakneck pacing done exactly right.
This month's Book Pick is UNRAVELING by Elizabeth Norris.
Synopsis (from Goodreads): Two days before the start of her junior year, seventeen-year-old Janelle Tenner is hit by a pickup truck and killed—as in blinding light, scenes of her life flashing before her, and then nothing. Except the next thing she knows, she's opening her eyes to find Ben Michaels, a loner from her high school whom Janelle has never talked to, leaning over her. And even though it isn't possible, she knows—with every fiber of her being—that Ben has somehow brought her back to life.But her revival, and Ben's possible role in it, is only the first of the puzzles that Janelle must solve. While snooping in her FBI agent father's files for clues about her accident, she uncovers a clock that seems to be counting down to something—but to what? And when someone close to Janelle is killed, she can no longer deny what's right in front of her: Everything that's happened—the accident, the murder, the countdown clock, Ben's sudden appearance in her life—points to the end of life as she knows it. And as the clock ticks down, she realizes that if she wants to put a stop to the end of the world, she's going to need to uncover Ben's secrets—and keep from falling in love with him in the process.
From debut author Elizabeth Norris comes this shattering novel of one girl's fight to save herself, her world, and the boy she never saw coming.
First Line: "I can tell the exact moment Nick steps onto the beach."
Unlike some of the other books we've featured for YA Book Picks (like LEGEND or BITTERBLUE) this one doesn’t have a "grabby" first line. But to be honest, this book doesn't really need one. The inciting incident—the turning point that propels the whole story forward—happens on page seven. We get to know Janelle and something about her attitude and her family situation… and then boom, we're into the action, hurtling forward toward the inevitable climax.
Highlights: I really liked the characterizations in this book. Janelle, her friends, and her family all had good reasons why they acted the way they did. They weren't one-note characters, and they sometimes behaved irrationally because of strong emotions—like real people do.
Unlike some of the other books we've featured for YA Book Picks (like LEGEND or BITTERBLUE) this one doesn’t have a "grabby" first line. But to be honest, this book doesn't really need one. The inciting incident—the turning point that propels the whole story forward—happens on page seven. We get to know Janelle and something about her attitude and her family situation… and then boom, we're into the action, hurtling forward toward the inevitable climax.
Highlights: I really liked the characterizations in this book. Janelle, her friends, and her family all had good reasons why they acted the way they did. They weren't one-note characters, and they sometimes behaved irrationally because of strong emotions—like real people do.
I'm a big fan of sci-fi (and am currently working on a sci-fi thriller of my own!), so the twist in the middle of the book was right up my alley.
And finally: I'm a huge X-Files nerd, so all the references to the show kept putting a grin on my face.
Notes for Writers: If you're writing action, suspense, or thriller, you've probably heard the "ticking clock" advice. Having a deadline or a kill date helps heighten tension and drive the reader forward.
Elizabeth Norris takes this advice literally in UNRAVELING. The book's tagline is "Stop the countdown. Save the world." Each chapter begins with a number that shows exactly how much time is left before… well, you'll have to read the book to find out. But trust me, the stakes are really high.
A Good Read For: Anyone interested in sci-fi and action-packed thrillers, or anyone who wants to see an example of breakneck pacing done exactly right.
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