VISUP

Among the many topics covered in my debut book Strange Tales of the Parapolitical is the origins of the so-called "strategy of tension," allegedly developed by Italian neo-fascists during the mid-1960s. This concept held that terrorism could by used to systematically destabilize civil society, thus paving the war for military intervention. Such a state of affairs would in turn provide a favorable climate for a fascist revival.

However, the strategy of tension was largely lifted wholesale from the French counterinsurgency (COIN) doctrine known as "le guerre revolutionnaire," or "revolutionary warfare." This doctrine was based upon the guerrilla warfare of Mao Zedong combined with the France's own experiences confronting it in the French-Indochina War. It was rolled out in full with brutal effectiveness during the Algerian War.

The French military fared much better in this conflict than the prior one in Indochina, but the methods employed by the psychological warfare officer and special operators were so brutal that the war rapidly lost support among the French public. When de Gaule opted to concede Algeria after he returned to power, this triggered a revolt by the same sections of the French military. De Gaule was able to rally the nation and stop the revolt in its tracks. But many of perpetrators, highly trained soldiers, would carry on the struggle for years to come via underground paramilitary networks. Initially the Organisation armée secrète (OAS: Secret Army Organization) was the vehicle of choice, but it was largely dismantled by 1963.



From there, the OAS veterans would look to various neo-fascists across Europe to regroup and found new networks. Easily the most "successful" of these OAS successors was the Lisbon-based Aginter Press. Aginter maintained ties to the Portuguese secret services, and reportedly a few other ones. More importantly, it established ties across the black underground and became one of the principal linchpins in the network during the late 1960s and early 1970s. Aginter became especially close to the Italian neo-fascists and almost surely provided the ideological foundation of the "strategy of tension."

Given the current situation unfolding in the US, Aginter warrants a closer look. While its paramilitary efforts, often linked to terrorism across Europe, Africa, and later Latin America, draw much of the attention from researchers, its important to remember that the institution was actually a fully functioning press service as well. Indeed, psychological warfare was a crucial component of le guerre revolutionnaire. Often the French, and later the Aginter "press associates," would refer to psywar as "intoxication operations." The French concept of "intoxication" was much different in this context, however:

".... The French term intoxication, which in general means 'poisoning,' is used by... guerre revolutionnaire proponents to refer to the 'poisoning' of the mind. Specifically, it signifies the manipulation of the political environment by means of the systematic dissemination of false or misleading information to a targeted group (or groups), the purpose of which is to paralyze or otherwise influence that group's subsequent actions. The targeted group can be relatively small or encompass an entire society..."

(The Darkest Sides of Politics, I, Jeffrey Bale, p. 185n36) 

A specialty of Aginter was the intoxication of revolutionary leftist groups. Often, they sought to push them towards violent action, such as at protests. At times, if Aginter could not find a suitably militant group, they would create one.

"Perhaps even more importantly, 'the infiltration of pro-Chinese [Maoist] organizations and the use of this [leftists] cover was one of the great specialties of Aginter.' Such methods were explicitly advocated by Guillou in his terrorist manual. In the section on violent demonstrations, for example, the former OAS man recommended that 'the infiltrators at a demonstrations should situate themselves strategically within the midst of it in order to cause it to disintegrate.' From this choice position, 'they can carry out violent provocations against the forces of order, thereby inciting the cycle of action-repression-reaction.' In the section on covert operations, he insisted that selected personnel should scrupulously observe the rules of 'cover' by adopting false identities as journalists, identities that could be lent credence through the use of skillfully forged documents or genuine documents that had been surreptitiously acquired. Although Guillou and Leroy both later denied – vehemently but seemingly falsely – that they had anything to do with terrorist atrocities, the latter openly bragged about the agency's success in carrying out infiltrations and provocations. His evident pride in these accomplishments was hardly misplaced. At the end of 1965, even before the creation of Aginter, Guillou and his men commenced operations in Portuguese Africa with the objective of liquidating guerrilla leaders, installing informants and provocateurs in genuine resistance groups, and setting up false national liberation movements that were roughly analogous to the pseudo-Mau Mau 'countergangs' that British Brigadier General Frank Kitson had earlier formed in Kenya."

(The Darkest Sides of Politics, I, Jeffrey Bale, p. 144)

With all of this in mind, let us now turn our attention to contemporary events. Certainly, they have been something to behold over the last few days. But let's turn the clock back a bit further.

Vallely

"What if there is a secret, far-right group consisting of an association of white supremacists, Nazis, mobbed up millionaires, and generally fascist-leaning RWNJs – and QAnon is a psy-op they created to build an army of useful idiots, who would help spread their message so that eventually a portion of the population would be compliant when the American putsch goes down?"

What if indeed. And this was written when the overriding concern of the militia/QAnon crowds were the lock-downs (which may or may not have been initiated by Trump to start the process of rounding up the Satanic pedophiles). Now they're faced with the scary prospect of African-Americans rioting across the country and generally launching an assault on their beloved "law and order."

Of course, as the great Christopher Knowles has astutely pointed out, this is all following a very tried and true script in which peaceful protests by African-Americans turn violent after black-clad, largely white "activists" make the scene and start turning things violent. This script is so tried and true at this point that the public at large was not buying it initially, with some sharp observers pointing out that the riots may have been started by an undercover cop. Naturally, Zero Hedge soon jumped in to blame the whole thing on "the far left or anarchist," based on the claims of a former British counterintelligence officer and current private contractor no less.

Not to be undone, Attorney General William Barr recently weighed in, and came to the same far left/anarchist conclusion. It apparently wasn't enough for the Orange One, who felt that the time was right to suggest that his followers rally at the recently besieged White House as a counterbalance to left wing protesters. That should be really interesting.

What could possibly go wrong?

All of this comes against the backdrop of some even more interesting actions taken by the Orange One of late, such as his decision to expel Chinese students linked to that nation's military. Or his executive order targeting social media just in time for the 2020 election. Or the fact that he formally started the process of terminating the US's membership in the World Health Organization. The latter is a major geopolitical event that has received almost no media coverage here in the US and very little push back thus far from the globalist faction of the US elite. Is it perhaps because their urban strongholds are presently in flames in these United States? And all against the backdrop of continuity of government (COG) operations going live due to the COVID?

Whether some type of Satanic cult exists at the heart of the national security establishment is debatable, to put it mildly. What is not is the Cult of Counterinsurgency, which the great Douglas Valentine recently warned against in an interview with yours truly.

Let us then return to Aginter now, which was very much an offshoot of the French COIN doctrine known as le guerre revolutionnaire. As Strange Tales of the Parapolitical makes clear, this doctrine was embraced wholeheartedly by the US Military as far back as Vietnam and was enormously influential on the Phoenix Program. Recently, it has enjoyed a vigorous resurgence was the Global War on Terror. And wouldn't you know it, Colonel Michael Aquino is not just a longtime psywar officer, but a Phoenix veteran as well (who was accused of Satanic pedophilia by fellow Phoenix vet John DeCamp no less). And his old buddy and Mind Wars co-author Paul E. Vallely is a proponent of the Q (and apparently willing to lead a coup, but only if called upon of course).

There's a riot going on indeed. And I for one do not think it has very much to do with driving pedophiles out of the deep state, but may well play into a nefarious, decades-spanning agenda rooted in MK-ULTRA no less. It just not the one you've ever heard of, but one addressed in my most recent book and forthcoming work that will hopefully be out by the end of summer. Until then dear readers, stay tuned until next time. 

Over the last few days the headlines read like something out of a synchro-mystical nightmare. The week began with two more questionable shootings of African-American men (Alton Sterling and Philando Castile) by US police officers under highly dubious circumstances. And then there was Thursday night's main event in which a US Army veteran rained sniper fire down on Dallas police, allegedly as a result of a desire to kill police officers and "white people."

Obviously, there are more than a few parallels to the Kennedy assassination, and in fact the shooting took place mere blocks from Dealey Plaza. Thus, a lot of the twilight language associated with the Kennedy assassination is potentially applicable here. What's more, the shooting took place on 7/7, the date of Britain's most notorious alleged Islamic terror attack. As Loren Coleman noted on his blog, there are also curious overlaps between the life and death of the nation's most recent sniper and Mark Essex, a former African-American Navy man who murdered several police officers in New Orleans with a high powered rifle in 1972.

There is also a deep political implication behind this event as well. The shooting unfolded in the midst of a Black Lives Matter (BLM) protest. The BLM movement has received much of its financial support from George Soros's Open Society Foundations (OSF). OSF and other Soros foundations have been linked for nearly fifteen years now to a host of "bloodless" "color revolutions", mostly in Eastern Europe:

"... the so-called Orange Revolution which had taken place in Kiev, in the Ukraine, in the late fall and early winter 2004. The Orange Revolution, as informed observers knew very well, had been the result of a cynical destabilization of Ukraine by US and British intelligence --especially by the National Endowment for Democracy, the various Soros foundations, Gene Sharp's Albert Einstein Institute, and other entities that we may refer to for the sake of brevity and clarity as the privatized or quasi-government left wing of the US intelligence community or left CIA in the post-1982 era of President Reagan's Executive Order 12333.

 "The 2004 Orange Revolution was not a unique event, but had been preceded by similar exercises in destabilization and subversion, especially in the former Warsaw Pact and Soviet spaces. These have included the successful so-called Bulldozer Revolution in Belgrade, Serbia in 2000 and the Roses revolution in Tiflis, Georgia in 2003. There had been an attempt at a Cedars Revolution in Lebanon in 2006, but it had been blocked by the organized mass mobilization capacity of Hezbollah. Another attempted coup in Belarus in 2001 had also been defeated by that nation's government."

(Obama: The Postmodern Coup, Webster Griffin Tarpley, pg. 13) 

George Soros, who has also provided a lot of the funding for the modern cannabis and entheogen movements

The coups have not always been bloodless, however. The Open Society Foundations' recent activities in the Ukraine have contributed to the civil war that has destabilized the former Soviet Bloc nation since 2014.

Thus, the appearance of a Soros' funded "mass movement" at an event of this magnitude should always give one pause. Even more curious is the time spent by the shooter, Micah Xavier Johnson, in the US Army. Johnson had apparently been considering a career in the Army prior to graduating from high school. Raw Story reports:

"Johnson graduated in 2009 from John Horn High School in Mesquite, where he participated in JROTC, the high school officer training program, according to the school district. Family photographs on Facebook show him posing in a red mortarboard. 

"He joined the Army Reserve the same year he completed high school, serving with the 420th engineering brigade. His jobs included a stint at Jimmy John's in Richardson. Chris Jennings, who owns the sandwich shop, said in an email that Johnson went to work there in 2011 and 'departed of his own accord in 2012.' 

"The following year, he was deployed to Afghanistan for 12 months. Several soldiers who served with him told The Dallas Morning News that they had been ordered not to discuss him.

"One family friend said Johnson had changed when he returned from overseas.... 

"At some point, Johnson appears to have worked at General Dynamics, a defense company with offices in Richardson. A woman who answered the phone there Friday said he had been an employee. People at the business said employees had been told not to talk to the media. A spokeswoman for the parent company would not confirm or deny his employment.

"Pentagon records do not reveal the reason for Johnson's Army discharge in April 2015. But a military lawyer who represented him said Johnson had been accused of sexually harassing a female soldier and had to leave the service. Bradford Glendening, a military attorney who practices near Fort Hood, said that the Army sent Johnson home from Afghanistan, which was unusual. Discipline for sexual harassment is typically counseling, he said...

"The woman asked that Johnson receive 'mental help' and asked for a protective order for herself and her family, Glendening said, adding that he wasn't sure which type of discharge Johnson ultimately received.

"Johnson's passionate interest in the black power movement began to manifest itself on his Facebook page this year. On April 30, he changed his profile picture to a shot of him with Professor Griff, a member of the hip-hop group Public Enemy known for calling out police brutality."

Micah Xavier Johnson circa 2009

Here's some more from MSNBC about the incident that got Johnson drummed out of the Army:

"For six years starting in 2009, Johnson served in the Army Reserve as a private first class with a specialty in carpentry and masonry, the military said.

"In May 2014, six months into his Afghanistan tour, he was accused of sexual harassment by a female soldier. The Army sent him stateside, recommending an 'other than honorable discharge,' said Bradford Glendening, the military lawyer who represented him. 

"That recommendation was 'highly unusual,' Bradford said, since counseling is usually ordered before more drastic steps are taken...

"According to a court filing Glendening read over the phone Friday, the victim said she wanted Johnson to 'receive mental help,' while also seeking a protective order to keep him away from her and her family, wherever they went. Johnson was ordered to avoid all contact with her.

"Glendening said Johnson was set to be removed from the Army in September 2014 because of the incident, but instead got an honorable discharge months later — for reasons he can't understand.

" 'Someone really screwed up,' he said. "But to my client's benefit.' "

So, to recap: Johnson appears to have been a fairly normal individual with a longstanding dream of being in the Army. He enlists and is in the Reserve for six years. In 2013, he is sent to Afghanistan. He has some type of breakdown there that appears to involve a female soldier. The Army apparently has great concern about his conduct and mental stability, yet they end of granting him an honorable discharge and seemingly take no real legal actions against him.

A little over a year after he has been honorably discharged, he develops an interest in militant black power groups. And then, several months later, he launches an attack on Dallas police that has been described as "well-planned" and "well thought out." He is then killed by Dallas police via a robot/drone, leaving no opportunity to question him and certainly not for a trial (to say nothing of creating a disturbing precedent). And of course, there were the inevitable initial reports that Johnson was not acting alone, since changed to the familiar "lone wolf" narrative.

Bizarrely, another African-American Army veteran was accused of opening fire on passing cars on a highway in Tennessee hours before the Dallas incident. He also alleged that he had been triggered by recent police killings of people of color.

Lakeem Keon Scott, the Tennessee shooter

These are strange times indeed. It seems likely that these events have some ulterior purpose, but it is to early discern. Many will pick up on the Open Society Foundations/Soros link to the BLM movement and reduce to this to a domestic operation by the "liberal CIA" faction. But this researcher believes the possibility exists that BLM and their backers are being set up by some other force, one that sees the mounting opposition to the police state as a direct threat to the national security apparatus.

But only time will tell. Until then, stay tuned and be safe in these interesting times.

Welcome to the fifth and final installment in my examination of the legendary psych/garage rock band the 13th Floor Elevators. The Elevators scored a hit single in 1966 with "You're Gonna Miss Me", but then quickly faded from the national scene until singer/guitarist Roky Erickson was institutionalized at decade's end. Erickson, like former Pink Floyd frontman Syd Barrett, would gain a reputation as one of the decade's premier "acid causalities" and ensure that the Elevators' legacy as an underground act of the highest order.

Erickson

However, as was examined in part four, the cause of Erickson's mental problems likely went well beyond the singer's extensive use of LSD. During that installment I also considered the Elevators' brief tour of San Francisco and nearby areas in 1966 as well as their bizarre record label, International Artists, who seemingly did everything in their power to ensure that the Elevators would never amount to more than a cult act.

Prior to that I briefly examined the Elevators' legacy and the influence Austin's legendary psychedelic scene had on them (part one); the curious backgrounds of the original members (part two); and the group's relationship with LSD and their resulting legal woes (part three).


With this installment I would like to do a brief rundown of the fates of various Elevators during their post-band years. It is this researcher's opinion that this aspect of the band is especially important in light of allegations made by the likes of David McGowan and Jan Irvin that the 1960s music scene and youth movement was little more than a front for the Pentagon and US intelligence community. The Elevators are certainly a compelling group for this narrative --as was revealed in part two, several of the original members had ties to the military and intelligence community via their family and so forth.

And yet International Artists (IA) seems to have inexplicably suppressed the group's work despite their early success, musical prowess and Roky Erickson's movie star-like looks. Many of their peers in California had far less going for them and yet became major chart toppers thanks to effective label management. While some might cite the Elevators' drug problems as a reason for the label's reluctance to promote the group, artists such as Janis Joplin, Jim Morrison and Hendrix were arguably in just as bad of shape as various members of the Elevators and yet their labels were still able to turn them into major stars (even if many of these artists, unlike the Elevators, could barely even play their instruments live at this point).


And even with the drugs were a concern to IA, why not simply sell the group's contract to another label? Reportedly they had offers, most notably from the famed Elektra Records. Instead, IA opted to sit on the group and their rights until the band finally imploded. If things had been bad up to that point, they became significantly worse for the various Elevators afterwards. Consider, for instance, a curious incident that happened to drummer Danny Thomas shortly after the Elevators broke up while he was residing in Houston. Thomas himself described it as such:

"As the result of an anonymous call to the authority stating that I was in a 'catatonic' state – when in fact I had chosen not to communicate with anyone of my own free will – I was bound in a straitjacket and carted away in an ambulance. I was forcibly committed by Texas law enforcement under court order to the psychiatric unit of the Methodist Hospital in Houston, where four electroshock treatments were administered under the supervision of Dr. Crane, before I was released after ten days."

(Eye Mind, Paul Drummond, pg. 386)

To recap: Simply because Danny Thomas had chosen not speak to anyone for an extended period of time, he was institutionalized against his will and subjected to electroshock treatment. Incidentally, this occurred in 1969, shortly after the Elevators had broken up. Prior to this Thomas had shown no signs of mental illness and he is generally one of the only former Elevators to have emerged from his time with group mentally sound. He continues to work as a profession drummer to this day.

Thomas

It would seem that the reaction of Texas law enforcement was a little extreme, if rather consistent. Apparently many individuals in the state of Texas during this time who didn't fit in with the prevailing orthodoxy were subjected to similar treatment. Chet Helms, an early associate of the Elevators, recounted a story to researcher Paul Drummond concerning a friend of his who had gone through an experience similar to Thomas':

"Roger Baker was institutionalized back there and I visited him several times in some psychiatric hospital where they were going to sweat the socialism out of him with electroconvulsive therapy, you know?"

Certainly one can't help but wonder if similar reasoning was applied to Roky Erickson's institutionalization in Rusk. But more on that in a moment.

electroconvulsive "therapy" in action

While Thomas' sudden abduction by Texas authorities was certainly brutal, he arguably got off easier than many of his fellow bandmates. Bassist Ronnie Leatherman, for instance, found himself being shipped off to Vietnam in late 1968. This occurred shortly after he had rejoined the Elevators. Previously he had been in San Francisco trying to avoid the draft board, but his options were soon exhausted. By all accounts his experience in Vietnam was every bit as strange as his time in the Elevators.

"By late 1968 Ronnie had finally received noticed he would be drafted for active service in Vietnam. Prior to 1968 it been possible to dodge the draft – Fugs singer Tuli Kupferberg had even published a book entitled 1001 Ways to Dodge the Draft – but by '68, the Selective Service System had adapted to many of the possible avenues of avoidance.

"Ronnie: It didn't bother them a bit that I told them I took acid every day! I tried to tell them it was every day... I was with an infantry unit – the 119th Infantry Unit. I was eventually in the finance office, but we did guard duty and went on patrol and did finance – did the payroll in the spare time!

"Q: That must have been totally horrifying, to have to go out there.

"Ronnie: Yeah, it was... we were right next to a big helipad where they had a lot of helicopters and we got a lot of rockets, stuff like that, mortar fire all the time. So it kept you on your toes!

"There were sixty people in the finance office; Fifty-seven had turned on. Opium was readily available and the barracks stank of weed day and night. The sergeant turned a blind eye to the soldier smoking joints in front of him, and there was always advance warning of monthly 'shakedowns' (which were shams anyway because they weren't allowed to body-search the troops)."

(Eye Mind, Paul Drummond, pg. 336)

As was noted in part two of this series, original Elevators drummer John Ike Walton came from a family of some financial means: his father had been a "wildcatter" oil man who was well paid for various mining rights he had acquired. Because of this Walton's family had put up a lot of the initial funding for the Elevators prior to their signing with International Artists. They also contributed amply to the band's ever mounting legal fees as well.

Once John Ike left the band in 1967 he and his family would begin what would become a decades-spanning legal struggle to recoup royalties from International Artists. Allegedly this process ultimately ruined the Walton family financially.

"John Ike Walton never found another band after the 13th Floor Elevators that he wanted to drum with. His wife Betty work for the DA's office. Meanwhile, John Ike and his mother maintained a steady lawsuit against International Artists until the family money ran out. After leaving the band he'd only receive a royalty check for $4.06 in December 1967, which bounced.

"John Ike vacillates between his goofy dry humor delivered in his slow drawl and bouts of depression. He attends a Pentecostal church where he 'speaks in tongues,' and has been treated with lithium for years. When he's down he frets over the 'lost millions,' and fantasizes about recouping his family fortune."

(Eye Mind, Paul Drummond, pgs. 385-386)

John Ike Walton

Original bassist Benny Thurman would travel a path similar to Walton in terms of needing both years of medication along with Christian fundamentalism to deal with his time in the Elevators. This combination is especially appealing to individuals who have had extensive exposure to the "Otherside", as Peter Levenda extensively demonstrated in his groundbreaking Sinister Forces trilogy, among other things. Curiously, a fair amount of individuals involved with the Elevators would turn to Scientology over the years as well. They reputedly included jug player Tommy Hall himself, Tommy's wife Clementine (who co-wrote the lyrics to two Elevators songs) and Evelyn Erickson (who only dabbled in it for a time), Roky's mother.

While the fates of these Elevators was certainly severe, they largely pale in comparison to what awaited the bands chief songwriters, Roky Erickson, Tommy Hall and Stacy Sutherland. Of the three, Stacy's was possibly the strangest. As was noted in part three, Sutherland had an LSD trip in early 1967 that he believed was prophetic. Three predictions were made to him, one of which came true shortly after the experience: the girl he had loved for years married another man. By the late 1960s the second prediction would also come true, namely that he would be sent to prison:

"Finally, the authorities curtailed Stacy's lifestyle as the Sixties drew to a close. IA had kept him out of jail since May 1967, but in September 1969 he was busted again and they raised $6000 bail. However, IA was failing...

"The house of cards was collapsing and Dillard wrote his letter of resignation as president on April 28, 1970. Cliff Carlin resigned from Love Street the following month – by the fall of '70 IA had disappeared completely.

"Exactly four years after the pot bust of January 1927, 1966, Stacy was finally arrested for parole violation and sent to Huntsville prison on January 28, 1970 – the prison Roky had pleaded insanity to avoid. He was transferred to a Travis jail on February 25 to face charges on March 5 and was sent back to Huntsville. Stacy was dragged back into court on April 17 to be sentenced to two years.

"Relieved, he set about playing the authorities' game. He volunteered to do field work in the Texas sun enjoying the prison band. He was disturbed to find his IQ had dropped ten points. By late June he'd racked up enough points on the incentive program to be recommended for early parole. He drafted a sufficiently polite letter to the board in which he acknowledged his mistakes, reinforced his good Christian upbringing, and promised the field labor had made him good and strong and that he'd secured a job with the Harold Martin Construction Company upon his release...

"On August 27, it nearly 'blew his mind' when he was in his cell listening to the radio and Dylan's 'Baby Blue' came on followed by 'Your Gonna Miss Me.' Later that night he was woken at 3:30 a.m. by the prison beating on his bars to inform him he had been granted parole and he was going home."

(Eye Mind, Paul Drummond, pgs. 353-354)

Sutherland

It would take another six years for the third prophecy to come true. This period leading up to Stacy's death was a very dark time in the guitarist's life. After being released from prison he had struggled to find work (a prospect seriously hindered by his thirty-six drug-related arrests) as well as forming another band. While Stacy was able to kick the heroin habit he had established during the 1960s, he would continue to struggle with alcoholism throughout the rest of his life.

In 1975 he moved to Houston and began dating a woman named Elizabeth Bunnell, who was usually referred to as Bunni. They would go on to marry in 1977, but their relationship would remain a rocky one. This state of affairs was further exasperated by the rampant alcoholism of both partners. In 1978, as their relationship teetered on the edge of divorce, things came to a head in late August with tragic results.

"On the morning of August 24, 1978 Stacy and Bunni were arguing again. Her fifteen-year-old son Ralph had antagonized Stacy over the divorce threat and the possibility of him having to move out. Tony Bevan the lodger got up and suggested he and Stacy go out for breakfast, which led to several beers. Stacy was distraught by the reality of his failed marriage and they talked about moving out together, as Tony couldn't tolerate Bunni's hysterics much longer. They were joined by Mike Knust (ex-Fever Tree) and they continued drinking throughout the day while Stacy, passively drunk, wallowed in self-pity. When they left the last bar Stacy went into a rage, complaining that the barman hadn't been putting any liquor in his drinks and when they returned to the house they found Bunni in an awful mood. Mike left them to it, and Stacy and Bunni began yelling. Tony, knowing that Stacy was directing his anger at Ralph, went to his room. Ralph said he'd fight Stacy, but Tony got him to agree not to interfere. Then he headed for his room, but saw Bunni sitting at the picnic bench in the kitchen brandishing a 12'' knife. He started talking to her, but Stacy burst in yelling, 'What are you talking to my wife for?' Tony sheepishly said good night, went to his room and put on his headphones, safe in the knowledge that the next morning Stacy would be 'terribly apologetic' for being so inebriated.

"Bunni would normally have left at this point but, worried that Stacy would direct his rage at Ralph, she fetched the rifle and sat guarding his bedroom door with it on her lap. According to Bunni, she was trying in 'dramatic fashion' to ward off Stacy and make him go to bed, but she plugged the trigger as a reflex action when he charged her...

"Upon hearing the shot, Ralph ran from his room, took the gun from his mother's hands, rang an ambulance and then summoned Tony, who entered to find Stacy lying on the kitchen floor. Stacy showed him the tiny wound in his solar plexus and tried to raise himself up on one arm to embrace Bunni, who was hysterical by his side. Stacy fell back, eyes glazed, but remained conscious for approximately twenty minutes. The ambulance arrived, led by a cop. They complained about his size and weight (225 lbs.) and asked Tony to help them move him onto a stretcher and wheel him to the ambulance. Stacy had died on the kitchen floor. Bunni, Ralph and Tony were ordered to the sofa. There was an issue over whether Ralph had in fact fired the gun because his prints were also found on it, but only Bunni's fingerprint was on the trigger. She was held in jail for thirty hours before being released without charge. She refused to believe that Stacy was dead, because he had informed her that if she needed to use the gun on the intruder she would need to fire several times, as the .22 hollow-tip bullets were not enough to actually seriously hurt somebody. Unfortunately, the bullet had severed a major artery causing massive internal hemorrhaging. It was only when she visited the morgue she realized the terrible truth. She signed the release for the body to return to Kerrville for burial."

(Eye Mind, Paul Drummond, pgs. 393-394)

the house Stacy died in, which has since been demolished

Some researchers, most notably David McGowan in Weird Scenes From the Canyon, have tried to suggest that there was foul play involved in Stacy Sutherland's death. But Paul Drummond, the Elevators biographer, gives no indication of this. Stacy had clearly been drinking all day prior to the shooting and had displayed confrontational behavior to various parties throughout the day. He and Bunni had been having domestic problems for quite some time prior to his death and there is little dispute that Stacy had threatened her son on the day of the shooting.

"Bunni"

While there is nothing to confirm that Stacy actually charged Bunni outside of her own account, it hardly seems unreasonable that she would fear for the safety of herself and her son by this point. What's more, Sutherland's own family seems to have been rather accepting of this account as well, his own mother and sister even going so far as to suggest that there was an element of suicide in Stacy's actions. Few would dispute that he had been quite unhappy for an extended period of time leading up to his death. Indeed, Stacy may even have believed such a death was his destiny, as it is widely believed the third prophecy made to him during his notorious Houston Music Hall trip was that of a premature death. But moving along.


Tommy Hall relocated, along with Roky, to San Francisco in late 1968. The Elevators were falling apart at this point and his "plan" was to round up a new rhythm section there and eventually bring Stacy out to complete the group. This was of course an impossibility due to Stacy's legal status and this effectively marked the end of Tommy time with the Elevators. While he had been involved with what would become the Bull of the Woods album during the early stages Stacy, largely abandoned in Texas, would be the one to complete it.


Tommy soon fell into drug dealing (again) to support himself in San Francisco. However, things would soon turn sour in Frisco and Hall opted to wander south. At some point in his journey he made a curious acquaintance.

"... Tommy drifted down the coast south of Los Angeles and lived in a cave on Laguna Beach, which was part of the commune owned by the Brotherhood of Eternal Love. The Brotherhood had started in 1966 as a restricted non-profit religious outfit that viewed marijuana and LSD as religious sacraments. Their aims were acutely similar to and as idealistic Tommy's, the focus being to spread enlightenment through the distribution of acid. However, the police and even Rolling Stone magazine dubbed them in 1972 the 'Hippie Mafia' because they dealt with large shipments of marijuana from Pakistan and Afghanistan, which they then sold to fund the large-scale production of 'Orange Sunshine' LSD. Leary was a figurehead for the Brotherhood and he was arrested on December 26, 1968 in Laguna Beach for possession of over two kilos of marijuana. Having spent a short time in jail, the Brotherhood was supposedly instrumental in his escape to Algeria, where he was held ransom by remnants of the Black Panthers who were also on the run. Tommy's fate followed a similar path; at some point in 1969 Tommy got busted walking into a festival with a large amount of controlled substances and disappeared into a jail in Seattle until 1972."

(Eye Mind, Paul Drummond, pg. 347)

Timothy Leary with members of the Brotherhood

The Brotherhood of Eternal Love is one of the most controversial outfits of the First Psychedelic Era. While it seems likely that they were idealists in the early stages, the origins of the Brotherhood as well as its eventual scale are certainly suspect.

"One type of acid was particularly popular among American ground forces in Vietnam. It was called 'orange sunshine,' and much of it was smuggled in from southern California during the late 1960s and early 1970s. Far from the rice paddies of Southeast Asia a group known as the Brotherhood of Eternal Love was waging its own holy war of sorts in their tireless efforts to turn the world on to LSD. During their heyday the Brotherhood ran the world's largest illicit LSD ring. Ironically their base of operations was Orange County, home turf of Richard Nixon, Disneyland, and the John Birch Society.

"The saga of the Brotherhood of Eternal Love is a bizarre melange of evangelical, starry-eyed hippie dealers, mystic alchemists, and fast-money bankers. Federal investigators described them as a 'hippie Mafia' of approximately seven hundred fifty people that allegedly grossed $200,000,000. But the Brotherhood's secret network of smugglers lived by a code different from that associated with organized crime. They were fired with idealism, committed to changing the world by disseminating large quantities of psychedelics. At least that's how it was at the beginning...."

(Acid Dreams, Martin A. Lee & Bruce Shlain, pg. 236)

The Brotherhood had its origins in a "car club" known as the Street Sweepers, who routinely engaged in fights across Anaheim and the surrounding area. This, combined with the fact the the group originated from what was at the time one of the most conservative regions in the entire United States, certainly rises some eyebrows concerning the group's idealism. Still, many have insisted that the group's founder, "Farmer" John Griggs, was the real deal.

Brotherhood of Eternal Love founder "Farmer John Griggs (center)

However, the group became affiliated with Leary's Millbrook scene very early on and this put them into contact with some shady figures down the road. One was an early patron of Leary's, William Mellon Hitchcock, a financier who had dealings with such mafia and US intelligence-connected establishments as Resorts International and the Castle Bank & Trust. Another was the bizarre figure known as Ronald Stark. Stark was later revealed to have by an agent of some US intelligence service by an Italian court in 1980 while Hitchcock, who hailed from the wealthy and intelligence-connected Mellon family, had also displayed signs of being involved in espionage. I've written at much greater length on Hitchcock before here, and to lesser extent on Stark here.

William Mellon Hitchcock (the individual to the right in the top photo) and Ronald Stark (bottom)

There is a strong possibility that Hitchcock and Stark were being used to infiltrate the Brotherhood. Neither man would face any real legal consequences for their involvement in the financial side of the Brotherhood while various members of the organization would do time. But such a topic is far beyond the scope of this series.

Its difficult to say whether Tommy Hall was ensnared in these doings. Hall has avoided talking about this arrest in depth for years now and Drummond gives no indication as to how far Hall's involvement with the Brotherhood went. But his arrest occurred at a time when authorities began to crack down on the "Hippie Mafia", however.

Tommy Hall

Hall largely disappeared from the public eye after his release from prison. After being homeless for a time he found work as a janitor at school in Oakland and allegedly sold small amounts of drugs on the side. In 1975 he briefly tried to form a new band with Erickson, but these plans soon fell through. Hall also allegedly became a devout followers of Scientology around this time as well, though I have been unable to reliably confirm this (Hall's ex, Clementine Hall, did however become a Scientologist).

For many years now Hall has lived in a flop house in the notorious Tenderloin district of San Francisco. Supposedly his roach (which he dismisses as mere "protein")-infested apartment is filled with books which are stacked up to the ceiling in some cases. Thus, it would seem he has not come far from his cave in Laguna Beach over these past 45 years.

Hall circa 2004

And then there's Roky Erickson. Roky's post-Elevators story is vastly beyond the scope of this series, but I would like to briefly consider his immediate post Elevators fate. As is well known, Erickson's legal woes finally caught up with him in 1969.

"...  Returning to Austin, Roky was busted with a single marijuana 'joint.' An attorney convinced him to plead not guilty by reason of insanity, a ridiculous defense given the charge, and Erickson was quickly hustled off to Austin State Hospital. He was still just twenty years old at the time of his arrest.

"Supposedly due to escape attempts, Roky was transferred to Rusk State Hospital, a stark, barren, maximum-security facility for the criminally insane. While there, Erickson was subjected to more forced ECT treatments and he forced administration of Thorazine. For three-and-a-half years. Also while confined there, he put together a prison band known as the Missing Links. One member of the band had killed two kids and raped and stabbed his own mother. Another had been involved in the rape and murder of a young boy in Houston. A third killed his own parents and a sibling. And then there was Roky, who had been in possession of an insignificant amount of marijuana.

"As 1972 came to a close, it was determined that Roky's sanity had been 'restored' and he was released soon after. He was, however, just a shell of his former self." 

(Weird Scenes From the Canyon, David McGowan, pg. 47)

Rusk State Hospital

Erickson was actually busted with a matchbox full of pot, but an insignificant amount nonetheless. Part of the reason behind Roky's insanity plea was the fact that he was set to go before Judge Mace Thurman again. As was noted in part two, Thurman was one of the toughest judge in Texas at the time and the Elevators had narrowly avoided going before him in 1966 thanks in no small part to the intervention Evelyn Erickson's (Roky's mother) prayer group. There was no escaping Thurman this time, however, and it was felt that institutionalization was preferable to the equally harsh Huntsville Prison (where Stacy Sutherland ended up serving time).

Erickson (play the guitar) at Rusk

Not only was Roky drugged and subjected to electroshock therapy at Rusk, he was also beaten by the guards at times. This combined with being surrounded by genuine psychopaths clearly had a profound influence on Erickson's psychology. It was around this time that he began developing his horror-movie themed persona that would serve him so well in his solo career.

Some have tried present these themes as evidence of Roky's "Satanism", but there's no evidence whatever Erickson has ever any knowledge of ritualistic Satanism. Roky, a largely child-like man, seems to have only been able to understand his surroundings in Rusk by relating them to the low budget horror films that had so fascinated him as a child. Songs done during his solo career such as "The Creature with Atom Brain" and "I Walked With a Zombie" make this connection clear.


As is well known now, it would take decades for Erickson to fully recover from his time in Rusk. While he was briefly able to continue his solo career in the mid-1970s, by the early 1980s he had largely given up on music and had ceased taking any medication for his condition. This led to a rapid deterioration in Erickson's state that was not reversed until his brother Sumner gained custody of him from their mother, Evelyn, in 2001. From that point on Roky has made a remarkable recovery that has allowed him to continue his solo career.


And so ends this examination of the 13th Floor Elevators. While the Elevators were surrounded by mystery and shady characters throughout their run they seem to have been genuine idealists who were largely destroyed by vindictive law enforcement personal (at best). The only real exception to this was possibly Tommy Hall.

Hall, as was noted in part two, displayed ample far right political views during his time at the University of Texas at Austin while also operating as something of a handler to the Elevators. Clementine Hall, Tommy's wife during this era, was the daughter of a "military attache" who served all throughout Latin America to boot. This was likely a cover for some type of intelligence work. But there is no discernible intelligence agenda in Hall's work with the band (indeed, he would inexplicably back IA's incompetence time and again) while both he and Clementine would pay heavy costs. As was noted in part three, Clementine's mother died shortly after she was arrested along with the Elevators due to complications from a heart attack brought on by the shock of her daughter's arrest.

Clementine

Tommy Hall and Stacy Sutherland would both served several years in prison while Erickson and Danny Thomas were subjected to involuntary electroshock therapy. Erickson would be institutionalized at a brutal facility for several years while Ronnie Leatherman was serving in Vietnam (and Hall and Sutherland were serving time). And then there was the financial ruin of the Walton family despite their ties to Texas' elite.

These are surely not the fates of high level players if the Elevators were even that. And what of the bizarre and inexplicable behavior of their record label, whose actions seem to have primarily been driven by a desire to suppress the music of the 13th Floor Elevators? What of the timing of the initial Elevator drug bust and later trial with the Texas Tower Sniper incident?

If nothing else, the reader should once again see that, on the one hand, there was something very strange unfolding in Texas during the 1960s, and on the other, that the history of rock 'n' roll in the 1960s is far more complex than critics such as David McGowan and Jan Irvin have alleged it to be. Indeed, the much hyped Laurel Canyon scene is but a small part of that whole era and our hidden history as a nation. The Elevators are another, even more enigmatic branch of this whole saga.