I see from Twitter that this is an auspicious occasion for fans of campy acting choices:
Where secrets are kept, a dark legacy awaits.. NEVER cross a grandmother 👵!
— ArrowFilmsVideo (@ArrowFilmsVideo) November 20, 2020
On this day in 1987, FLOWERS IN THE ATTIC 🌸 broke out in 🇺🇸 theaters! pic.twitter.com/CbyF2QgU63
And if there's one film full of performances that cry out to be boned, pressed, and packed in water like Danish ham, it's this adaptation of the V.C. Andrews novel. So for those who may have missed it, here's Bill S.'s gentle but thorough colonoscopic survey.
Flowers in the Attic, Bats in the Belfry
By Bill S.
Last week, in celebration of Mother's Day, I offered up my annual list of Bad Movie Moms. There are some movie depictions of bad motherhood that need more than just a paragraph or two, but require a column all to themselves. In compiling my list this year, I came across two such films, Flowers In the Attic (1987) and Stop! Or My Mom Will Shoot! (1992). After careful consideration, I determined that if I were to sit through the latter a second time, I'd probably want to shoot myself (I might -- repeat, might -- consider it next year), so I opted for the former. I have to confess I hadn't watched it in over 20 years, but I recalled it featuring not one, but two awful moms, and that I gave it a one-star rating after viewing it. (I should explain: back in the '80's when our family had HBO, I used to watch as many movies as I could, then keep track of them in a notebook, assigning star ratings to them. I'm aware of how geeky that is, which is why I no longer do it.)
Last week, in celebration of Mother's Day, I offered up my annual list of Bad Movie Moms. There are some movie depictions of bad motherhood that need more than just a paragraph or two, but require a column all to themselves. In compiling my list this year, I came across two such films, Flowers In the Attic (1987) and Stop! Or My Mom Will Shoot! (1992). After careful consideration, I determined that if I were to sit through the latter a second time, I'd probably want to shoot myself (I might -- repeat, might -- consider it next year), so I opted for the former. I have to confess I hadn't watched it in over 20 years, but I recalled it featuring not one, but two awful moms, and that I gave it a one-star rating after viewing it. (I should explain: back in the '80's when our family had HBO, I used to watch as many movies as I could, then keep track of them in a notebook, assigning star ratings to them. I'm aware of how geeky that is, which is why I no longer do it.)
So I viewed it again, and it all came back to me, much like a bad lunch coming back up. This picture's not so much creepy as it is "cringy." It's based on a book, the first in a series following the same characters, by V.C. Andrews. I've never read it, or any of her work. Perhaps someone who has can tell me how best to rate the quality of her writing: A-Passable, B-Mediocre, C-Terrible or D-"Sweet Lordy Gordy, How Did the Editors Refrain From Gouging Out Their Eyes After the First Three Pages?" Ms. Andrews passed away before the movie was released into theaters, but was on the set during production, and even makes a cameo appearance as a servant washing an upstairs window. She was reportedly pleased with the script and the casting of Kristy Swanson* in the lead role, both of which makes me think whatever illness she succumbed to impaired her mental judgement.This is the story of the Dollangangers, a family so blindingly blonde and Aryan they make the Von Trapps seem like Sly & the Family Stone. The mother, Corinne (Victoria Tenant), teens Cathy (Swanson), Christopher** (Jeb Stuart), and five-year-old twins Carrie and Cory, all lead a happy, idyllic life, while the dad, Christopher, Sr.(Marshall Colt) goes to work. Each time the father comes home, the kids greet him by hiding behind the couch, jumping up and yelling, "Surprise!"
Cathy is especially close to her father, who considers her his favorite, and, away from the other kids, gives her a Very Special Gift, a ceramic ballerina. We in the audience begin taking bets as to who's going to the smash the thing. Since we see Corinne peering in with envy, she's our first candidate.
On the dad's 36th birthday, the kids ready themselves, arguing about how many candles to put on the cake, when they hear a car outside and assume position behind the couch. But instead, two policemen greet Corinne, and inform her and the kids that the father's been killed in an auto accident. This really ruins the birthday party, and that's the least of their trouble, because they eventually begin running out of money and have to sell off their possessions, eventually losing their house. At no time does Corinne try to look for a job. Perhaps she's not qualified to do anything useful, which gives her a lot in common with the actress playing her.
The family packs up and hops on a bus. Corinne informs them they're going to her parents' home, a stately mansion known as Foxworth Hall. We learn that she comes from a wealthy family, but is estranged from her parents, because, she explains, many years ago, she did something that displeased her father, and was disinherited. But on the bright side, he's now so old and decrepit, he's likely to kick the bucket, and her plan is to win back his love and put her back in the will before he croaks. I can see no flaw in this plan. No, none at all.
The family packs up and hops on a bus. Corinne informs them they're going to her parents' home, a stately mansion known as Foxworth Hall. We learn that she comes from a wealthy family, but is estranged from her parents, because, she explains, many years ago, she did something that displeased her father, and was disinherited. But on the bright side, he's now so old and decrepit, he's likely to kick the bucket, and her plan is to win back his love and put her back in the will before he croaks. I can see no flaw in this plan. No, none at all.
Cathy is a bit more skeptical. She also feels her mother should have prepared the kids better for death. "She never allowed us to have a dog, or a kitten...if we had a pet and it died, we would have learned something about that." Yes, good parenting is giving your child a pet in the hopes it will die eventually. Hey, if she was really looking out for those kids, she'd have gotten them a cute, fluffy kitten, clubbed it over the head with a mallet in front of them, and explained, "Life is short. Get used to it."
Finally, they all arrive at Foxworth Hall, a place so creepy and forboding, little Cory observes, "Witches in there, Mama. Witches and monsters." Maybe not, but the grounds do have a bunch of noisy hell hounds and a creepy butler named John. The children meet their grandmother, who's identified in the credits as "Grandmother", but I've learned is actually named Olivia, because V.C. Andrews ran out of "C" names, I guess. It may be said that Louise Fletcher***, who plays Olivia, displays the only thing approaching competence in this movie, though she's stuck playing a psycho biddy so cold and heartless she makes Nurse Ratched seem warm and cuddly.
Olivia leads the children to an upstairs room, explaining that they're to stay there at all times. She also instructs them to never speak, or even whimper, without her permission, then exits, locking the children inside. There are bars on the windows. The next morning, she brings them breakfast, then asks if the children know why their mother left 17 years ago, and when they inform her they don't she explains: "Your mother's marriage was unholy! A sacrilege! An abomination in the eyes of the Lord! She did not fall from Grace. She leapt -- into the arms of a man whose veins pulsed with the same blood as hers! Not a stranger, but her own uncle! And you, the children, are the devil's spawn! Evil from the moment of conception!" I'm guessing at this moment, that "World's Best Grandma" mug they were planning on giving her, won't go over well. This shocking back story is a lot for the kids, and us, to absorb, and it's never addressed in any meaningful way in the movie. We can't imagine how or why it would happen, and the writers don't seem to give a shit about telling us anything. (I'm sure the book it's based on offers a perfectly ridiculous explanation.) Olivia concludes by telling them their grandfather must never know they exist.
Meanwhile, downstairs, Corinne takes her first step towards reconciliation with her father, a creepily ancient man (he looks like he could be her grandfather) with long fingernails, who lies in bed withering away, unable to rise. She stands before him and lowers her blouse. Her mother reaches for a whip. The camera, mercifully, cuts away to an exterior shot of the house and we hear the sound of a whip. (Did I happen to mention that this is movie got a PG-13 rating? I guess someone decided a depiction of incest and sadomasochism was perfectly acceptable fare for kids in middle school.)














