Showing posts with label Rush. Show all posts
Showing posts with label Rush. Show all posts

Monday, July 19, 2021

Best Book Ever Podcast: Neil Peart's Traveling Music

I was a guest on a recent episode, Episode 58 of the Best Book Ever Podcast.

Book worm host Julie Strauss and I talked about Neil Peart's memoir Traveling Music: The Soundtrack of my Life and Times.


 This was my second appearance as a guest on the show, and I was honored to learn that I was the first repeat guest that Julie'd had. (I chatted about George R. Stewart's Earth Abides on my previous appearance, which was in Episode 9).

I am, admittedly, a lifelong fan of Neil Peart, and of the rock band Rush. I fell in love with the band first for their meaningful and brilliantly crafted lyrics, which Peart writes. So when he started to write books, I was obviously along for the amazing ride.

It was intriguing to talk to Julie about this book because I loved it, and she had a few issues with it. But when you can have a meaningful and respectful conversation about something you don't agree about, that's when interesting growth and introspection can happen.

And it's always been about growth and introspection when I read Peart's lyrics or his prose.

 




Saturday, January 11, 2020

There's Something Here As Strong As Life

"Suddenly you were gone
From all the lives you left your mark upon
- I remember."

-Neil Peart, Afterimage, Grace Under Pressure (RUSH)


Earlier this week the world lost legendary drummer and author Neil Peart. Peart, who was born on Sept 12, 1952 in Hamilton, Ontario died in Santa Monica on Jan 7, 2020. RUSH and Peart's family made the announcement late on Friday Jan 10th.

“It is with broken hearts and the deepest sadness that we must share the terrible news that on Tuesday our friend, soul brother and band mate of over 45 years, Neil, has lost his incredibly brave three and a half year battle with brain cancer,” began a statement from Rush. He was 67.

I first learned about Peart when my dear friend Pete Mihajic insisted that I listen to the 1984 album, Grace Under Pressure.


I had been spending a lot of time thinking and reading about anxieties over potential nuclear war and gotten involved in some nuclear disarmament groups. Pete said that this RUSH album had themes that were reminiscent. Certainly, the album's first track "Distant Early Warning" brought that to mind, as did many of the other tracks, such as "The Enemy Within" and "Red Sector A" - although I later learned of Peart's inspiration for the song of a prison camp being inspired by fellow bandmate Geddy Lee's mother's accounts of surviving the holocaust.

I listened to Grace Under Pressure over and over and over on the cassette tape that Pete recorded for me. Then I went out and bought the album. Then the cassette.

I fell in love with the thoughtful and pensive lyrics, the musical styling, everything about this band.

As an interesting aside, earlier this month an anthology of science fiction stories, Galaxia was published which includes a short story called "Grace Under Pressure" which I'd originally wrote to try to sell to Kevin J. Anderson for an anthology he was editing. Because I knew he was a huge RUSH fan I titled it that as a nod to our favorite band. ;) I didn't sell the story to Kevin, but was able to get it into this other anthology.

Then I bought the album Signals which also resonated with me with songs such as "Subdivisions" and "The Analog Kid" which were stark reminders of growing up as a nerd who never felt like he fit in. I wrote articles for the high school newspaper about how the songs resonated with me.

RUSH became a centerpiece for my friendship with Pete and Steve Gaydos and John Ellis.



 


I actually can't count the number of RUSH concerts that we saw together over the years. And I would never be able to count the number of hours we listened to their music and talked about the meaning of the songs. We loved that the guys of RUSH seemed to be more like us (nerds) than they were larger than life rock stars. They were three best friends who thought of one another like brothers and enjoyed making music and playing together for forty years.




But I got a little ahead of myself there. After discovering how much I loved Grace Under Pressure and Signals I moved on to get more backlist albums like Fly By Night and their first album, Rush. That first album did not include Peart, and so many of the lyrics weren't as philosophical and pensive. But John and I used to play many tracks from it before heading to high school dances, in particular the song "In The Mood" because it was, as the song lyrics go, roughly "a quarter to eight" when we were listening to it and getting ready to head to the dance.

The title track off of "Fly By Night" has been a song that has been with me through virtually every single significant change in my life over the decades. I first showed up to play it for Steve when he moved away to college, then it became my "acknowledge" change song for so many things.

I, of course, worked my way through all of their albums, and so many of their songs have been the backdrop to the soundtrack of my life in so many ways.

"Hold your fire
Keep it burning bright
Hold the flame
'Til the dream ignites
A spirit with a vision
Is a dream with a mission

I hear their passionate music
Read the words
That touch my heart
I gaze at their feverish pictures
The secrets that set them apart

When I feel the powerful visions
Their fire has made alive
I wish I had that instinct
I wish I had that drive"

Neil Peart, Misson, Hold Your Fire (RUSH)

It's rare for me to get into any sort of meaningful conversation about something without likely bringing up something from a RUSH song lyric that pertains to the topic. From songs like "Entre Nous" or "Spirit of Radio" or "Cinderalla Man" or "Circumstances" or "Madrigal" or "Limelight" or "Marathon" or "Mystic Rhythms" or "Dreamline" or "Far Cry" or "Caravan" - oh, who am I kidding? There are too many songs so meaningful to me to mention.


RUSH's music has been an integral part of my life. And it will continue to be.

"Listen to my music
And hear what it can do
There's something here as strong as life
I know that it will reach you."

- Neil Peart, Presentation, 2112 (RUSH)

I met Liz in 2014, just as RUSH was beginning to near retirement. And, as I do, I shared many of the songs and meaning of the band, it's music, and it's trio of amazing people with her. We listened to plenty of their albums together, we watched Beyond the Lighted Stage together. Seeing the back story of this band helped her understand the depth of the importance they had to me. And we attended their final tour, the R40 tour, together, which was really special.


When I found out that Neil Peart also wrote fiction and non-fiction, I was beside myself with joy, gobbling up everything he wrote, from his first co-authored short story to his first non-fiction travel memoir, and all the way through his writing career.

 
I have loved all of his books, but if I had to pick a favorite, it might be Traveling Music: The Soundtrack to my Life and Times. One of my favorite pictures of me and my son when he was a baby, was of the two of us having an afternoon nap. On the nightstand there is a copy of Neil's book, which I was mid-way through reading at the time.



While I never had the pleasure of knowing Neil personally, I am good friends with Kevin J. Anderson, who has long been a close friend of Neil. Considering how private a person Peart was, and the fact that he enjoyed working hard as a drummer, lyricist and writer, but was never comfortable in the role of celebrity and the way that fans fawn over and place them on pedestals, I was perfectly fine never trying to push through that veil. Why make someone uncomfortable for no good reason. I could admire and respect the man and his phenomenal work without having to gush in person to him about the incredibly powerful and positive inspiration he had on my life.

"Living in a fisheye lens
Caught in the camera eye
I have no heart to lie
I can't pretend a stranger
Is a long awaited friend."

- Neil Peart, Limelight, Moving Pictures (RUSH)

The closest I suppose I ever got to him was when I re-published a short story that Neil Peart and Kevin J. Anderson wrote called "Drumbeats" in the 2012 anthology I edited, Tesseracts Sixteen: Parnassus Unbound. Tesseracts was an anthology to spotlight Canadian authors, and Anderson is the only American to make it into the series, because his co-author, Peart, was Canadian.



When my buddy Kevin was in town to launch the novel Clockwork Angels, he stayed at my place in Hamilton, and at the celebratory dinner of the book launch with Peart and ECW, Kevin brought a copy of the anthology so that Neil could sign a copy for me.


It was an honour to bring back into print a story that I have long adored. And, earlier this week, I had the privilege of bringing it to more readers, as I have included "Drumbeats" in the guest editor issue of Pulphouse magazine that I just turned in to Dean Wesley Smith and WMG Publishing. It'll be out later this year.

Several years back, Kevin and I were enjoying craft beers on a patio at The Winking Judge in Hamilton when he invited me to submit a story to an anthology he was co-editing that was going to be called 2113 and feature stories inspired by the music of RUSH. The title story would be written by Kevin J. Anderson, and be a sequel to the story told in the RUSH album 2112. He told me to pick a song that hadn't already been spoken for, and to send him something.


I chose one of my absolute favorite RUSH songs, "Losing It" and wrote a story entitled "Some Are Born to Save the World." The beautiful and haunting song, "Losing It" explores the lives of a writer who can no longer create, and a dancer who can no longer dance as they age and their mind and body begin to fail them.

"Some are born to move the world
To live their fantasies
Most of us just dream about
The things we'd like to be

Sadder still to watch it die
Than never to have known it
For you the blind who once could see
The bell tolls for thee"

- Neil Peart, Losing It, Signals, RUSH

My story was about a superhero who could no longer save people as he reaches old age and his own body and powers begin to fail him.




It was a significant honor to re-publish a story co-authored by Anderson and Peart. But it was another truly unique honor to be able to write a story inspired by one of my favorite RUSH songs of all time.

The book cover features the "Starman" from the album cover for 2112 standing up to his knees in water and facing away from the viewer. I can ALWAYS tell a RUSH fan when I have the book at a comic con or other show where I have an author table, because they recognize the font and styling of the cover as matching 2112 from across the room and often stop, turn, then make a bee-line to the table to pick up the book as if it were some magical oracle.

I know that look, because it's likely the look I get on my face every time a RUSH song starts to play.

Because I know I'm about to be transported into some special place.

"As the years went by, we drifted apart
When I heard that you were gone
I felt a shadow cross my heart"

- Neil Peart, Nobody's Hero, Counterparts



I have written and spoken about Neil Peart countless times over the years. The words and music and example that he set continue to inspire me, and will continue to inspire me.


Thank you, Neil Peart, for the amazing gifts that you shared with the world, for the inspiration in all of the truly remarkable work that you left behind.

You will be missed. But you will be remembered and honored.

[EDIT - On Jan 14 I recorded a special Thanks for the Inspiration: Neil Peart episode of my Stark Reflections on Writing and Publishing Podcast, which includes a bit of this same info]

Thursday, February 08, 2018

Superstars Writing Seminars 2018

I attended Superstars Writing Seminars this past week as a guest instructor.

Superstars Founding Faculty Members (F) and Guest Instructors. Left to Right: Lisa Mangum, Jonathan Maberry, Kevin J. Anderson (F), Rebecca Moesta (F), James A. Owen (F), David Farland (F), Brandon Sanderson (F), Eric Flint (F)

Even though I was there to teach and share insights about Kobo and Kobo Writing Life and digital publishing, and even though it was my fifth visit to this annual conference, I still walked away with an incredible amount of knowledge. I ALWAYS do.

And that's one of the reasons I keep going back. The industry keeps changing and the learning never stops. And this conference is filled with information about both traditional publishing as well as indie and digital publishing options for writers, always focusing on the BUSINESS of being a writer. (Even though there is an intensive "craft day" now tacked on at the front of the conference)

Pic from VIP Dinner - Photo courtesy of Lauren Lang of Jacobin Photography

Apart from the presentations, panels and discussions I participated in, I also scooted around between sessions and in hallways and did a series of live Facebook videos of chats with various folks, including the founding faculty, guest instructors and other industry pros who were attending. It was part of my wanting to share, via my Stark Reflections/Stark Publishing brand, insights and tidbits of info for writers who couldn't be there.

Wednesday, April 20, 2016

Sadder Still To Watch It Die Than Never To Have Known It

I fondly remember those teenage years when I would put on a Rush album, sit there holding the album in my hands, marveling at the overall spectacular visual presentation of the art (usually by the genius Hugh Syme) while the music filled the air in my bedroom and stirred my heart, mind and imagination with spectacular new visions and tales that bounced around inside my head.

Yes, I'm talking about the large square cardboard object that held the vinyl disc inside a paper sleeve that sometimes even had the lyrics printed on it. Occasionally the album cover would open like a book -- 2112 by Rush, of course, did just that. And there was an incredible story inside.

But it didn't have to be one of the themed story albums that inspired my imagination and creativity. So many songs from this band set my imagination on fire and produced characters, settings and scenes from stories in my head. I imagined, for example, with the Rush album that was my proper and full introduction to the band, Grace Under Pressure, a theatrical/musical stage show about a post-apocalyptic world, and invented characters that would further connect the songs together in an overall story arc. Heck, I was even able to connect the songs from Signals together in a similar story arc about a young boy who rose up to become a world leader via following his passion for adapting technology into making the world a "better" place.



So when the opportunity to write a story for the anthology 2113: Stories Inspired by the Music of Rush (edited by Kevin J. Anderson and John McFetridge) came about, the biggest question was which of the hundreds of stories that this band had inspired in me would I write about.

I mean, after all, so many different songs from Rush inspired so many different amazing tales, images, characters and situations. And much of my writing had already contained elements from the band's music and lyrics that infused themselves between the cracks.

And despite the fact that I had already had a story published a year earlier that had been inspired by the song "Losing It" from the Rush album Signals, (a song that continues to bring tears to my eyes and which I got to see performed live during the band's R40 tour), I knew that song, one that had long been an intensely personal song for me, could inspire yet another story.

The previous story that had been inspired by "Losing It" was a dark humour piece I had published in Tesseracts Seventeen called "Hereinafter Referred to as the Ghost." I wanted to draw inspiration from the same song, but this time take a more heartfelt approach.

The song paints a quick portrait of a dancer who is no longer able to dance and a writer who can no longer write. After displaying the loss of their life passions, the chorus chimes in:

Some are born to move the world
To live their fantasies
But most of us just dream about
The things we'd like to be
Sadder still to watch it die
Than never to have known it

For you the blind who once could see
The bell tolls for thee . . .

 The song still brings shivers and a gentle tear to my eye. The music is as hauntingly beautiful as the portrait of the two artists who still hold the passion, yet whose bodies and minds are unable to continue on.

And so, in my story "Some Are Born to Save the World" I wanted to capture that same feeling in the guise of a super-hero at the end of his career. Bryan, the story's main character, has dedicated his life to employing his supernatural abilities for good as White Vector, and the tale captures his rise and fall in that life-long conviction.

It is a story that I am quite proud of, not just because of the tale that the song inspired, but because I know that the story has already reached a number of readers in a positive way. Here are some of the reviews I've already seen that mention the story:


"Leslie explores Bryan’s motivations and fears with a sure hand, and delineates the qualities, good and bad, that could drive a person to dress up and fight crime. Even in the last days of his decline, Bryan is able to rediscover a new purpose and a return of his dignity, and it’s a measure of Leslie’s skill that this change happens in a realistic, yet meaningful fashion." - Brandon Nolta, Tangent Online

"This one teared me up, but in a good way." - Erin S. Burns, Burns Through Her Bookshelf
"This was one of my favourites. The life, death and rebirth of the superhero White Vector. This perfect little gem captures exactly what being a superhero means. I wouldn’t change a thing. You just can’t beat a well-executed origin story." - Paul, Goodreads review

Me and Ron Collins (contributors to the anthology) making a Kevin J. Anderson sandwich
Kevin, Ron and I doing our best "Starman" pose (from 2113, not 2112)


While 2113 might be the only actual Rush-themed anthology that I have had a story published in, I know there will be more tales born out of inspiration from the band's more than 40 years of music.

Friday, October 26, 2012

What A Rush

A couple of weeks ago, I got to see Rush twice.  Once with a ticket I had purchased (well worth the price to be standing 3rd row dead centre of stage -- biggest complaint was that I had to turn my head to see Alex or Geddy when they stood in their respective stage right and stage left spots), and the other with tickets courtesy of Neil Peart (my friend, Kevin J. Anderson is a friend of Neil's and they had, of course collaborated on the creation of the Clockwork Angels novel tie-in to the new Rush album.



I was delighted to be able to bring one of Kevin and Neil's previous collaborations back to print in the Tesseracts Sixteen: Parnassus Unbound anthology which came out Sept 2012. 


The story Kevin and Neil wrote is called Drumbeats and is one I first read in 1992 when it appeared in the anthology Shock Rock 2, edited by Jeff Gelb.  The story stuck with me all these years, and when I was putting T16: Parnassus Unbound together, I knew I wanted to include that story in the collection.

But back to the concert. It was really cool to see Kevin's novel being sold alongside the tour book.  I had to get a picture of him with it.


Below is a shot of Kevin, Jonathan Flamm and I.



When we were seated (in the section of reserved seats for Neil's guests), the gentleman beside me tapped my arm and, pointing in Kevin's direction, said:  "Excuse me, is that Kevin Anderson?"  He was Don George, Neil's first drum teacher.  We, of course, joked with Don, asking if he thought Neil might ever make it as a drummer.  Don quiped that he thinks the young man shows some promise.  So I had to get a picture of KJA and Don together.


Shortly after, Jonathan, who is an extremely talented graphic designer, sent me the following two images, incorporating me into a couple of Rush albums . . .


Hey Jack, relax, get busy with the facts . . . .

Well, hey now baby, don't you talk so fast . . .



Cooooool!  (I suppose you have to be a Rush fan to find them awesome! Or maybe you have to be ME and a Rush fan to really enjoy them. But heck, this is my blog - let me be self-indulgent)

Thursday, August 23, 2012

The KJA In TO For CA

Imagine if someone wrote the novelization for Pink Floyd's The Wall, The Beatles' Sgt Pepper's Lonely Heart's Club Band or the Rush album 2112 at the same time the music was being produced.

That's exactly what the novel Clockwork Angels by Kevin J. Anderson is.

Anderson and Rush drummer/lyricist Neil Peart collaborated on the project. The Rush album Clockwork Angels is set in a steampunk universe in an orderly and controlled world ruled by The Watchmaker. The entire album explores the theme and story of Owen Hardy, an apple farmer who seeks to explore the wonders of this world and sets out on his adventure.

It is a fantastic science-fiction novel by one of sci-fi's most talented minds. Combine that with the creative spirit and energy that goes into a Rush concept album and you have a fantastic mix of music and prose, certain to delight fans of the band and sci-fi fans alike.

Kevin J. Anderson is appearing tonight at the Chapters on John and Richmond (142 John Street) at 7 PM for the world premiere launch of this book, which is published by Toronto publisher ECW Press.

I'm sure there'll be a huge line up.

I'm hoping to be one of the first in line.

KJA at BEA in NY in June 2012

Tuesday, June 12, 2012

Hanging Out With KJA

One of the perks of the long and exhausting week at BEA last week was getting to spend time with Kevin J. Anderson.

I met Kevin and Rebecca Moesta at EerieCon a few years ago. They are both great writers and wonderful folks.  I was immediately impressed with just how down-to-earth and approachable this author of well over 100 novels with 20 million books in print was. I'd been a fan of his since first reading a novel he co-wrote with Doug Beason called Ill Wind and there we were sitting on panels together with Kevin treating this particular "unknown" writer with the same amount of respect he would treat a fellow NYT bestselling author.

I had been in contact with Kevin within the past 6 months for a couple of reasons. 

First, I'm re-printing a story (Drumbeats) which he co-write with Neil Peart (yes, the lyricist and drummer from Rush) in Tesseracts 16.  (Link to the book on Amazon -- Link to the book on IndieBound).



Second, Kevin has been one of the beta authors involved in helping provide feedback and insights that helped in the development of Kobo Writing Life, the new DIY portal for self-published authors (which we announced in NY at BEA last week)

During a busy week, Kevin and I had a chance to get together at The Pony Bar - a wonderful little spot that specialized in craft brew.  We sampled some great beer while chatting about writing, science fiction, publishing, digital publishing, self-publishing, hiking, and of course, Kevin's work on Clockwork Angels, a project he wrote in conjunction with Neil Peart as a tie-in to the Rush album of the same name.

Kevin was an author guest at the open discussion media breakfast we held on Tuesday June 5th to announce Kobo Writing Life -- and he was also one of the featured writers in residence at the Kobo booth.

Right now I'm reading Kevin's first novel, Resurrection, Inc. -- this is the novel that he wrote while listening to the Rush album Grace Under Pressure (the album my buddy Pete forced me to listen to and which turned me into a Rush fan - THANKS, Pete!) and it's really fun to read through and pick up elements that were inspired from Peart's lyrics.

It's funny -- here I thought, that with 3 books coming out from three different publishers in the next 6 months, that I was a hard-working and busy writer. But after spending so much time last week with Kevin and realizing he has something like 8 books coming out this year, it would appear that I'm slacking big time. One must admire his non-stop energetic charge towards efficiency (I quite admire the multi-tasking manner by which Kevin writes while hiking -- he brings an audio recorder along on hikes and writes while enjoying the scenery and fresh air.

In comparison, I'm simply not working hard enough!  Time to look at any of those wasted moments where I could be more productive.

The truth is that, hanging out with Kevin, I can't stop thinking big!



Sunday, June 10, 2012

Week It Was, What A Week It Was, It Was

Wow.  Between last Sunday and today I have certainly packed a heck of a lot of special moments in.

The challenge, in all honesty, would be ensuring I capture each highlight, from beginning to end.

Here goes.

On Saturday June 2nd I flew out to New York to prepare for UPublishU, a pre-BEA event focused on self-publishing authors.

Sunday June 2nd, I sat on a panel with Hamilton's Bob Young (Hamilton TiCat owner and CEO of Lulu.com) and got to share some tips for authors looking at self-publishing.  Immediately after our panel, I caught a taxi back to LGA to fly back to Toronto to introduce the brilliant and talented Terry Fallis as MC of the CBA Libris Awards dinner and reception.  Because of a delay coming through customs, I was just arriving as Terry was onstage pretending to be me and kicking off the evening.  I commented, after dinner, when I officially "introduced" Terry as the evening's host, that I'd never looked so handsome)

On that same evening, I not only got to present Michael Ondaatje with his Author of the Year CBA Libris Award (quite the honour, since I've long been a fan of his writing), but I also got to present that evening's special honoured guest, Margaret Atwood with the CBA Libris Lifetime Achievement Award.

Twitter pic from @RandomhouseCA of me presenting award to @MargaretAtwood
It was a special honour to get to share the stage with Terry Fallis and present awards to literary icons such as Ondaatje and Atwood (And what a fantastic way to end off my term as CBA President!)

I was back in New York the following day to meet with Kevin J. Anderson, explore some fantastic craft brews at The Pony Cafe and discuss self-publishing, writing, the thrill of being a writer during this time of dramatic digital change, and, of course, the new Clockwork Angels novel that he wrote with Neil Peart of Rush and will be released as the band begins touring for the new album.

On the morning of Tuesday June 5th, Kevin J. Anderson and Bella Andre joined Michael Tamblyn (EVP of Content, Sales & Merchandising at Kobo) and I with media representatives that included folks from Time, Oprah Magazine and Publishers Weekly to announce Kobo Writing Life, the new self-publishing portal for authors at a breakfast and open discussion about eBooks and self-publishing.

It was fantastic to finally share something that I have been working on since I joined Kobo back in the fall of 2011 as Director of Self-Publishing & Author Relations.  KWL is the result of 6 months of really fun and exhausting requirements gathering by listening to the self-pub and author communities on all the elements needed for successful indie author publishing of eBooks.

There is a video of me talking to Mercy Pilkington of Good eReader that took place immediately after the media breakfast . . .



Of course, there's an even better and longer video of Michael Tamblyn sharing the KWL and general Kobo love . . .



I spent the next several days talking to hundreds of small publishers and authors about Kobo Writing Life; do back to back media interviews with a variety of wonderful folks, and got to meet some fantastic authors and bookish folks who I had only previously known through social media.  (And despite not pausing to do more than gobble down a quick cereal bar for lunch each day, I still didn't get a chance to meet with everyone I had been hoping to touch base with . . . I DID manage to get about 3 to 4 hours of sleep each night, though, so one might think that perhaps if I had skipped that "lost time" I might have gotten more productivity in to each day -- that, or drop dead of exhaustion at the end of the week)

On Wednesday June 6th I had an opportunity to sit down in the Kobo booth with Michael Connelly and talk with him about writing, what it's like having published his first novel (the one that introduced Harry Bosch to the world) 20 years ago with the publication of The Black Echo and various aspects of the universe he has created featuring Bosch, Mickey Haller (portrayed by Matthew McConaughey in The Lincoln Lawyer) and other wonderful characters.  Part of our discussion was captured on video and will likely be shared with aspiring thriller/mystery writers via the Kobo Writing Life portal Learning Centre.

Because so much was packed in to the past week, I'll likely be putting up separate blog posts regarding some of the specific details mentioned above in the next few days.