Rembrandt Van Rijn Quotes
Quotes tagged as "rembrandt-van-rijn"
Showing 1-6 of 6
“The apothecary holds out a large volume with the title ‘De Defabrica’. Taking the book, the painter runs his fingers across the leather cover, then lifts it open.
“Where did you find it?”
“When? Last week. It’s the first anatomy book since Vesalius, written by Adriaen van den Spieghel.”
“No, where?”
As the painter flips open the thick pages, he finds many illustrations and detailed fragments of body parts he has never even heard of before.
“I have many sources, young man.” On hearing a bell – a customer has arrived – he advances towards the door. “Look it over, but be sure to return it.”
― Van Rijn
“Where did you find it?”
“When? Last week. It’s the first anatomy book since Vesalius, written by Adriaen van den Spieghel.”
“No, where?”
As the painter flips open the thick pages, he finds many illustrations and detailed fragments of body parts he has never even heard of before.
“I have many sources, young man.” On hearing a bell – a customer has arrived – he advances towards the door. “Look it over, but be sure to return it.”
― Van Rijn
“Such command and honesty! Your figures are full of emotion, for instance, here – points at the panel – the figure of Judas on his knees, wringing his hands in self-hatred and pleading for forgiveness… Who would have thought that someone your age, a miller at that, could put so much into a figure!”
― Van Rijn
― Van Rijn
“My shell collection
Here are my shells, orderly to the eye, mysterious to the mind. Some are rough and grainy, others are soft and pearly. Mine are all empty, but out in the sea there are empty ones too – as many as there are full. When the creatures emerge, they leave part of themselves behind. That is why I think of these spirals as living though they are asleep in their forms.”
― Van Rijn
Here are my shells, orderly to the eye, mysterious to the mind. Some are rough and grainy, others are soft and pearly. Mine are all empty, but out in the sea there are empty ones too – as many as there are full. When the creatures emerge, they leave part of themselves behind. That is why I think of these spirals as living though they are asleep in their forms.”
― Van Rijn
“Self-portraits are probably Rembrandt’s landmark pieces of treasured art, lined with pithy contours and lineaments of not only the outlining features of a great one, but the inward beauty of thoughtful assemblage of craft. In matters relating Rembrandt, I’d take a peek at rolling hills, where summits bow in ecstasy to returning ravens in echelons of physiolatry.”
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“Whenever I am on the plane, I look out delightedly for Rembrandt’s “The Night Watch” — a beautiful banner that belongs to the skies.”
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