i probably will get flamed for this, but gospel pop is the sole redeeming grace of religion. taken as a whole, it is surprisingly superior to mainstream thrash.
over dessert last night, i frantically tried to recall the theme song for the film 蓝色大门, and the music video which i waited aimlessly for, everyday in the summer of 2002, for a beautiful face, and a beautiful song.
it was my final year in high school; it was the year when it felt like nothing was ever going to change; when a class of 16 boys in khaki-coloured shorts ruled the room oversized for 17. and we forged friendships that we couldn't have known would last forever, or for some, dissipate right after graduation. at that time, it really didn't matter.
and then, disaster struck. our social circles enlarged.
i like what he says with regards to entwining our lives with friends and lovers, about how people evolve and how lives change. taken out of context, but still as poignant:
like melinda doolittle, country singers have this innate ability to tell tales with songs. with an enunciation like that, reba mcentire practically goes on her knees and begs you to listen to what the lyrics have to offer.
and then we have the subtle yet intensely emotional video. utterly brilliant, i say.
intricately crafted lyrics, reminiscent of my days studying poetry under a microscope (i always failed interpretations and was rated as a non-lit student by my teachers heh). but there's something to be said about pretty language; it doesn't make sense most of the time, and beats about the bush, but when it hits you, it really does. especially when it's paired up with equally beautiful acoustic melodies :)
get it while it's hot! gramophone exclusive. 20% off at gphone at cathay.
i remember hearing rave reviews for their debut album "sympathique" (1997), but that was before the time i was actively excited about music in general. now that i'm hooked on "the bird and the bee" (see previous) which also lies in the electric/lounge genre, i decided to give this a spin.
and woah.
this is world music as 'world' as it can be. the orchestral arrangements are breathtaking, and vocalist china forbes is simply amazing. languages are executed with such astounding grace and precision, you are forced to believe they're ethnic. (arabic anyone?) with the english lyrics so heartbreakingly cheeky/sad/happy all at the same time, it would be a blessing to be able to understand the multiple languages so flawlessly presented.
without doubt, this is music that truly breaks the boundaries of time and space.
feast your eyes (and ears) on jennifer holliday in her element. this is a recording of her theatrical performance on the 1982 tony awards. if you thought j.hud and lakisha were awesome, welcome to the true level of diva-goodness.
after the season, it still boggles me why the girl with lupus didn't make it through to the top 12, even with such an unprecedented lacklustre cast. and the recordings on her space reinforces the mystery. (also featured here)
I heard a spark / Something that glowed / Hundred feet higher I open my eyes / When there is light / To see if I'm closer What if I stopped? / Just for a while / To make it go slower Still up the night / Just for a while / To see if I'm finer / Live like I'm finer
i don't know who carmen rasmusen is, having not watched season 2 of american idol, but that doesn't matter; she didn't win. but there's something in her new single that makes it one of those endearing tracks that you cannot shake off for a while. i'm confused though, if it is reminiscent of the times back when i didn't have a care in the world or a mocking of the moments in life i never had. i get amnesia sometimes.