J. L. BELL is a Massachusetts writer who specializes in (among other things) the start of the American Revolution in and around Boston. He is particularly interested in the experiences of children in 1765-75. He has published scholarly papers and popular articles for both children and adults. He was consultant for an episode of History Detectives, and contributed to a display at Minute Man National Historic Park.

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Showing posts with label Mary Robinson. Show all posts
Showing posts with label Mary Robinson. Show all posts

Friday, August 18, 2017

Tarleton’s Designs and Daughter

As a follow-up to yesterday’s posting about the British actress Mary Robinson, here’s an investigation by Sarah Murden of All Things Georgian about Robinson, her daughter, and her (their?) lover, Col. Banastre Tarleton:
In 1797 Major General Banastre Tarleton was ending his relationship with the actress and courtesan Mary Robinson (before Banastre she was better known as the Perdita to the Prince of Wales’ Florizel). The diarist Joseph Farington recorded on the 2nd May 1797 that Banastre and Mary had separated due to his designs on her daughter ‘who is now 21.’ Maria Elizabeth Robinson, the daughter of Mary and Thomas Robinson, the husband from whom she had separated many years before, had been born in October 1774 so was actually a year older than the diarist thought.

In December 1798 Banastre married Susan Priscilla Bertie, illegitimate daughter and heiress of his former friend Robert Bertie, 4th Duke of Ancaster, who had been brought up by her titled grandmother and her aunt Lady Cholmondeley and who was almost a quarter of a century her husband’s junior.

And at some point around his split from Mary and before his marriage to Susan Priscilla, Banastre was to father an illegitimate daughter, named in his honour and for his friend the Prince, as Banina Georgiana Tarleton. Born on the 19th December 1797, the little girl was not baptized until the 26th May 1801, at the Old Church in Saint Pancras, her mother simply named as Kolina on the baptism register.

This girl had but a short life, almost anonymous until a notice of her death appeared at the age of just twenty years on the 12th April 1818. If her birth date (which is given in the parish register entry of her baptism) is correct, then she must have been conceived around the middle of March 1797, and Banastre appears to be resident in London at that time. Interestingly, the only other woman he is linked with by the press in 1797, other than Mary Robinson, was her daughter.
Murden dug up more about Banina Georgiana Tarleton and others in her circle, though she wasn’t able to reach a firm conclusion about the baby’s mother.

Thursday, August 17, 2017

Mary Robinson, Fashion Icon

Earlier this month, Prof. Terry F. Robinson wrote on the 18th-Century Common website about the British actress Mary Robinson (1757?-1800) and how she was an early example of a celebrity who shaped clothing fashion:
Mary Robinson’s meteoric rise to fame began in 1776 with her dazzling performance on the London stage as Juliet, and in 1779 with her spirited rendering of Perdita in David Garrick’s adaptation of Shakespeare’s The Winter’s Tale. The latter representation captivated the Prince of Wales (the future George IV), and an infamous romance between the newly styled “Perdita” and “Florizel” ensued.

Like many starlets today, her love life became a source of scandal and intrigue. When the Prince’s affection waned, Robinson left the stage and travelled to France. She befriended Marie Antoinette and was courted by the wealthiest man in Europe, the Duke de Chartres. In 1782, after her return from the Continent, Robinson indulged in romances with the dashing young dragoon Colonel Banastre Tarleton, a leading commander of British troops in the war against the American colonies, and Charles James Fox, the charismatic leader of the Whig party.

Robinson’s stage career, though brief (she retired from the boards at the close of the 1779-1780 season), was a tour de force. Her performances—both as an actress and a mistress—earned her widespread acclaim and notoriety. . . . But while Robinson’s acting and amours sparked her popularity, it was her fashion sense and style that kept the flame ablaze. By decorating herself in stunning confections known as the “Perdita Hood,” the “Robinson hat for Ranelagh,” the “Perdita handkerchief,” and the “Robinson gown,” she transformed herself into one of the foremost fashion icons of her day and sent the stylish set into a frenzy.
TOMORROW: Tarleton and the Robinsons.