the future is leaving

Saturday, 1 March 2014

Ercol Rocking ChairErcol Rocking ChairErcol Rocking ChairErcol Rocking ChairErcol Rocking ChairErcol Rocking ChairErcol Rocking ChairGive a girl a new blog, a blank canvas … and then what?  It would appear the freedom to post about anything and everything comes hand in hand with a minefield of decision-making on what exactly one should write about.  Errrr!  But I'm thinking once I get this first post out of the way, it will be plain sailing (fingers crossed).  

True to form, I haven't strayed too far off the beaten track.  Chairs.  This one is a current favourite.  An Ercol rocking chair, Windsor Quaker to be precise.  Picked up at auction after failing to meet its reserve, this sorry fellow was confined to the 'brown furniture' section at the auction house.  That section which, because of all the unfashionable (read ugly) brown, no-one fears to tread … except perhaps for the up-cycler.

The original dark brown stain (varnish, lacquer, call it what you will) on these chairs is fairly invincible, and I've seen one too many unsuccessful attempts at trying to remove it in order to get to the beautiful blonde wood beneath.  Stripping the chair down and all that goes with is a huge undertaking, and the results rarely look good.  So when considering how to transform this little rocker into something more eye-catching, I opted for what some might consider an easy life.  And no doubt there will be others who liken this kind of make-over to a criminal offence.  

Like. I. Care.  

Grey spray paint to the rescue, and I like it this way.  Plus I like spray paint … it's exciting.  Difficult to master, yes.  And being difficult to master means it makes you swear a lot.  But hey-ho, I also like swearing!  Post make-over this chair now gets sat on, rocked … you know, all the stuff a rocking chair should experience in life.  Stuff it wasn't experiencing, nor likely to experience, while hanging out at the auction house waiting for someone to come up with a winning bid.

mix

Tuesday, 2 October 2012

We've come up with a new series which allows us to play around with beautiful images and indulge our wider passion for interiors, lighting, textiles - basically anything home-related.  Today's focus is grey - textures in particular - mixed with our current penchant for all things black and white.  Throw in a few choice chairs, and fingers crossed you'll enjoy what we've come up with.


Do let us know what you think.

Images:  
Pulp Pendant, Folklore | Bedroom, Hitta Hem | Ercol Model 427 Lounge Chair, Cream and Chrome | Elephant Grey Eames RAR, Phillips de Pury | Interior, Convoy | Arkana Chair, Emmas Design BloggBB.09.09 Chandelier, Lindsay Adelman

horny

Monday, 5 March 2012

We popped along to North London Vintage Market on Saturday afternoon - to browse you understand, nothing more, nothing less. We thought we'd left our chairsmith hat at home, but it appears that wherever we go the chairsmith hat goes too, as, after much deliberation and ooh-ing and aah-ing - OK, OK, it didn't take much - we walked away with a quite delightful Ercol rocking chair beautifully made from elm and beech and classic Ercolani.  Now, whilst putting together this post we've realised we've still to unload our booty from the back of the car (ooops), so here are some super pics of someone else's delightful Ercol rocker - this one is a Cowhorn rocker and it's a beauty don't you think?

Images: robkoka via flickr

Lovely seat

Wednesday, 27 July 2011

This simple yet beautiful Ercol Loveseat was designed by Lucian Ercolano in 1956.  This example is the earlier model - no. 349 - which has thirteen spindles making up the back rest as opposed to the later version designed in the 1960s which has nineteen.  With its timeless purity of form, it's easy to see why Ercol remains as popular as ever and is still as 'fashionable' as it was way back when.

Images:  HOWE

Cornish cool

Thursday, 31 March 2011

Just another enviable space containing a desirable collection of designer classics dotted here, there and everywhere.  Cleverly put together by Kathryn Tyler - owner of interior design consultancy Linea Studio - who maintains a buy local philosophy, let's see what Falmouth has to offer on the vintage/mid-century front ....... eight perfectly formed Jason Chairs by Carl Jacobs, a Butterfly Stool by Sori Yanagi, one Organic Chair by Eames/Saarinen, not one, but three Eames Soft Pads, Ercol's Windsor Grandfather Rocker and a Race Rocker by Ernest Race.  Mmmm, not bad!

Images:  Linea Studio

Fancy a lie down?

Friday, 15 October 2010

We've been inspired by Ercol's recent re-issue of the 'Studio Couch'.  Although not technically a day bed, the Studio Couch was developed to function both as a generously proportioned sofa and an occasional single bed for overnight guests.  First introduced in the late 1950s and designed by Ercol's founder Lucian Ercolani, its a British take on the Scandi-style that was so popular in the decade after the war.


Credits/Images:  Daily Tonic 

Balancing act

Wednesday, 13 October 2010

We thought we'd do something a little different today and have opted for, ermmh, sculptures and installations.  Yes, I know what you're thinking, but we are staying true to our roots.  Well, sort of!!  Here's our small selection of some extremely amazing propositions.  We hope you enjoy them.

The Black Hole by Michel de Beoin, 2006.

Installation by Doris Salcedo, created for the International Istanbul Biennale in 2003 and included over 1550 chairs stacked between two city buildings.

Wallpaper* magazine commissioned designer Martino Gamper to create a modern-day Chair Arch for the London Design Festival in 2009. Using Ercol stacking chairs as his building blocks, Gamper built two overlapping arches in the courtyard of the Victoria & Albert Museum.

Alejandra Laviada creates sculptures with found objects in order to alter our conceptions of everyday objects.

Helmut Palla transforms found chairs into unique art pieces.

This picture is from the series 'Memorandoms' by James Nizam.

'In the Woods' by Karen Ryan, 2009.

'Myth Monolith (Liberation Movement)' by Marc Andre Robinson, 2007

Credits/Images:  Design Boom (The Black Hole and Doris Salcedo), Alistair Hall (Chair Arch), Today and Tomorrow (Helmut Palla, James Nizam), Mocoloco (Chair Arch) and National Design Collective (Karen Ryan and Marc Andre Robinson)

Lesson of the day

Thursday, 23 September 2010

We've been reminiscing about the care-free days spent at primary school; when the only worries we had were school dinners and not knowing our hymns off-by-heart during singing practice; the days when our names were lovingly sewn into our clothes, our gloves hung from elastic which had been threaded through the sleeves of our coats, Clarks' shoes, satchels, daps, playing kiss chase, and those tiny little chairs that filled every class room.

And that neatly leads us to the topic of today's tutorial; the humble school chair.


Plywood stacking chairs dating from the 1950s and designed by the Packet Futniture company. Who remembers the coloured dots on the back?


P.E.L./Cox stacking chair dating from the 1930s. Produced in large numbers between the 1930s and 1950's by all the large industrial furniture companies of the time, P.E.L., Cox and Remploy, these chairs do not usually house a makers-mark, although there are slight variations in the design build. The general design is one which covers all practicalities; sturdy, light-weight and space saving in their ability to stack. 


A newer version of the P.E.L./Cox chair dating from around the late 1960s.


Stacking chairs dating from the 1950s with grey/greenish tubular metal frame and wooden seat/back rest.


Ercol's stacking chairs date from the late 1950s and came in different sizes; each size had its own coloured dot on the back. A red dot signified the chair was designed for smaller children, then came the blue dot for larger children, and next up the green dot.



We are all guilty of taking the 'Polypropylene Chair' designed by Robin Day for granted, aren't we??

And new for this term, Very Good & Proper has introduced a 'Canteen Utility Chair' inspired by the ubiquitous post war school chair.


Images: Lassco (1950s plywood stacking chairs), Styling & Salvage (1930's P.E.L./Cox), Elemental (1960's P.E.L./Cox), Pigeon Vintage (1950s stacking chairs), The Teakweasel (Ercol stacking chairs), Design Technology Department (Polypropylene chair)

More butterflies

Saturday, 11 September 2010

Our first post has given us a great idea for our second.  Which butterfly is your favourite?  It's a tricky one ....... we just can't choose between the Series 7 and the Ercol.

Arne Jacobsen's Series 7 (3107) was designed in 1955. It takes nine sheets of veneer, two layers of cotton backing, up to five coats of paint and 11 days to make a 3107. Phew! It is the classic chair often designated as The Butterfly.

Launched in 1958, Ercol's Butterfly Chair showcased their extensive development work which enabled the bending of thick wood laminations to create the beautiful curves of this chair. This butterfly is beautifully crafted in beech and elm and has recently been relauched as part of the Ercol Originals range.

Pierre Paulin's Butterfly Chair dates from 1964. Still unconventional after all these years, this butterfly is Paulin's answer to The Bauhaus. A wink and a nod to Mies, Breuer and Le Corbusier?



Designed by Jorge Ferrari-Hardoy in 1938 this Butterfly Chair houses a brown leather sling seat on a steel frame.
 

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