Showing posts with label Aftelier Rose Essence. Show all posts
Showing posts with label Aftelier Rose Essence. Show all posts

Wednesday, November 24, 2010

Elinor Fettiplace, Walter Raleigh’s Rose Sweet Potatoes and an Excellent Negus





Elinor Fettiplace née Poole (1570-1647) was born 12 years into the reign of Elizabeth the 1st. What the Poole family did well was arrange advantageous marriages that increased their land and fortunes, took positions that had hefty benefits and endeared themselves to important members of the nobility who responded generously to their ministrations.  These talents took them very far very fast.

So far that Elinor’s grandfather, Sir Giles Poole (the Patriarch at the time) had his heart set on creating a mansion to rival his Thynne relations at Longleat (where he had been a retainer 30 years before) as befitting his station in the world but died before it could be finished. Sir Giles did well by his granddaughter, Elinor, leaving a lusty dowry for her marriage to Richard Fettiplace in 1589.  The Fettiplaces had probably been selected for their ancient pedigree (at least back to William the Conquerer in the 11th century) and large land holdings but they had fallen onto hard times in the current generation.  The Pooles made life a little easier for them as part of the marriage agreement in exchange for some acreage.



 Elinor and her husband moved to one of his family holdings, a Norman Manor house at Appleton where she raised 5 children and lived with an extended family.  Her husband Richard was knighted through her family connections in 1601 (possibly as a result of a meeting with Queen Elizabeth at an enormous wedding celebration for Henry Somerset, Lord Herbert in 1600). 


In 1604, Elinor Fettiplace put together a small leather-bound book of recipes, cures and advice that was discovered nearly 400 years later by a descendant, playwright John Spurling and was brought to life in a book by his wife Hilary -- herself a theatre critic, editor and author. Spurling’s book was aptly named Elinor Fettiplace's Recipe Book .
 
Spurling found Elinor’s work inspirational and full of great recipes.  She did a lot of legwork to remake the old recipes while still providing the originals so reinterpretation was possible (which I am thankful for.)  In the intervening 20-odd years since the book was published, many ingredients that were impossible to find then are now available so the recipes can be made as written (still no musk though!).

Fettiplace’s work was one of the first books of its kind that we know of, handwritten by a very literate, well-to-do woman (well actually for her… a secretary most likely did the writing).  She outlived 2 husbands and lived to be nearly 80… a fine old age for the time.


           Sir Walter Raleigh 1554-1618

Many of the recipes came from powerful friends and famous neighbors like Sir Walter Raleigh (she was related to his brother, Carew Raleigh) who contributed some unusual recipes from wondrous new produce obtained on his forays to the New World in 1595 and again in 1616.  Aside from tobacco water and syrup, he also shared recipes for sweet potatoes that were brand new imports.

The sweet potato member of the Convolvulaceae family (related to morning glory, not the potato) was domesticated in South America at least 5000 years ago.






John Hawkins (ship builder and architect of the Elizabethan navy that triumphed over the much larger Spanish Armada in 1588) may have brought the sweet potato to England in 1565, but Elinor’s neighbor, Walter Raleigh, grew them after his visit to the new world in 1595.  I would imagine that the sweet potato was as rare as a white Italian truffle when Elinor wrote her recipe book in 1604.  Her recipe for the prized vegetable with rose and ambergris doesn’t seem so extravagant given the newness and scarcity of the New World vegetable.  The combination is inspirational with the voluptuous texture of the sweet potato -- the rose perfumed syrup transforms the lowly potato completely by treating it like a fine preserved fruit.



Sweet Potatoes with Rose Syrup and Ambergris

1 pound sweet potatoes
1 pound sugar
1 c water (1/2 cup if using rose water)
2 drops Aftelier rose essence or ½ c rosewater
juice of 3 oranges
a pea sized piece of  ambergris, grated or 1 t vanilla
Dried Rose Buds for garnish (optional)

Boil or bake the potatoes till cooked but not mushy.  Remove the skin and then slice.

Heat the sugar with the water and rose until liquefied over a low heat, add the orange juice and simmer for 10 minutes.  Skim and add the sweet potatoes and heat over a low flame for 20 min.  Remove the potatoes.  Put the hot liquid into the dish you are using to store/serve them in and add the rose essence or rose water.  It is best done the day before so the flavors meld.  Serve by warming the mixture (especially the syrup) and grate the ambergris over them (or add the vanilla).



“Boile your roots in faire water until they bee somewhat tender then pill of the skinne, then make your syrupe, weying to every pound of roots a pound of sugar and a quarter of a pint of faire water, & as much of rose water, & the juice of three or fowre oranges, then boile the syrupe, & boile them till they bee throughlie soaked in the syrupe, before you take it from the fire, put in a little musk and amber greece.”

I love ambergris and wanted to also use it for a special holiday celebration drink after being inspired by Meriton Latroon’s Punch by historical mixologist, David Wondrich in the NYT’s  and in his new book, Punch: The Delights (and Dangers) of the Flowing Bowl.



Chest of Books  says “Punch is of course from the Hindustani [character] signifying 5, from its five original ingredients, to wit, aqua vitae, rose water, sugar, arrack, and citron juice”, but the definition has widened a good deal in the passing years.  I was noodling around in one of my favorite 19th century drink books, Cooling Cups and Dainty Drinks by William Terrington and found a recipe for special version of Negus… a warm port drink with ambergris that fit the bill perfectly and isn’t far from the spirit of the spiced wine Hippocras  popular in England for hundreds of years. I think it would have pleased Elinor. 
My ambergris is from Ambergris Co. NZ , a fine reputable source of found ambergris ( I wrote about it HERE).  It is such a haunting scent.  I had wished I could wear it as a perfume as well as using it for cooking and drinking and EUREKA—now they are making the real deal in an ambergris perfume   … a dream come true for Christmas (hint hint)!  Added to the glorious scent of an old port… well, this is a special occasion drink and if you don’t know about great vintage port… you are missing something wondrous. 

My favorite port quote came from a 1932 book by H. Warner Allen called The Romance of Wine that I’ve had since college.  He reflected on the space left at the top of a port bottle by saying “ I have liked to fancy that the extra air space is given to vintage port rather as a small supply of food was provided for the guilty Vestal Virgin when she was being buried alive.  Condemned to grow up in the most difficult of conditions with no external aid, the wine is given a little extra air to encourage it in its desperate strivings towards perfection…” on its journey to become what wine connoisseur Prof. Saintsbury called “our noblest legacy”.  Come on, you have to admit, that is quite an image.  He also says that an old port tastes of “molten gold and soft purples of antique tapestry”… with that reflection’s purple prose , I concur.

Negus is a wine punch, named after Col. Francis Negus who invented it in the early part of the 18th century during the reign of Queen Anne. The drink flows all around English literature from Jane Austen to the Bronte sisters to Dickens and in modern times with Patrick O’Brian and his Aubrey novels.  It was usually port wine with sugar rubbed on lemon peel, lemon juice and nutmeg -- warming and popular for 100 or so years on both sides of the Atlantic.  It often had a good deal more water in it than wine and by the mid-19th century was considered a good drink for children.  In this version it’s a luxurious drink with a fine port made even more elegant with the sweet breath of ambergris tossed on its steaming wine-dark waters.

 


Excellent Negus for 4, based on a recipe from Cooling Cups

1 c port (I used a 1983 Warre Port from The Rare Wine Company but an LBV or good ruby will work, however, the better the port the better the drink )
1/3 to 1 c of water (your choice and it depends on the port used--I liked much less water)
juice  and the grated  peel of  a ¼ lemon
pinch of grated nutmeg
sugar to taste ( I used 4 t)
1 pea sized piece of ambergris (Ambergris Co. NZ) or 2 drops of vanilla

Heat the liquids and add all the lemon and peel, nutmeg and sugar and pour in a glass (I preferred it with no lemon juice... just the peel).

Grate the ambergris over each serving while still hot… this releases the oils in the ambergris, it is not as effective when it cools.  Then, inhale… the scent is magical. Ambergris is something you smell more than taste.  Breathe deeply of the warm scented steam before you taste.



PS.  Last weekend I went to a fabulous series of lectures and demonstrations at the Astor Center in NYC in a series called The Alchemy of Taste and Smell with such food luminaries as Harold McGee, Johnny Iuzzini, David Chang (Momofuku) Wylie DuFresne, David Patterson and master mixologist Audrey Saunders of Pegu Club.  It was a celebration of the art of Mandy Aftel of Aftelier who makes the divine chef essences I so love to use.  They have changed the way I think about food and are doing the same thing for chefs and drink masters all over the world. She has reestablished the connection between the perfumer’s art and cooking… a connection that existed for millennia (see Cosimo de Medici’s apothecary Francesco Redi who created Jasmine Chocolate HERE ) . Do try some of her amazing scents… they will rock your world and your cooking for the holidays!






AND, the beautiful Lorraine at Not Quite Nigella, was kind enough to mention this blog  in an Australian magazine, My Look Book … how cool is that… many thanks… and buy  her book when it comes out… it’s sure to be a gas.

Thanks to Gollum for hosting Foodie Friday!


Friday, October 15, 2010

The Penny Lick and Pomegranate Rose Ice Cream




Happy accidents often occur to Antique browsers like myself.  Whilst looking for something else, a new item will cross my path and bid me to bid and learn more about it.



 One such item was the penny lick glass.  Fascinated by its Ebay description,  I discovered they came in 3 sizes: the halfpenny lick, the penny lick, and the two-penny lick, with the Penny lick being the most popular. In an article from The Victoria & Albert Museum of Childhood (a very cool museum) on Edwardian Lives they wrote:  “The ice cream still often came as a 'Penny Lick'… a tiny portion to be licked out of a small serving glass which was (at best) wiped between customers. This was recognized as being notoriously unhygienic even then, and because of the thickness of the glass, often gave the customer disappointingly less than it appeared to. Then from the vendor's point of view the glasses were also liable to break or be stolen. No wonder that edible ice cream cones were such a success.” 

A pastry alternative to the Penny lick glass (penny licks were banned in London in 1899) was patented by Italo Marciony in New York in 1903, but this was a cup and not a cone. Many sources said the ice cream cone was invented by Syrian pastry makers based on the grid-patterned zalabia  (usually soaked in an orange-flower honey syrup) around the turn of the century at an American World's Fair… myth has it an ice cream vendor ran out of containers.  There are many who claim to have been the first to invent it but there are no clear winners for that title. To make it even more confusing, the field is very murky indeed with a difference between the restaurant or homemade cone with a long history and the street vender cone that appeared at the turn of the 20th century.



On the Historic Food website, Robin Weir (who has spent years trying to get to the bottom of all things ice cream) said that Mrs. Marshall mentions an edible cone or cornet made with almonds that were “filled with any cream or water ice or set custard or fruits” in her 1888 Mrs A.B. Marshall’s Cookery Book.




Charles Elme Francatelli (Queen Victoria’s chef) in The Modern Cook: A Practical Guide to the Culinary Art in All Its Branches had a recipe for ice cream stuffed almond gauffres or cornets (very much like the tuilles of today) in 1859 in a dish called Pudding, A La Cerito: “cornets or cornucopia, each being filled with a little of the vanilla-cream ice and a strawberry placed on the top…” although these were part of a larger confection, the recipe for the gauffres mentions ‘garnishing’ the cornets with vanilla cream-ice.





A few years earlier, Weir has an engraving of Frascati’s restaurant in Paris from 1807 that he believes shows a woman with an ice cream cone… who can say?  His book,  Frozen Desserts: The Definitive Guide to Making Ice Creams, Ices, Sorbets, Gelati, and Other Frozen Delights is a killer.





Robin Weir also mentions that cornets have been made since at least 1776 when they are mentioned in The Professed Cook  by Bernard Clermont (this is an amazing book, btw, and  I learned ice cream as we know it was still called  iced cheese or fromage glacé in 1776) but there was no instruction to use the gaufrettes for ice cream that I could find in the book.

What's Cooking in America says there were paper and metal cones in France, England and Germany in the 19th Century and my favorite Charles Ranhofer was using "rolled waffle cornets" at Delmonicos in New York in the 19th century!

It does appear that the cone came before the glass, doesn’t it? These are, however,  restaurants and cookbooks by professional chefs and not  street vendors. The glasses were only around for 50 years or so at best… the cone, well at least a few years before the glass!

I got my little penny lick glass from England (although they were made in the US) but think it may be a two-penny, since it has a deeper bowl than many I’ve seen. It is a little under 3” tall, so quite small but still heavy.  When I made my orange ice cream flowers I was inspired by a Taste of Beirut post to combine pomegranate and rose for an ice cream flavor and thought it would be perfect for my penny lick glass.

The pomegranate juice came from the lovely people at POM Wonderful  who sent me a box of 8 oz bottles.  The first I used for one of my favorite guilty pleasures, brown buttered popcorn washed down with pomegranate juice, it’s just insanely good and arrived at purely by accident so many years ago (salty popcorn, nothing to drink but pomegranate juice = heaven).  Three of my bottles went into the ice cream.  It is sweet and tangy and terribly delicious… I can imagine it with brown-butter salted almonds or shortbread cookies.  Although delicious, it is a muddy color on its own (all those lovely eggs took the red out!) so I did add a bit of red food coloring to give it the rosy glow that it deserved.  Grass-fed cow’s milk and pasture-raised eggs make all the difference in taste and are better for you, the animals, the farmer and the planet, FYI!

May I recommend a use for your rosy ice cream?  Try a Pomegranate Champagne Float.
It’s a float for grown-ups and very very tasty.



Pomegranate-Rose Ice Cream


3 c POM Wonderful pomegranate juice
1 ½ c milk (milk and cream from Milk Thistle Farm)
1 ½ c cream
½ c sugar
1 t vanilla
4 egg yolks (mine come from Grazin Angus Acres)
2 T maple syrup
juice of ½ lime
1-2 T Pama pomegranate liqueur (optional)
a few drops of red food coloring
2-3 drops Aftelier Rose essence (or 2 T rosewater)

Reduce 2 ½ c pomegranate juice to 1 c.  Toss in the remaining pomegranate juice and reserve. 

Combine yolks and sugar and whip together till a lemon yellow.  Warm the milk and cream and add to the yolk and sugar mixture, blend and return to the pan.  Bring slowly to 170º (about 5 minutes) stirring all the time. Remove from heat and strain.

Add the pomegranate, vanilla, maple syrup and limejuice.  Add rose to taste.  Chill and freeze in an ice cream maker.


Pomegranate-Rose Champagne Float, for 1

1 scoop pomegranate rose ice cream
1 glass sparkling wine (I used the Donati Malvesia)

Put a scoop of ice cream in a glass and pour the wine over it.  Serve with a spoon



 Get rose essence here: Aftelier Products

Tuesday, October 12, 2010

Cimmerian Shade Cocktail



Cim·me·ri·an 

[si-meer-ee-uhn]
–adjective
1.
Classical Mythology of, pertaining to, or suggestive of a western people believed to dwell in perpetual darkness.
2.
very dark; gloomy: deep, Cimmerian caverns.



One of the coolest things about creating a drink is naming it. My favorite cocktail book, ‘Professor’ Jerry Thomas’s The Bartender's Guide from 1863 has some real masterpieces like “The Blue Blazer” (nothing to do with clothing… it’s the artful toss of blue Scotch fire from one glass to the other - an arm’s length away!), the Black Stripe (rum & molasses), Rumfustian (a hot drink to warm after a cold hunt made of egg yolks, beer, gin and sherry with lemon rind and sugar) and Pousse l’Amour (egg yolk, maraschino, vanilla cordial and cognac).

Channeling my inner Jerry Thomas, I wanted to make a drink of my own after I read an article recently in the NYT’s  about the ‘spritz’.

“Goodbye beer, it’s spritz time,” read one Italian newspaper headline this summer, gushing over the newfound popularity of the drink in Germany”, said the article.

I love adding things to sparkling wine, probably a leftover of the kir royales and spritzers of my youth. It brightens up wine and although it is not wise to use great vintages for the job, neither should it be used to make lousy wines palatable by masking the flavors. It is an additional flavor…an enhancement.

Bao Ong, who wrote the article said: “Venice, Padua and Trieste all claim paternity rights to the spritz, but its origins probably lie in the Austrian Empire, which took over Veneto in the early 19th century. Hapsburg soldiers, local legend has it, would water down the strong local wine with a squirt (spritzen) of sparkling water.” In Italy, bitter additions are the norm, things like Campari, Aperol or Cynar are combined with wine and soda or sparkling wine. Closer to home in Brooklyn, rhubarb and strawberry are added to the drink at The Clover Club (go to the website… it is very cool) while still keeping the bitter component for contrast.


The idea for the spritz is not original. Professor Thomas has many recipes for wine and champagne punches – a style that goes well back into the 19th century. Even though the term spritz may be German in origin, the concept is universal.

And what of the name, Cimmerian Shade? I loved the sound of it and the sense of it!  Obviously Robert E Howard thought so too when he named Conan the Barbarian’s homeland Cimmeria. There were Cimmerians (from the Greek, Κιμμέριοι) listed in the Odyssey (Ὀδύσσεια) where Homer said they lived “in a land of fog and darkness, at the edge of the world and the entrance to Hades” according to Wikipedia and it was this myth that caused the definition of Cimmerian to be coined. In reality, they were equestrian nomads from what is now Russia who may have been related to the Welsh and Bretons. The dark murky purple of the drink seemed to ask to be named after the mythic race of men.

For my new drink, my new addiction, a rich, dark Concord grape syrup with a hit of Cremé de Violette  and Aftelier’s rose essence  . I had made a wonderful (if grayish) ice cream with it… then topped it with more of the grape syrup and a few toasted almonds. Divine. I noticed Concord grape is appearing all over town this fall in drinks and sauces, after you taste this, you will know why. When I made the drink, I used a favorite sparkling wine, Donati Malvesia (organic too!). This gives it an unusual zing and is perfect for this drink (and delicious on its own).




Cimmerian Shade

2 T Violet Rose Grape Syrup
½ c Sparkling wine (Donati Malvesia )

Put the syrup in a glass, pour the sparkling wine over all and stir to blend or leave as it is for an ombré appearance (very popular in fashion this year!).

You can add more crème de violette and rose should you desire.




Violet Rose Grape Syrup based on All Our Fingers in the Pie’s Recipe

1 pound Concord grapes
1 c sugar
1 T lemon Juice
3 T Crème de Violette
1-2 drops Aftelier Rose Essence

Remove the skins from the grapes. Process the skins with the sugar till a puree. Cook the grapes and the puree till the pulp dissolves. Put this through a food mill or strainer to remove the seeds and cook this mixture till thickened to a thick syrup. Add the Crème de Violette and rose essence when cooled and store in the fridge.


1810 English Rummer Glass