::
:: 
:: 
::
::
::
By Mathilde Madden
Sex is a staple of comedy, from vicars and tarts to the filthiest 'blue' comics, from seaside postcards to the rather lovely Boyce and Statham and their dubious relationship in the Channel Four sitcom Green Wing. But how about going the other way (missus?) – how about comedy in erotica?
I used to be funny.
I used to be a stand up comic. I made a lot of jokes about sex. I had jokes about breast implants, jokes about male sexuality. I had a joke about fisting. (Get me drunk and I'll probably tell it.)
And actually, writing erotica and writing or performing comedy are very similar. In both case you are using nothing but words to create a physical reaction in your audience. You can never be sure if you've got it right. You can only do what you find funny or hot, but the way your audience react will soon let you know if you've hit the spot; be it the funny bone or somewhere lower down.
I think comedy and comic writing, if it's a skill you have, can be really useful tools in erotica and erotic romance. I'll explain here how I use them and how I think they can enhance the book. And you can chip in at the end and let me know if I've got it right.
Funny Boys
So the heroine and the hero finally fall into bed. Passion is rising. After 150 pages of bickering and unrequitedness and angst and conflict they're finally going to do it. And it's *hilarious*.
Yeah. So, I know. Sexy and funny don't always mix.
But a lot of women say the main thing they look for in a guy is a good sense of humour. So forget tall dark and handsome – for a really sexy hero give him a few good lines.
Actually though, why not make him gorgeous *and* sexy.
David in my book Equal Opportunities is a good example. He's a great looking guy. He's also in a wheelchair and, a lot of the time, he's pretty pissed off about that. But whiny self-pity isn't really attractive in a hero, even if - like David - they have lot to feel sorry about. So I gave David a strong sense of humour and a sardonic voice that could poke fun at his own problems without making them trivial.
In my second novel, Mad About the Boy, my heroine Sophie is torn between her long time boyfriend Rex and male escort Mark. Mark is absolutely gorgeous, and Rex, well, Rex is lanky with bright orange hair. But Rex is way sexier than Mark because Rex is, just, well, Rex.
'I have presents,' he says, answering my yet-to-be-asked-question, 'sleazy presents.' And the magazines drop from his arms onto my stripped floorboards, sliding over each other glossily, like a sort of naked-man-slick.
I pick up the nearest one. It's called Boy Time and it looks like a gay porno. 'Rex,' I say, brightly, turning the shiny prettiness over and over in my hands, 'do you have something to tell me?'
Rex laughs, shaking his head cheerily. 'Sadly not – I was still heterosexual last time I checked. But you know, if I had turned to the dark-side in the last twenty four hours, I so would tell you by throwing a pile of gay porn across your front room.'
Funny Heroines
There is some debate about whether funny women are sexy. I've never had any complaints, but some female comics used to say it stopped them getting dates. But in erotic romance having a funny heroine can give her a sassy quality that means she doesn't take herself too seriously. In a book like my novel Peep Show, where the heroine is doing some fairly unethical things (spying on gay men having sex, using a photo of her own super-hot boyfriend so she can chat up gay guys online), giving her a sense of humour about them stops it all getting too seedy.
Here's a short example. Our heroine Imogen's take on her online beau Dark Knight's reaction to the photographs she sends him of her hot boyfriend Christian.
Funny Stories
Sometimes comedy can be more than just a character. Sometimes a whole erotic story can be comical. In the upcoming Wicked Words collection Sex in Public, my story – Lust for Glory - is pretty much a comic romp. Albeit a romp through a world of glory holes and getting crushes on the men from Lost. But this is quite definitely a comic story as much as an erotic one.
It's from the heroine Lou's point of view and, as with Peep Show, the heroine needs a sassy voice because of some rather unethical behaviour (you'll have to read the story to find out just what) but this is the closest I've written to out and out erotic farce. And I like it.
Gracie runs her own sort of company. Sort of. It's basically a catering company, but she likes to pretend they do events management and party planning as well. They don't. They reheat vol-u-vents and serve champagne. And it's not really even a proper company because Gracie's family are utterly loaded and the entire organisation is being propped up by the generous handouts her family keep giving her (supposedly to avoid paying inheritance tax).
I don't like working for Gracie at the weekend. For any number of reasons borne of both laziness and class warring principle, but she does pay pretty well and I've been a bit trigger happy on EBay lately - my last credit card bill was just a piece of paper with the words 'Oh-my-fucking-god' written on it.
'Front of house?' I ask, because wafting around topping up champagne glasses is slightly better than unloading and reloading a dishwasher in an ancient kitchen.
Gracie winces. 'Front for Willy or Markie, back for you, Lou.'
'What? Why?'
'Um, well, it's kind of a men only kind of party.' Gracie says and makes such a weird face that you would actually think that she couldn't possibly conceive of why a group of men would want to have a private party with no women around. Her. Her who is sitting here next to Mark and William. William with his hand down the front of Mark's trousers
Funny Business
I was going to say here that I don't always write funny. But I do actually usually tend to get a little joke or funny line in somewhere. A recent story I wrote I thought was pretty straight until a crit partner told me how much he liked the little jokey line about the Christmas present. (I'll tell you where you can find that joke as soon as it's confirmed.)
So, I guess I always write a little light hearted, but when I read, I like allsorts. In fact I love angst and buckets of gore and abject misery. But, for my writing that's just not my style.
Course there's funny and there's funny. Nothing in erotica is worse than an unintentionally funny sex scene. You know that thing about having people laughing *with* you rather than *at* you? Never more important in funny erotica.
So, tell me, do you like your heroes funny or brooding? Are funny heroines sassy or just smart arse? Do you like comic scenes in your erotica, or does it break the mood? Do you want to laugh and squirm?
Should good erotica laugh you into bed?
Tilly aka Mathilde Madden
