Showing posts with label Angela Ackerman. Show all posts
Showing posts with label Angela Ackerman. Show all posts

Monday, July 13, 2020

A Character’s Occupation Is More Important Than You Might Think

by Guest Angela Ackerman


Confession time: when I was a somewhat green writer, I didn’t think much about a character’s occupation. In fact, if I needed one, I’d assign the first thing that came to mind which worked for the situation (say, an after-school gig). And then like a checkbox, I marked that “sideline detail” done and moved on to “something more important.” 


Far from being an afterthought, a character’s job is a powerful opportunity to showcase many things about them.


I didn’t know this back then, but I do now, and so as you can imagine, I weigh potential occupations much more carefully! 

In the real world, work is a big focus for all of us. Consider your own job. How many hours a day do you spend working? Do you bring it home with you, obsess about it, spend hours thinking about it?

Characters are mirrors of us, so work is a big part of their reality, too. Like us, if possible, they will choose a job they are interested in, good at, and it pays the bills…meaning that if we choose a job with care, it becomes a goldmine of characterization and plot opportunities.


 

Here are some of the things a job can reveal about your character.

PRIORITIES: 
Jobs almost always shed a light on what your character cares about and will sacrifice for. If they work two jobs, forgoing sleep, time off, hobbies, and socialization, there’s a reason for it. Maybe they are supporting their family as a single parent, are trying to put themselves through school, have younger siblings to support because their parents are deadbeats, or something else. So, ask yourself: is my character all about money? Do they crave power and influence? Whatever it is, make sure their job choice reflects this.  

PERSONALITY TRAITS:
Certain traits make it easier for someone to succeed at their job, so when a reader sees a character working in a specific field, they’re going to naturally draw conclusions about their personality. A character who is a server in a restaurant likely relies on tips to supplement their income, so a reader would expect they would be friendly, respectful, and hard-working. Likewise, if you introduce your character as a pickpocket, right away a reader will start imagining someone who is observant, calculating, opportunistic.       

ABILITIES:
Obviously natural abilities and skills can make someone good at what they do. A surgeon will have steady hands. A psychologist will be a reader of body language. A police officer will notice details and be able to recall them immediately, on duty or off. Skills not only make someone unique; they can also help a character achieve their goal. For example, if your special needs teacher is taken hostage, maybe her experience with deescalating volatile situations and ability to persuade might help her convince her captor to let her go. 

MOTIVATION: 
Characters, like people, are driven by unmet needs. An occupation can represent a steppingstone to what they want (a personal trainer who is working to become a professional weight lifter), or even be a sign of an emotional wound (a bounty hunter who brings criminals to justice because his parents were killed and the murderer was never caught). 

HOBBIES AND PASSIONS:
Careers may grow from a favorite activity. Does your character love stand-up comedy and so makes a career of it? Do they have a passion for dollhouses and so they build a business that sells dollhouse-making supplies? 

PHYSICAL DETAILS:
A construction worker is going to be rugged and strong. A mechanic will have stained, calloused hands. Whether it’s the uniform or expectations that go with the job, an occupation can provide many unspoken clues about how a character looks and behaves at work. 

LIKES AND DISLIKES:
What does your character’s job say about their preferences? A professional athlete will enjoy exercise, being part of a team, and setting stretch goals….and they probably wouldn’t like to be around people who are lazy, unmotivated, and whine about how tough life is. 

ETHICS, VALUES, AND BELIEFS: 
Did your character choose a job that aligns with his deepest beliefs? A military career communicates patriotism and respect for one’s country. A doctor or judge will have strong ethics. Careers can be a great way to shed light on the character’s beliefs system and moral code.

EDUCATION LEVEL:
Some occupations will give readers a good idea of your character’s education. For example, a scientist, educator, doctor, geologist, or nurse clearly has a great deal of education. Likewise, a cab driver, bartender, or retail worker may not. (Note the may; plenty of situations exist where someone with a higher education chooses a job that requires less: a career pivot to something less stressful or that aligns more with their interests, a character who has trouble finding work, etc.



As you can see, you can get a lot of show-don’t-tell mileage from your character’s job choice! So, don’t make the mistake I did long ago and take your time when choosing the work they do. (This list will get you started.) If you would like to explore more ways to utilize a character’s career, check out The Occupation Thesaurus: A Writer’s Guide to Jobs, Vocations, and Careers.


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A note from Missy: I'm really excited about this book! I have the hardest time deciding on a career for my characters. Now I know better how to use their job choices in characterization!  

 

Angela Ackerman is a writing coach, international speaker, and co-author of the bestselling book, The Emotion Thesaurus and its many sequels. Her books are available in eight languages, are sourced by US universities, recommended by agents and editors, and are used by novelists, screenwriters, and psychologists around the world. To date, this book collection has sold over half a million copies.

Angela is also the co-founder of the popular site Writers Helping Writers, as well as One Stop for Writers, a portal to game-changing tools and resources that enable writers to craft powerful fiction. Find her on FacebookTwitter, and Instagram.

 

Wednesday, January 30, 2019

Emotion and The Setting: A Powerful Story Combo

By Guest Angela Ackerman


An interesting thing happens when setting and character come together, something writers don’t fully realize, or if they do, may not use to its full advantage: combined with intent, these two elements produce emotion. 
What do I mean by that? Well, think about us in the real world. Are there places you choose to vacation again and again? Is there a specific route you like to walk the dog, or areas in the city you enjoy visiting? Do you have a favorite restaurant, room in the house, coffeeshop, or park to sit in? I’m betting you do. Spaces we return to are special in some way, causing us to experience positive emotions. We may enjoy them for their beautiful scenery, their energy or solitude, because they remind us of the comforts of home, or some other meaningful reason. 
Just as we gravitate to places that make us feel good or safe, we also make emotional decisions about locations to avoid: that dark ally shortcut, the friend’s car that smells like spoiled milk, the high school football field where we were humiliated in front of the entire senior class. These spaces make us feel unsafe, vulnerable, or unhappy.
Our characters are just like us, so they will also have a catalog of places that hold personal meaning, good and bad.



The difference between the real world and the fictional one? Rather than shield our characters from uncomfortable emotions, we want to encourage them.
I know, it sounds a bit sadistic but exposing them to settings that trigger a range of emotions, some of which they desperately want to avoid, will not only produce conflict (a necessary ingredient in story), it will help to reveal their hidden layers. 
Beneath the surface of any character is a dark underside: insecurities, fears, and pain caused by negative past experiences and unresolved emotional trauma. This baggage is costly to lug around, causing unhappiness and steering the character’s life off course. This is usually how readers find them at the start of a story: incomplete, adrift, and hurting. And, if the writer has chosen a change arc for the character, it’s even more important to pull this pain to the surface where it can finally be acknowledged and dealt with. Only then can the character move forward toward happiness and hope, fulfilling the change arc and achieving their goal. 
Positive and negative, emotions are the lifeblood of a story. The setting we choose for each scene is a vehicle to bring out a wider range of emotions, including those that provide a window for readers to see inside the character and the struggle going on within. Here are three ways you can deliberately use the setting to bring out your character’s deeper emotions. 


Choose Specific Settings for a Reason
With each scene, think about the actions that will unfold and what each character’s emotional state will be. If you can, find a setting location that will amplify these emotions, perhaps by choosing one that holds personal meaning (good or bad). For example, what location would be a better choice for revealing a parent’s betrayal to her adult son: in the car on the way to the airport at the end of a visit, or at the playground where the character and his mother would come every day after school? The setting itself can trigger powerful emotions in the right circumstance.
Provide Obstacles
If your character is under so much pressure they’re struggling to function or they are on their final frayed nerve, use the setting to plant a natural obstacle in their path (a nosy security guard, a locked door, a car that dies halfway to their destination) that pushes them past their limits to cope. This new difficulty will trigger powerful, raw emotions whether they break under the strain, or find inner strength to prevail. 
Resurrect a Ghost
When it comes to the painful past, characters want it to stay there: in the past. So instead, we writers should dig around in that old suitcase of pain and resurrect a ghost: a person, thing, situation, or experience that will act as an echo of that past trauma. It might be a setting itself, or something that can be inserted into the setting. Maybe the character’s alcoholic dad shows up unannounced to her child’s graduation party at a restaurant, or a couple planning a honeymoon trip arrive at their appointment to discover the travel agent is a bitter ex-girlfriend. Perhaps the character is ill and is forced to pull into a roadside stop, a place she normally avoids at all costs as she was carjacked at one once.
What does the character feel in this moment? What will they do? Choose settings and setting elements specifically to awaken complicated emotions and possibly force them to deal with something from the past. 
Becca and I love to think about how we can push description to work harder in our stories. The possibilities are endless, so we encourage you to always think deeper, combining elements and experimenting with ways to increase tension, personalize story moments, and especially to deepen emotion. 

If you ever need help, visit our website or check out our books. And if you happen to be a fan of our work, you might be interested to know there is now a Second Edition of The Emotion Thesaurus. We’ve added 55 new emotions to the original 75 and have made a lot of other improvements. We also have a free webinar on Using Emotion to Wow Readers that we’ve made available until the end of February. If this is an area of struggle, visit this post to grab the link!

Angela Ackerman is a writing coach, international speaker, and co-author of the bestselling book, The Emotion Thesaurus: A Writer’s Guide to Character Expression, (now an expanded 2nd edition!) as well as six others. Her books are available in six languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. Angela is also the co-founder of the popular site Writers Helping Writers, as well as One Stop for Writers, an innovative online library built to help writers elevate their storytelling. Find her on FacebookTwitter, and Instagram.