Showing posts with label Reality Fiction. Show all posts
Showing posts with label Reality Fiction. Show all posts

Friday, April 3, 2020

How to Pull the Perfect Story from Imperfect Headlines

A politician once declared "Never let a good crisis go to waste."

That means in times of trouble, or in emergencies, you may have more leverage and opportunity to do things you want to do or to enact things you think are either important or will benefit your constituency.... or your own pocket. :)

Writers are different. Writers see or hear a story and the questions that run through their minds are the "What if?" of a situation... 

What if he doesn't check that rearview mirror as he drives away?

What if she decides to keep the baby and raise her as her own?

What if the house doesn't land on the witch's sister when it sails to Oz?

I've asked several amazing authors to give us ideas for how they winnow stories from headlines. Here's New York Times bestselling author Linda Goodnight's thoughts:


Many of my books are sparked by everyday news stories or a human interest story within a crisis (not the actual crisis). For me, there is no method. I'm sorry. I wish I had ten easy steps, but alas, I am a touchy-feely writer. it's all about how the event or someone in that event makes me feel. Does some portion of the story move me? Will my readers also relate to it on an emotional level? Can I create characters and a book around that kernel of an idea? I am a born fixer, so my desire to create a happy ending for the real people in those news reports gets me searching for a plot that will "fix" the situation (if only in a fictional sense).
The Honey Ridge Novels, for example, all started from one tragic news story of a child missing for many years.  Another time, I heard a news report of a young single mother seeking a family for her children because she was dying. Oh! Can you imagine? I could, at least a little, because that's what writers do. We imagine. I cried for her and those babies, and from that emotion and her unthinkable situation, came the basic premise for the Last Bridge Home. Everything, for me, hinges on the emotion in an event, and then my "what if" mind starts spinning. 

Socially distant hugs from the Okie!




And here is the question posed to award-winning, USA Today Bestselling multi-published author Margaret Daley:


But as an author, how do you pull stories from headlines or crises? Is there a method? Or is it simply inspiration? 

It is inspiration and what I'm passionate about. I've written about human trafficking before but last fall I felt I needed to write another book about what is going on in the US and the world. Missing is about child (sex) trafficking and was one of the hardest books I wrote. There is a lot of it going on, and we need to do something about stopping it.
Take care and stay safe,
Margaret


And USA TODAY Bestselling author Debby Giusti agreed to come on board with her thoughts on this, too.


When I wrote my second book for Love Inspired Suspense, I wove the plot around a nefarious doctor who was harvesting organs and selling them on the black market. Unbeknownst to me, my editor’s father was the head of US organ transplants in the Northeast, and he insisted no such activity could or would take place in the US. As you may have guessed, I had to rework the story. Thankfully, just days earlier, I had watched a news report about folks in the US who traveled to foreign locations where they could not only procure organs more quickly—and cheaply—but they could also have their surgeries done within a few days of their arrival in the country. The travelers were called “transplant tourists” because they often went sightseeing until their organs were available. Soon after surgery, the tourists returned to the US, but without the patients being under a doctor’s care, what seemed like a lifesaver to many often resulted in life-threatening complications. I rewrote my story and included the transplant tourist racket. SCARED TO DEATH released in 2007 and won the Daphne du Maurier Award for Inspirational Suspense the following year.





And then there's my take on this, to wrap it up.

We're not politicians. We don't look at a crisis or a tragedy or a disaster and wonder how we can tip the boat our way...

We look at that situation and think "How can I make this better? How can I fix this?" In my bestselling, award-winning Wishing Bridge series,  I wanted three women with tragic pasts, three old friends, to have to reconvene a dozen years later just in time to re-examine their choices... and I used an unwed mother to do it. It's a tale as old as time, a woman alone, in her hour of need.

People relate to people. We feel for them, and when authors look at a crisis, they don't see dollar signs.

They see hearts and souls.



What are some of your favorite books or series, things that really touched you or stayed with you? Leave a comment below to win a surprise pack of books! 




Wednesday, September 12, 2018

The Serious Side of Reality Fiction

Reality Fiction... What is it? Isn't most fiction based on reality?

Kind of. With exceptions.

Anyone who is married to a male of the species knows that fictional heroes might make a few gaffes, but they always come through in the end with the appropriate groveling, grinning, gut-wrenching smile that wins our hearts... and makes us love romance.



In real life that might come through as a grunt. At least around here, grunts tend to outnumber gut-wrenching smiles. Please DO NOT tell me if your reality is different. Let me live in my obscure view of reality.

So what makes "reality" fiction different?

It goes deeper. It taps into the poignancy of the moment with a punch. It deals with the dark sides of life and sheds light and faith on them... and healing.

Or it simply goes all mainstream literature and leaves you wondering if life is worth living... But I love my happy endings. I love hope and no matter how bad reality is, hope springs forth.

Hi, I'm Ruthy and I love writing reality fiction. And with almost two million books sold, it seems readers like it, too.... But this blog isn't about me. I know my strengths. I work to polish my weaknesses, and they are many.... Here are a few flaws that editors help me on all the time:

Repetitive phrases
Ascribing the same catchy words to more than one person
Messed up timelines
Not enough romance
Too much romance
Too much time on secondary characters in short books

So you'd think I'd learn that these are my weaknesses, and I know it... and I try to slice and dice and deliver a clean product. But writers aren't perfect and that's why an editor is a marvelous and very necessary thing.... It's okay if you don't think so. I know writers who offer their work up after a beta reader gives them the thumb up emoji.

That's them.

I want the polish. I want my indie fiction as strong as my traditional fiction. And I've worked with great editors from half-a-dozen publishing houses. I've learned so much from them... But not so much that I trust my work raw or with readers because an editor looks closer. Deeper.  I use Beth Jamison of Jamison Editing for my indie work. We make a good team. She's reasonable, quick and good at her job.

The reason I'm going into all of that is because when  you're writing reality fiction... A term that our friend Vince used years ago in a book review... fiction that's going to jump into tough subjects, you need to take it and your work seriously. I once read the opening of a book that dealt with a grave disaster... a disaster that killed thousands of people in its path, including people the protagonist saw EVERY DAY.... and it got a mere mention. As if the protagonist was too caught up in her life to be blindsided by the disaster.

Instantly I knew this person had never been through a storm of that proportion... I knew they were focusing on the internal struggle of the character and ignoring the HUGE, MONSTER STORM raging outside the door, leaving havoc and death in its path.

A storm that killed so many people and left thousands homeless deserved better because the aftermath of the storm is just as devastating and life-changing as whatever was going on in that poor girl's head. It was painfully clear that this person either didn't think the MONSTER STORM was of any consequence (and it was of huge consequence to the entire story) or they rushed their work (a common problem with indie authors) and/or they didn't think an editor's advice was worth it (Disagree.....) or they ignored the editor's advice and published as is.

And yes, I know people who've done that.

Reality fiction might deal with hard-hitting subjects... Sex. Divorce. Death. Abuse. Crime. Mental Illness. As an author you need to know how much to say... and when to say it.

Over 300 reviews and a 4.7 rating. An unforgettable story that had to be told.   
 http://amzn.to/1GwgOWL

Do you keep the reader in suspense?

Sometimes.

Do you start out with a full confession?

Sometimes.

And those variances are crucial to your story development. And remember that circumstances (like that monster storm) are a big part not only of your setting, but your character's character. What kind of character isn't gobsmacked by a horrific event? A shallow one.

If you're keeping the reader guessing, then subtle hints or over-the-top reactions help set the stage. An over-zealous reaction to a stranger's child pitching a fit in a store might have its roots in a past trauma. A lost child. An abused childhood. Inability to have a child.

When you tackle deep subjects, don't skim. Don't dwell. Walk the tightrope, keep your balance and don't be afraid to edit. Edit. Edit. And trust and editor and cut things when they hit you over the head with virtual white-out and say "enough already, darling. Move on."

The same holds true if you're writing diverse fiction, fiction with characters that aren't a carbon copy of you. If it's not an issue, don't make it one. (Corrie in "Her Cowboy Reunion", a sacrificial black surrogate mother to three white Steel Magnolias who raised them from infancy and stayed the course)...


But if it IS an issue, handle with care. (Kerry and Ben in The First Gift, when his mother disapproves their relationship)

Whatever you're writing... or any other job you're doing! Give it your best. The best waitress, the best cashier, the best retail clerk, the best executive assistant, the best mechanic.

The best writer you can be.

Wanna talk?

I've got a copy of the much awaited (SQUEAL IS REAL!!!!) "At Home in Wishing Bridge", book two of the Wishing Bridge series and it's going out to one of you!

Thea never expected to find herself in a small rural town where wishes and prayers mix with hopes and dreams... but here she is. And even more surprising? She might be falling in love... with the town... and maybe with the kind of geeky, grumpy doctor running the needy practice. But he's got plans and dreams of his own and none of them include Wishing Bridge. Yet.

 Leave a comment or jump into the discussion... Agree? Or disagree?

I'm open to both!

Multi-published, award-winning author Ruth Logan Herne absolutely positively loves what she does and loves chatting with readers and writers. Author of over 40 novels and novellas, she's living her dream... when she's not picking up after cute kids, tiny kittens, a couple of dogs, two mini-donkeys, a flock of too many chickens, and one aging farmer. Email her at loganherne@gmail.com, visit her website ruthloganherne.com or follow her on Twitter @RuthLoganHerne.